Penguin Modern Classics
James Baldwin's impassioned plea to 'end the racial nightmare' in America was a bestseller when it appeared in 1963, galvanising a nation and giving voice to the emerging civil rights movement. Told in the form of two intensely personal 'letters', The Fire Next Time is at once a powerful evocation of Baldwin's early life in Harlem and an excoriating condemnation of the terrible legacy of racial injustice.
'Sermon, ultimatum, confession, deposition, testament, and chronicle ... all presented in searing, brilliant prose' The New York Times Book Review
'Baldwin writes with great passion ... it reeks of truth, as the ghettoes of New York and London, Chicago and Manchester reek of our hypocrisy' Sunday Times
'Candid, insightful, moving . . . a memoir, a chronicle of and commentary on America's abortive civil-rights movement' -The New York Times
In this deeply personal book, Baldwin reflects on the experiences that shaped him as a writer and activist: from his childhood in Harlem to the deaths Martin Luther King and Malcolm X. Exploring the visceral reality of life in the American South as well as Baldwin’s impressions of London, Paris and Hamburg, No Name in the Street grapples with the failed promises of global liberation movements in fearless, candid prose.
Timeless, tender and profound, Baldwin’s searing narrative contains the multiplicities of what it means to be Black in America and, indeed, around the world.
‘There’s no way not to suffer. But you try all kinds of ways to keep from drowning in it.’
The eight stories in this collection showcase the breadth of Baldwin’s imagination, empathy and social critique as he explores the subtle and profound wounds that discrimination leaves in both its victims and its perpetrators: from the down-and-out jazz pianist recovering from addiction in ‘Sonny’s Blues’ to the adolescent who hides his burgeoning sexuality from the church community that defines his world in ‘The Outing’ to the horrifying story of the initiation of a racist, as a deputy sheriff remembers his parents taking him to see the mutilation and murder of a black man by a gleeful mob in 'Going to Meet the Man'.
First published in 1965, these tales of ingenuity, desperation, power and fear provide a snapshot of a writer at the height of his literary powers.
‘The twentieth century's most prophetic critic of capitalism’ Prospect
Tracing the history of capitalism in England and beyond, Karl Polanyi's landmark 1944 classic brilliantly exposed the myth of laissez-faire economics. From the great transformation that occurred during the industrial revolution onwards, he showed, there has been nothing 'natural' about the market state. Instead, the economy must always be embedded in society, and human needs and relations. Witnessing the 'avalanche of social dislocation' of his time - from the Great Depression, to the rise of fascism and communism and the First and Second World Wars - Polanyi ends with a rallying cry for freedom, and a passionate vision to protect our common humanity.
‘Polanyi’s revolutionary work is a must-read for anyone interested in understanding the complexities of our economic systems and debunking the myths around the free market’ Mariana Mazzucato
'Nothing less than the greatest lyrical monument of this time' André Breton
'A Césaire poem explodes and whirls about itself like a rocket, suns burst forth whirling and exploding' Jean-Paul Sartre
'The most influential Francophone Caribbean writer of his generation' Independent
In the title story, 'Death in Midsummer', which is set at a beach resort, a triple tragedy becomes a cloud of doom that requires exorcising. In another, 'Patriotism', a young army officer and his wife choose a way of vindicating their belief in ancient values that is as violent as it is traditional; it prefigured his own death by seppuku in November 1970. There is a story in which the sad truth of the relationship between a businessman and his former mistress is revealed through a suggestion of the unknown, and another in which a working-class couple, touching in their simple love for each other, pursue financial security by rather shocking means.
Twenty-one-year-old Wang Er, stationed in a remote mountain commune, spends his days herding oxen, napping and dreaming of losing his virginity. His dreams come true in the shape of the beautiful doctor Cheng Qinyang. So begins the riotously funny story of their illicit love affair, the Party officials who enjoy their forced confessions a little too much, and Wang's life under the Communist regime: his misadventures as a biology lecturer in a Beijing university, and his entanglements with family, friends and lovers. Golden Age is an explosive, subversive, wild and hilarious satire, featuring one of literature's great protagonists, a sensation when it was published in the 1990s and beloved today.
Written with a light touch and with a wry sense of humour, these are also the essays of a great literary talent, grappling with sociology, sexuality and feminism, with the cultural clash of living in the USA, and with Chinese sci-fi, the internet, and beloved European writers like Bertrand Russell and Italo Calvino. Electrifying, containing a razor-sharp wit and intellect, this collection reveals the voice of a generation to English-speaking readers for the very first time.
Through detailed letters and personal writings, Ward follows the refined, educated Susan and her rugged, mining engineer husband Oliver on their journey from New York to California, traversing family struggles, infidelity, jealousy and tragedy, as they forge a new life in the Western states. In discovering her story he excavates his own, probing the shadows of his experience and the America that has come of age around him.
Winner of the 1972 Pulitzer Prize for fiction, Angle of Repose is Wallace Stegner’s masterpiece and a fascinating glimpse into frontier-era America.
Evelyn Waugh's acidly funny and experimental satire shows a new generation emerging in the years after the First World War, revealing the darkness and vulnerability beneath the glittering surface of the high life.