Penguin Modern Classics

'Spring in Fialta is cloudy and dull'. With his senses wide open, Victor wanders the streets. He meets Nina. Again. For fifteen years, their fleeting, chance encounters have made Nina a faint but constant presence in the margins of his life. As they happen upon one another once again, his mind wanders back into the past and relives each brief memory: their kiss in Russia, when she met his wife, when he met her husband, their affair in Paris. Each time she captivated him, each time she seemed to almost forget him, each time he noticed a lurking sense of apprehension that began to grow.

Written by one of the most lauded Chinese writers of the twentieth century, this bijou story focuses around the relationship between Mr and Mrs Mi and compares their bond of love with the sense of care they feel for the elderly Mrs Yang. A subtle examination of the fragile ties that bind us to those whom we love and those for whom we find ourselves caring along the way.

A four-year-old boy sits on a train with his mother and his baby sister. The mother attends to the baby. The little boy daydreams. An elderly man with a pleasant face joins the carriage. He asks, "Do you love your sister?" An ordinary question asked by an ordinary man. He continues, "I had a little sister... I took her and put my hands around her neck and I pinched her and I pinched her until she was dead."
Playing with the line between fact and fiction, Shirley Jackson's short story is disruptive and shocking, yet oddly familiar and reminiscent. It disturbs the commonplace, probing the façade of the everyday to question exactly just of what people are capable.

In Água Viva Clarice Lispector aims to 'capture the present'. Her direct, confessional and unfiltered meditations on everything from life and time to perfume and sleep are strange and hypnotic in their emotional power and have been a huge influence on many artists and writers, including one Brazilian musician who read it one hundred and eleven times. Despite its apparent spontaneity, this is a masterly work of art, which rearranges language and plays in the gaps between reality and fiction.

A Breath of Life is Clarice Lispector's final novel, 'written in agony', which she did not live to see published. Sensual and mysterious, it is a mystical dialogue between a god-like author and the creation he breathes life into: the speaking, shifting, indefinable Angela Pralini. As he has created Angela, so, eventually, he must let her die, for life is merely 'a kind of madness that death makes.' This is a unique, elegiac meditation on the creation of life, and of art.

Living in the slums of Rio and eking out a living as a typist, Macabéa loves movies, Coca-Cola and her philandering rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly and unloved. Yet telling her story is the narrator Rodrigo S.M., who tries to direct Macabéa's fate but comes to realize that, for all her outward misery, she is inwardly free. Slyly subverting ideas of poverty, identity, love and the art of writing itself, Clarice Lispector's audacious last novel is a haunting portrayal of innocence in a bad world.

Clarice Lispector's sensational, prize-winning debut novel Near to the Wild Heart was published when she was just twenty-three and earned her the name 'Hurricane Clarice'. It tells the story of Joana, from her wild, creative childhood, as the 'little egg' who writes poems for her father, through her marriage to the faithless Otávio and on to her decision to make her own way in the world. As Joana, endlessly mutable, moves through different emotional states, different inner lives and different truths, this impressionistic, dreamlike and fiercely intelligent novel asks if any of us ever really know who we are.

Clarice Lispector was a Brazilian novelist and short story writer. Her innovation in fiction brought her international renown. References to her literary work pervade the music and literature of Brazil and Latin America. She was born in the Ukraine in 1920, but in the aftermath of World War I and the Russian Civil War, the family fled to Romania and eventually sailed to Brazil. In 1933, Clarice Lispector encountered Hermann Hesse's Steppenwolf, which convinced her that she was meant to write. She published her first novel, Near to the Wildheart in 1943 when she was just twenty-three, and the next year was awarded the Graça Aranha Prize for the best first novel. Many felt she had given Brazillian literature a unique voice in the larger context of Portuguese literature. After living variously in Italy, the UK, Switzerland and the US, in 1959, Lispector with her children returned to Brazil where she wrote her most influential novels including The Passion According to G.H. She died in 1977, shortly after the publication of her final novel, The Hour of the Star.

G.H., a well-to-do Rio sculptress, enters the room of her maid, which is as clear and white 'as in an insane asylum from which dangerous objects have been removed'. There she sees a cockroach - black, dusty, prehistoric - crawling out of the wardrobe and, panicking, slams the door on it. Her irresistible fascination with the dying insect provokes a spiritual crisis, in which she questions her place in the universe and her very identity, propelling her towards an act of shocking transgression. Clarice Lispector's spare, deeply disturbing yet luminous novel transforms language into something otherworldly, and is one of her most unsettling and compelling works.

Darkly funny, searingly honest short stories from Hans Fallada, author of bestselling Alone in Berlin

In these stories, criminals lament how hard it is to scrape a living by breaking and entering; families measure their daily struggles in marks and pfennigs; a convict makes a desperate leap from a moving train; a ring - and with it a marriage - is lost in a basket of potatoes.

Here, as in his novels, Fallada is by turns tough, darkly funny, streetwise and effortlessly engaging, writing with acute feeling about ordinary lives shaped by forces larger than themselves: addiction, love, money.

The hilarious writing of James Thurber, author of 'The Secret Life of Walter Mitty', collected in this classic anthology.

This collection brings together the best of James Thurber's brilliantly funny, eccentric and anarchic writings. It includes his most famous work, The Secret Life of Walter Mitty, in which an ordinary man's fantasies have a more powerful hold on him than reality, as well as essays, poetry and cartoons gathered from all of Thurber's collections. Making fun of his own weaknesses and those of other people (and dogs) - the English teacher who looked only at figures of speech, the Airedale who refused to include him in the family, the botany lecturer who despaired of him totally - James Thurber is a true original, whose off-beat imagination shows us everyday life from a different angle.

James Thurber was born in 1894 at Columbus, Ohio, where, as he once said, so many awful things happened to him. After university (Ohio State) he worked at the American Embassy in Paris from 1918 to 1920, and then turned to journalism. From 1927 onwards he was on the staff of the New Yorker, and first published much of his work in it. He died in New York in 1961, and is today recognised as one of America's greatest twentieth-century humourists.

'One of the absolutely essential books of our time' Saturday Review of Literature

'One of the great humorists' Sunday Times

Set in the days of the Empire, with the British ruling in Burma, Burmese Days describes both indigenous corruption and Imperial bigotry, when 'after all, natives were natives - interesting, no doubt, but finally only a "subject" people, an inferior people with black faces'. Against the prevailing orthodoxy, Flory, a white timber merchant, befriends Dr Veraswami, a black enthusiast for Empire. The doctor needs help. U Po Kyin, Sub- divisional Magistrate of Kyauktada, is plotting his downfall. The only thing that can save him is European patronage: membership of the hitherto all-white Club. While Flory prevaricates, beautiful Elizabeth Lackersteen arrives in Upper Burma from Paris. At last, after years of 'solitary hell', romance and marriage appear to offer Flory an escape from the 'lie' of the 'pukka sahib pose'.

A mesmerising, chilling close-up portrayal of Stalin from Milovan Djilas, a Communist insider - with an introduction from Anne Applebaum, author of Gulag and Iron Curtain

This extraordinarily vivid and unnerving book three meetings held with Stalin during and after the Second World War. Djilas brilliantly describes the dictator in his lair - cunning, cruel, enormously talented. Few books give as clear a sense of what made Stalin such a compelling figure and how he was able to hypnotise and terrify those around him. Djilas also describes the key members of Stalin's court: Beria, Malenkov, Zhukov, Molotov and Khruschchev. The result is a gripping account of the ruler at the height of his fame and power.

These essays, reviews and articles illuminate the life and work of one of the most individual writers of this century - a man who created a unique literary manner from the process of thinking aloud and who elevated political writing to an art

Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life. Through the character of Gordon Comstock, Orwell reveals his own disaffection with the society he once himself renounced.

A searing account of George Orwell's observations of working-class life in the bleak industrial heartlands of Yorkshire and Lancashire in the 1930s, The Road to Wigan Pier is a brilliant and bitter polemic that has lost none of its political impact over time. His graphically unforgettable descriptions of social injustice, cramped slum housing, dangerous mining conditions, squalor, hunger and growing unemployment are written with unblinking honesty, fury and great humanity. It crystallized the ideas that would be found in Orwell's later works and novels, and remains a powerful portrait of poverty, injustice and class divisions in Britain.

Edited by Andrew Biswell With a Foreword by Martin Amis

Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean?

A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'.