Penguin Modern Classics

I have been woman
for a long time
beware my smile
I am treacherous with old magic

Filled with rage and tenderness, Audre Lorde's most acclaimed poetry collection speaks of mothers and children, female strength and vulnerability, renewal and revenge, goddesses and warriors, ancient magic and contemporary America. These are fearless assertions of identity, told with incantatory power.

'I want to be considered a jazz poet blowing a long blues in an afternoon jam session on Sunday'

Freewheeling and spontaneous, Mexico City Blues is Jack Kerouac's most significant and emblematic poem. Consisting of 242 loosely linked 'choruses', it takes in life, death, spirituality, jazz improvisation, memory, fantasies and dreams, all infused with the rhythm of the blues, to create a surreal and all-encompassing epic.

It's 1948, and when ten-year-old Pictorial Review Jackson's guardian dies, his older brother Slim appears. Together, the two hitch and bum from North Carolina to New York City, observing the strange lifestyles of people they encounter.

The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep

The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.

'The truth of her writing is as necessary today as it's ever been' Guardian

'She understands Karma, she says: "What I do, I reap"'


Her name means sadness, yet Tristessa, a prostitute and morphine addict, lives without cares in her shabby room with a menagerie of pets and an altar to the Virgin Mary. Based on Jack Kerouac's own real-life love affair in Mexico city, this is the story of a man's ill-fated relationship with a woman he portrays with tenderness and dignity, even as her life spirals out of control.

'A narrative meditation studying a hen, a rooster, a dove, a cat, a chihuaha dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, and pads at dawn in Mexico City slums' Allen Ginsberg

'I was subordinate to him from the beginning, and I must have known early on that he was destined to be my doom'

A woman in Vienna walks a tightrope between the two men in her life. There is her lover Ivan, beautiful and unavailable, who obsesses her. And there is Malina, the civil servant with whom she shares an apartment: reserved, fastidious, exacting, chillingly calm. As the balance of power between them starts to shift, she feels her fragile identity unravelling, gradually revealing the dark, bruised heart of her past.

Part detective novel, part love story, part psychoanalytic case study, Bachmann's 1971 masterpiece brings us to the broken heart of human experience, eros, neurosis and history.

Introduced by Rachel Kushner.

A New York Times Notable Book 2018

'A rebel French writer ... a brilliant storyteller, a master craftsman and one of France's most original writers' Independent

'The Kites is a novel touched from beginning to end with grace, a great saga about the innate dignity of love that succeeds in the feat of being funny and poetic, tender and sharp, committed and fierce, with a touch of brilliance in the art of dialogue' Muriel Barbery, author of The Elegance of the Hedgehog

A quiet village in Normandy, 1932. Ludo is ten years old and lives with his uncle, a kindly, eccentric creator of elaborate kites. One day, sitting in a strawberry field, Ludo meets the beautiful young Polish aristocrat Lila. And so begins Ludo's lifelong adventure of love and longing for Lila, who only begins to return his feelings just as Europe descends into the devastation of World War 2. After Poland and France fall, Lila and Ludo are separated. Ludo's friends in the village must find their own ways of resisting: the local restaurateur who is dedicated above all to France's haute cuisine, a Jewish brothel madam who sleeps with her unwitting enemies and Ludo, who cycles past the Nazis every day, passing on messages for the French Resistance - thinking always of Lila.

They met when they were teenagers. Quiet, poor, perhaps even a little dull, Miguel fell for languid Alicia during their long walks back from school. Then Lucas arrived and changed everything, entrancing Alicia with his confident bohemian charm. Miguel could not compete. But he stuck around and, against all the odds, was the one Alicia ended up marrying.

Now, eleven years later, their marriage has begun to fray, and Alicia sets out to see Lucas again. Yet gnawing at each member of the ménage a trois is the knowledge that, somewhere along the line, something has gone badly awry.

In a final heady whirl of sex and obsession, treachery and blame, they all struggle to ascertain: who among them is to blame?

For six months, Julia has lived alone in a drab Parisian hotel on an allowance from her ex-lover, Mr. Mackenzie. When his cheques stop, Julia decides to leave France and return to London. The tale of her ten day visit contains some of Jean Rhys's most sensitive, poignant writing. Past her prime, exhausted by broken love affairs and addled by drink, Julia is tragically unable to find what she really wants - love.

Jean Rhys was a talent before her time with an impressive ability to express the anguish of young, single women. In Good Morning, Midnight Rhys created the powerfully modern portrait of Sophia Jansen, whose emancipation is far more painful and complicated than she could expect, but whose confession is flecked with triumph and elation. One of the most honest and distinctive British novelists of the 20th Century, Jean Rhys wrote about women with perception and sensitivity in an innovative and often controversial way.

'But art has nothing to do with forgery, with lies. The paths of art may be thorny, but they are clean.'

Ornament and Crime comprises a selection of essays by celebrated Viennese architect, Adolf Loos, and cover the full range of design - from architecture to jewellery, pottery to plumbing, craft training to printing. A great enthusiast and great hater, Loos and his ideas were absolutely fundamental to 20th century aesthetics, as well as being very enjoyable to read. He extols heroes and denigrates villains, as he makes quite clear: 'If you want to have a contemporary craft, if you want to have contemporary utility objects, then poison the architects'.

The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.

Set in a superficially romantic, between-wars Paris, Quartet is a poignant tale of a lonely woman. Set against a background of winter-wet streets, Pernod in smoky cafes and cheap hotel rooms with mauve- flowered wallpaper, Marya tries to make something substantial of her life in order to withstand the unreality of her surroundings. Alone, her Polish husband in prison, she is taken up by an English couple who slowly overwhelm her with their passions.

First published in 1934, Voyage in the Dark is the story of an unhappy love affair, a portrait of a hypocritical society and an exploration of exile and breakdown; all written in Jean Rhys's hauntingly simple and beautiful style. Eighteen, on her own and independent as much through circumstance as character, Anna has exchanged the West Indies of her childhood for the cold greyness of England, with its narrow streets and narrower rules. As she drifts towards the demi-monde of 1914 London, she comes to realise that life will never be so free and easy again. Her childish dreams have been replaced by the harsher reality of living in a man's world, where all charity has its price.

Jean Rhys's late, literary masterpiece Wide Sargasso Sea was inspired by Charlotte Brontë's Jane Eyre, and is set in the lush, beguiling landscape of Jamaica in the 1830s. Born into an oppressive, colonialist society, Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent sensuality and beauty. After their marriage the rumours begin, poisoning her husband against her. Caught between his demands and her own precarious sense of belonging, Antoinette is driven towards madness.

A young woman anxiously waits for her date on a street corner in New York City; he sits in a pizza parlour across the street, watching her discomfort.

A middle-aged woman returns to a New York that is haunted by the passion and intensity of her former relationship with her estranged best friend.

A secretarial graduate starts her first job at a lawyer's office and quietly keeps her cruel experiences at his hands locked inside herself.

The stories in this collection peer deep into the inner lives of men and women, explore the cavernous spaces between what we say and what can be expressed, and are full of tenderness and cruelty. Published for the first time in Penguin Modern Classics, Bad Behaviour provides a devastatingly insightful and urgently necessary view of our times.

'Insistently asks the question: What would you do? Would you fight, or acquiesce, or collaborate? ... Karski was deeply patriotic and ludicrously brave ... an astonishing testament of survival' Ben Macintyre, author of Operation Mincemeat

It is 1939. Jan Karski, a brilliant young Polish student, enjoys a life of parties and pleasure. Then war breaks out and his familiar world is destroyed. Now he must live under a new identity, in the resistance. And, in a secret mission that could change the course of the war, he must risk his own life to try and save those of millions.