Penguin Modern Classics

For Joyce, literature 'is the eternal affirmation of the spirit of man'. Written between 1914 and 1921, Ulysses has survived bowdlerization, legal action and bitter controversy. An undisputed modernist classic, its ceaseless verbal inventiveness and astonishing wide-ranging allusions confirms its standing as an imperishable monument to the human condition. Declan Kiberd says in his introduction that Ulysses is 'an endlessly open book of utopian epiphanies. It holds a mirror up to the colonial capital that was Dublin on 16 June 1904, but it also offers redemptive glimpses of a future world which might be made over in terms of those utopian moments.'

This Annotated Student Edition has full explanatory notes and line numbers for critical reference.

A respected literary biographer, Mark is working on the life of Gilbert Strong - a writer about whom he thinks he knows everything. Happily married, and apparently dedicated to a life of letters, he nevertheless falls in love with Strong's granddaughter Carrie, a vague and unsophisticated young woman more interested in bedding plants than books or passion. As Mark's obsessions develop over a hot, complicated summer, he begins to understand that nothing is ever what it seems; not Gilbert Strong, and certainly not himself.

According to Mark is a witty and moving look at love, literature and the dangers of middle-aged folly.

Pauline is spending the summer at World's End, a cottage somewhere in the middle of England. This year the adjoining cottage is occupied by her daughter Teresa and baby grandson Luke; and, of course, Maurice, the man Teresa married. As the hot months unfold, Maurice grows ever more involved in the book he is writing - and with his female copy editor - and Pauline can only watch in dismay and anger as her daughter repeats her own mistakes in love. The heat and tension will lead to a violent, startling climax.

In Heat Wave, Penelope Lively gives us a moving portrayal of a fragile family damaged and defined by adultery, and the lengths to which a mother will go to protect the ones she loves.

Set in Italy in the summer of 1940, this trio of stories explores the relationships between the different generations caught up in the war as well as Calvino's own experiences as a teenager. In the title story, 'Into the War', we are given an insight into what life was really like for those too young to be conscripted into Mussolini's army, while in 'The Avanguardisti in Menton', Calvino and his friends take a revealingly anti-climactic trip to the garrisoned French town of Menton, the sole Italian conquest of the early months of the conflict. The final story, 'UNPA Nights', is a touching, comic tale of friendship in a blackout, where the narrator's imagination wanders as he roams through the seedier parts of the darkened town instead of guarding the school buildings.

Into the War is Calvino at his autobiographical best, combining brilliantly recollected memory with compelling wit and perfect prose.

When the Department - faded since the war and busy only with bureaucratic battles - hears rumour of a missile base near the West German border, it seems like the perfect opportunity to regain some political standing in the Intelligence market place. The Cold War is at its height and the Department is dying for a piece of the action.

Swiftly becoming carried away by fear and pride, the Department and her officers send deactivated agent Fred Leiser back into East Germany, armed only with some schoolboy training and his memories of the war.

In the land of eloquent silence that is Communist East Germany, Leiser's fate becomes inseparable from the Department's.

From the gothic Old South to revolutionary Mexico, few writers have evoked such a multitude of worlds, both exterior and interior, as powerfully as Katherine Anne Porter. This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.

Mr Marble is in serious debt, desperate for money to pay his family's bills, until the combination of a wealthy relative, a bottle of Cyanide and a shovel offer him the perfect solution. In fact, his troubles are only just beginning. Slowly the Marble family becomes poisoned by guilt, and caught in an increasingly dangerous trap of secrets, fear and blackmail. Then, in a final twist of the knife, Mrs Marble ensures that retribution comes in the most unexpected of ways ...

First published in 1926, C. S. Forester's gritty psychological thriller took crime writing in a new direction, portraying ordinary, desperate people committing monstrous acts, and showing events spiralling terribly, chillingly, out of control.

At the Universal Advertising Agency on the Strand, London, a murder is being planned. Three men have been discovered taking bribes and face the grim prospect of the dole queue, unless they can get rid of the person who caught them. Their ringleader, thick-set and vicious Mr Morris, soon discovers that killing is far easier than he thought - and that he even has a talent for it. He might, he feels, be superhuman. But as he will discover, there is no such thing as the perfect crime, and no deed goes unpunished.

Taking us into a 1930s London of grimy back streets, smoky cafes and shabby rooms, Plain Murder, C. S. Forester's second crime novel, is a brilliantly atmospheric and gripping portrayal of the dark heart of a killer.

West Germany, a simmering cauldron of radical protests, has produced a new danger to Britain: Karfeld, menacing leader of the opposition. At the same time Leo Harting, a Second Secretary in the British Embassy, has gone missing - along with more than forty Confidential embassy files. Alan Turner of the Foreign Office must travel to Bonn to recover them, facing riots, Nazi secrets and the delicate machinations of an unstable Europe in the throes of the Cold War.

As Turner gets closer to the truth of Harting's disappearance, he will discover that the face of International relations - and the attentions of the British Ministry itself - is uglier that he could possibly have imagined.

Essayist and poet Joseph Brodsky was one of the most penetrating voices of the twentieth century. This prize-winning collection of his diverse essays includes uniquely powerful appreciations of great writers: on Dostoevsky and the development of Russian prose, on Auden and Akhmatova, Cavafy, Montale and Mandelstam. These are contrasted with his reflections on larger themes of tyranny and evil, and subtle evocations of his childhood in Leningrad. Brodsky's insightful appreciation of the intricacies of language, culture and identity connect these works, revealing his remarkable gifts as a prose writer.

In this richly diverse collection of essays, Joseph Brodsky casts a reflective eye on his experiences of early life in Russia and exile in America. With dazzling erudition, he explores subjects as varied as the dynamic of poetry, the nature of history and the plight of the émigré writer. There is also the humorous tale of a disastrous trip to Brazil, advice to students, a homage to Marcus Aurelius and studies of Robert Frost, Thomas Hardy, Horace and others. The second volume of essays following Less Than One, this collection includes Brodsky's 1987 Nobel Lecture, 'Uncommon Visage'.

Tristes Tropiques begins with the line 'I hate travelling and explorers', yet during his life Claude Lévi-Strauss travelled from wartime France to the Amazon basin and the dense upland jungles of Brazil, where he found 'human society reduced to its most basic expression'. His account of the people he encountered changed the field of anthropology, transforming Western notions of 'primitive' man. Tristes Tropiques is a major work of art as well as of scholarship. It is a memoir of exquisite beauty and a masterpiece of travel writing: funny, discursive, movingly detailing personal and cultural loss, and brilliantly connecting disparate fields of thought. Few books have had as powerful and broad an impact.

Few novels have caused as much controversy as Hubert Selby Jr.'s notorious masterpiece. Described by various reviewers as hellish and obscene, it tells the stories of New Yorkers who at every turn confront the worst excesses in human nature. Yet there are moments of exquisite tenderness in these troubled lives. Georgette, the transvestite who falls in love with a callous hoodlum; Tralala, the conniving prostitute who plumbs the depths of sexual degradation; and Harry, the strike leader who hides his true desires behind a boorish masculinity, are unforgettable creations.

Last Exit to Brooklyn was banned by British courts in 1967, a decision that was reversed the following year with the help of a number of writers including Anthony Burgess.

'It is quite an experience to be locked up all by yourself in any size room' says the anonymous narrator of Hubert Selby Jr.'s second novel. What follows is a startling series of recollections and fantasies that illuminate the workings of a prisoner's unhinged mind. He yearns for his violent childhood, rages against obscure authorities, and imagines enacting horrible revenge on those who imprisoned him. The prisoner's remand cell becomes the scene of a surreal mental torture.

Disorienting, nightmarish and structurally inventive, The Room is a shocking examination of the suffering humans can inflict on each other.

Harry White is the man other men want to be: admired by his peers, talented, rich, and desired by countless women. His steady rise to a position of unprecedented influence in a New York investment firm seems inevitable to those who know him, and on the way he acquires a beautiful wife and children. But with every achievement the desire to destroy what is his grows stronger. A demon within drives him to sexual excess, petty crime and eventually murder.

The Demon explores the dark side of a man's ambitions with unflinching determination. Harry White's story is a gripping twentieth-century tragedy.

Isaac Bashevis Singer's work explores humanity in all of its guises. This collection of forty-seven short stories, selected by Singer himself from across the whole of his career, brings together the best of his writing. From the supernatural 'Taibele and Her Demon' to the poignant 'The Unseen', and from gentle humour in 'Gimpel the Fool' to tragedy with 'Yentl the Yeshiva Boy', these tales explore good and evil, passion and restraint, religious fervour and personal failings, within the traditional shtetls of pre-war Eastern Europe and post-war America.