Penguin Modern Classics

With delicacy of perception and memory, humour and pathos, Carson McCullers spreads before us the three phases of a weekend crisis in the life of a motherless twelve-year-old girl. Within the span of a few hours, the irresistible, hoydenish Frankie passionately plays out her fantasies at her elder brother's wedding. Through a perilous skylight we look into the mind of a child torn between her yearning to belong and the urge to run away.

The Old Patagonian Express tells of Paul Theroux’s train journey down the length of North and South America. Beginning on Boston’s subway, he depicts a voyage from ice-bound Massachusetts to the arid plateau of Argentina’s most southerly tip, via pretty Central American towns and the ancient Incan city of Macchu Pichu. Shivering and sweating by turns as the temperature and altitude rise and plummet, he describes the people he encountered – thrown in with the tedious, and unavoidable, Mr Thornberry in Limón and reading to the legendary blind writer, Jorge Luis Borges, in Buenos Aires. Witty, sharply observed and beautifully written, this is a richly evocative account of travelling to ‘the end of the line’.

Dressed in his cheap, battered suit, Joseph Marti arrives at the impressive villa of Karl Tobler, an enthusiastic but ill-starred inventor, to begin employment as his clerk. Tobler is determined to finance his family’s lavish lifestyle with the proceeds from his latest idea – a clock adorned with advertisements. But Tobler’s grand plans are destined for failure and the household, including Marti, refuse to acknowledge their approaching ruin.

Robert Walser claimed to have written The Assistant, a semi-autobiographical work, in just six weeks as an entry for a literary competition. The second of his few surviving novels, it is now regarded as major work of modernist literature.

Sally is big, blonde and pampered. She’s married to Richard. But she loves Jerry. Jerry loves Sally in return, but he’s also still in love with his wife Ruth. Who’s been sleeping with Richard … As a hot, feverish summer of snatched weekends, secret phone calls and illicit lovemaking on the beach comes to a head, it turns out everyone knows more than they’ve been letting on. And that no one knows quite when to stop.

In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the free form Happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional and fascinating, his book shows how theatre defies rules, builds and shatters illusions and creates lasting memories for its audiences.

In The Theory of the Modern Stage, leading drama critic, Eric Bentley, brings together landmark writings by dramatists, directors and thinkers who have had a profound effect on the theatre since the mid nineteenth century, from Adolphe Appia to Émile Zola.

Here, Antonin Artaud sets out a manifesto for a Theatre of Cruelty, Bertolt Brecht discusses the tension between entertainment and instruction in experimental drama and Bernard Shaw defends himself as a realist, while W. B. Yeats describes the creation of a People’s Theatre. The ideas of theatre’s great makers are revealed by their best expositors, as Eric Bentley writes about Stanislavsky belief in the importance of emotional memory when creating a dramatic role and Arthur Symons considers Richard Wagner and the relationship between genius, art and nature.

Eileen Chang is one of the great writers of twentieth-century China, where she enjoys a passionate following both on the mainland and in Taiwan. At the heart of Chang's achievement is her short fiction—tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when she was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces readers to the stark and glamorous vision of a modern master.

In 1940s Shanghai, beautiful young Jiazhi spends her days playing mahjong and drinking tea with high society ladies. But China is occupied by invading Japanese forces and things are not always what they seem in wartime.

Jiazhi’s life is a front. A patriotic student radical, her mission is to seduce a powerful employee of the occupying government and lead him to the assassin’s bullet. Yet as she waits for him to arrive at their liaison, Jiazhi begins to wonder if she is cut out to be a femme fatale and coldly take Mr Yi to his death. Or is she beginning to fall in love with him?

A passionate tale of espionage, deception and love, Lust, Caution is accompanied here by four further dazzling short stories by Eileen Chang.

When Memoirs was first published in 1975, it created quite a bit of turbulence in the media--though long self-identified as a gay man, Williams' candour about his love life, sexual encounters, and drug use was found shocking in and of itself, and such revelations by America's greatest living playwright were called "a raw display of private life" by The New York Times Book Review. As it turns out, more than thirty years later, Williams' look back at his life is not quite so scandalous as it once seemed; he recalls his childhood in Mississippi and St. Louis, his prolonged struggle as a "starving artist," the "overnight" success of The Glass Menagerie in 1945, the death of his long-time companion Frank Merlo in 1962, and his confinement to a psychiatric ward in 1969 and subsequent recovery from alcohol and drug addiction, all with the same directness, compassion, and insight that epitomize his plays.

This new edition of Brian Aldiss’s classic anthology brings together a diverse selection of science fiction spanning over sixty years, from Isaac Asimov’s ‘Nightfall’, first published in 1941, to the 2006 story ‘Friends in Need’ by Eliza Blair. Including authors such as Clifford Simak, Harry Harrison, Bruce Sterling, A. E. Van Vogt and Brian Aldiss himself, these stories portray struggles against machines, epic journeys, genetic experiments, time travellers and alien races. From stories set on Earth, to uncanny far distant worlds and ancient burnt-out suns, the one constant is humanity itself, compelled by an often fatal curiosity to explore the boundless frontiers of time, space and probability.

A cultural storm swept through the 1960s -- Pop Art, Bob Dylan, psychedelia, underground movies -- and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.

6 of the Roaring Twenties chronicler’s most scintillating short stories, chosen from Flappers and Philosophers (1920) and Tales of the Jazz Age (1922). This inexpensive volume comprises "The Diamond as Big as the Ritz," "The Ice Palace," "Bernice Bobs Her Hair," "May Day," "The Jelly-Bean," and "The Offshore Pirate."

‘Hunting stories, like traveller’s tales, are proverbially dangerous to reputations, however literally true they may be . . .’ So wrote J Percy FitzPatrick of his perennial best-seller, never out of print in the century since its first publication. Here is the story of the ‘Boy’ who went to seek his fortune and of his bull-terrier, the plucky runt of the litter; of Marokela, the champion Zulu haulier; of Jantje, the Bushman with all his lore; and of pioneer types from previous goldrushes in California and Australia. A tribute to the life of the 1880s in the outposts of the agrarian Transvaal, this complete edition includes for the first time the author’s ‘Postscript’ and ‘The Creed of Jock’.

THE DHARMA BUMS appeared just one year after the author's explosive ON THE ROAD had put the Beat Generation on the literary map and Kerouac on the best-seller list. The same expansiveness, humour and contagious zest for life that sparked the earlier novels sparks this one too, but through a more cohesive story. The books follow two young men engaged in a passionate search for dharma or truth. Their major adventure is the pursuit of the Zen way, which takes them climbing into the high sierras to seek the lesson of solitude.

As he roams the US, Mexico, Morocco, Paris and London, Kerouac records life on the road in prose of pure poetry. Standing on the engine of a train as it rushes past fields of prickly cactus; witnessing his first bullfight in Mexico while high on opium; meditating on a sunlit roof in Tangiers or falling in love with Montmartre - Kerouac reveals both the endless diversity of human life and his own particular philosophy of self-fulfillment.

Florentino Ariza has never forgotten his first love. He has waited nearly a lifetime in silence since his beloved Fermina married another man. No woman can replace her in his heart. But now her husband is dead. Finally - after fifty-one years, nine months and four days - Florentino has another chance to declare his eternal passion and win her back. Will love that has survived half a century remain unrequited?