Penguin Modern Classics

The best-known of Shirley Jackson's novels and a major inspiration for writers like Neil Gaiman and Stephen King as well as the hit Netflix series, The Haunting of Hill House is a chilling story of the power of fear

'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt

Alone in the world, Eleanor is delighted to take up Dr Montague's invitation to spend a summer in the mysterious Hill House. Joining them are Theodora, an artistic 'sensitive', and Luke, heir to the house. But what begins as a light-hearted experiment is swiftly proven to be a trip into their darkest nightmares, and an investigation that one of their number may not survive. Twice filmed as The Haunting, and the inspiration for a 10-part Netflix series, The Haunting of Hill House is a powerful work of slow-burning psychological horror.

'An amazing writer ... If you haven't read her you have missed out on something marvellous' Neil Gaiman

'As nearly perfect a haunted-house tale as I have ever read' Stephen King

'The world of Shirley Jackson is eerie and unforgettable' A. M. Homes

'Shirley Jackson is one of those highly idiosyncratic, inimitable writers...whose work exerts an enduring spell' Joyce Carol Oates

'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt

This is the definitive collection of Shirley Jackson's short stories, including 'The Lottery' - one of the most terrifying and iconic stories of the twentieth century, and an influence on writers such as Neil Gaiman and Stephen King.

In these stories an excellent host finds himself turned out of home by his own guests; a woman spends her wedding day frantically searching for her husband-to-be; and in Shirley Jackson's best-known story, a small farming village comes together for a terrible annual ritual. The creeping unease of lives squandered and the bloody glee of lives lost is chillingly captured in these tales of wasted potential and casual cruelty by a master of the short story.

Shirley Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the greatest American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48.

'An amazing writer ... if you haven't read any of her short stories ... you have missed out on something marvellous' Neil Gaiman

'Her stories are stunning, timeless - as relevant and terrifying now as when they were first published ... 'The Lottery' is so much an icon in the history of the American short story that one could argue it has moved from the canon of American twentieth-century fiction directly into the American psyche, our collective unconscious' A. M. Homes

When a society becomes more affluent, does it lose other values? Are the skills that education and literacy gave millions wasted on consuming pop culture? Do the media coerce us into a world of the superficial and the material - or can they be a force for good?

When Richard Hoggart asked these questions in his 1957 book The Uses of Literacy Britain was undergoing huge social change, yet his landmark work has lost none of its pertinence and power today. Hoggart gives a fascinating insight into the close-knit values of Northern England's vanishing working-class communities, and weaves this together with his views on the arrival of a new, homogenous 'mass' US-influenced culture. His headline-grabbing bestseller opened up a whole new area of cultural study and remains essential reading, both as a historical document, and as a commentary on class, poverty and the media.

Living in the Blackwood family home with only her sister Constance and her Uncle Julian for company, Merricat just wants to preserve their delicate way of life. But ever since Constance was acquitted of murdering the rest of the family, the world isn't leaving the Blackwoods alone. And when Cousin Charles arrives, armed with overtures of friendship and a desperate need to get into the safe, Merricat must do everything in her power to protect the remaining family.

In her final novel, Shirley Jackson displays a mastery of suspense, family relationships and black comedy.

Shanghai, 1927, and revolution is in the air. As the city becomes caught up in violence and bloodshed, four people's lives are altered inexorably: idealist and intellectual Kyo Gisors, one of the leaders of the Communist insurrection, who is also trying to deal with his own marital strife; Ch'en Ta Erh, an assassin and terrorist brutalized by killing; Baron de Clappique, a French gambler, opium dealer and gun runner; and Russian revolutionary Katov, who calmly watches events unfold, until he has to make the ultimate sacrifice. Each of these men must try to resolve their personal conflicts amid political turmoil, conspiracy and betrayal.

Man's Fate, first published in 1933 and now reissued as a Penguin Modern Classic, is a gripping story of conflict, free will and our power to shape our destiny.

These three dramatic works by Tennessee Williams explore the darker side of human nature and are haunted by a sense of isolation and regret. 'Suddenly Last Summer' is the starkly told story of Catherine, who seemingly goes insane after her cousin Sebastian dies in grisly circumstances on a trip to Europe. 'The Milk Train Doesn't Stop Here Anymore' is a passionate examination of a wealthy old woman as she recounts her memories in the face of death, while in 'Small Craft Warnings' a motley group of people - including a blowsy beautician, a discredited alcoholic doctor, a vulnerable waif and two gay men - sit around a seedy bar on the Californian coast, each contemplating their own desperate fate.

Loneliness, sexual tension and the need for human kindness pervade these three plays by Tennessee Williams, as their characters rage against personal demons and the modern world. In 'Sweet Bird of Youth', a drifter, Chance Wayne, returns to his home town with an ageing movie actress in search of the girl he loved in his youth, but with terrible, violent results. 'Period of Adjustment' tells the story of two young newlyweds who visit the husband's old army friend on Christmas Eve after unsuccessfully consummating their marriage, and unleash forbidden passion, while in 'The Night of the Iguana' a diverse group of people, including a disturbed ex-minister and a troubled spinster, are thrown together in an isolated Mexican hotel for one eventful night.

Both heartwarming and meditative, The Cat Inside explores not only the personal relationship between Burroughs and cats, but the deeper relationship of cats with mankind, which Burroughs traces back to the Egyptians. This book of moving and witty discourse is for both Burroughs fans and cat lovers alike.

In these timeless and witty essays George Orwell explores the English love of reading about a good murder in the papers (and laments the passing of the heyday of the 'perfect' murder involving class, sex and poisoning), as well as unfolding his trenchant views on everything from boys' weeklies to naughty seaside postcards.

Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

Interzone portrays the development of Burroughs's mature writing style by presenting a selection of pieces from the mid-1950s. His outrageous tone of voice represents the exorcism of four decades of oppressive sexual and social conditioning. Burroughs's close observations of humanity - its ugliness and ignorance - invites the reader to dispense with their traditional notions of decorum, and taste the world as he sees it.

Beginning as surprisingly formal notes from the road to his friends Allen Ginsberg and Jack Kerouac, the letters gradually deepen in substance and style. Burroughs's letters show the development of both the man and the writer, vividly documenting his (often turbulent) personal and cultural history. The collection provides a key to opening up and contextualizing Burroughs's fiction, but more than that it shows how letter-writing was itself integral to his life and creative process.

My Education is Burroughs's last novel, first published two years before his death in 1997. It is a book of dreams, collected over several decades and as close to a memoir as we will see. The dreams cover themes from the mundane and ordinary - conversations with his friends Allen Ginsberg or Ian Sommerville, feeding his cats, procuring drugs or sex - to the erotic, bizarre and visionary. Always a rich source of imagery in Burroughs's own fiction, in this book dreams become a direct and powerful force in themselves.

In 1944, Jack Kerouac and William S. Burroughs were charged as accessories to murder. One of their friends, Lucien Carr, had stabbed another, David Kammerrer. Carr had come to each of them and confessed; Kerouac helped him get rid of the weapon - neither told the police. For this failing they were arrested. Months later, the two writers - unpublished at the time - collaborated on And the Hippos Were Boiled in Their Tanks, a fictionalized account of the summer of the killing.

It was the war to end all wars, the global struggle that would finally make the world safe for democracy - at any cost. But one American soldier has paid a price beyond measure. And within the disfigured flesh that was once a vision of youth lives a spirit that cannot accept what the world has become.

An immediate bestseller upon its first publication in 1939, Trumbo's stark, profoundly troubling masterpiece about the horrors of the First World War brilliantly crystallized the uncompromising brutality of war and became the most influential protest novel of the Vietnam era. As timely as ever.

Tim Lott's parents, Jack and Jean, met at the Empire Snooker Hall, Ealing, in 1951, in a world that to him now seems 'as strange as China'. In this extraordinarily moving exploration of his parents' lives, his mother's inexplicable suicide in her late fifties and his own bouts of depression, Tim Lott conjures up the pebble-dashed home of his childhood and the rapidly changing landscape of postwar suburban England. It is a story of grief, loss and dislocation, yet also of the power of memory and the bonds of family love.

Sontag wrote Illness as Metaphor in 1978, while suffering from breast cancer herself. In her study she reveals that the metaphors and myths surrounding certain illnesses, especially cancer, add greatly to the suffering of the patients and often inhibit them from seeking proper treatment. By demystifying the fantasies surrounding cancer, Sontag shows cancer for what it is - a disease; not a curse, not a punishment, certainly not an embarrassment, and highly curable, if good treatment is found early enough. Almost a decade later, with the outbreak of a new, stigmatized disease replete with mystifications and punitive metaphors, Sontag wrote Aids and Its Metaphors, extending the argument of the earlier book to the AIDS pandemic.