Everyman's Library POCKET POETS

The best of Hanshan's treasured poems—among the earliest of Zen Buddhist poetry, beloved by the Beat Generation—here newly translated by Peter Harris and organised thematically in a beautiful Pocket Poet hardcover. Long ranking among the most inspiring works of world literature, the poems of Hanshan (whose name means Cold Mountain), were written at least twelve centuries ago on trees, rocks, and walls by a semi-mythical Buddhist monk living in the mountains of south-eastern China.

German Romantic poetry is both fluid and formed, and it is full of song: the poems themselves are often intrinsically lyrical, and many of them inspired some of the best-known musical compositions of the nineteenth century. In this collection, we see German Romantic poets confronting life's greatest moments and greatest challenges - love, loss, death - and producing beautiful, and sometimes witty, works in response. Admiration for nature, in for particular the dramatic forests which still cover large areas of Germany, is also prominent in their work. Characters from myth and folklore abound too, most famously Lorelei, an enchantress who is associated with the River Rhine, and who features in several poems in this volume. Gathered here are favourites such as Goethe's 'Erl King', Eichendorff's 'Night of Moon', Heine's 'In May, the magic month of May', along with works by some of the most famous women writers of the period, Sophie Mereau, Karoline von Günderrode and Annette von Droste-Hülshoff. The works have been recreated in English verse by a range of poets and scholars

The Uyghur people of Central Asia have a long and distinguished tradition of poetry - indeed, their first oral epic was circulating as early as the 2nd century BCE. In the medieval period Sufi poetry flourished, embracing Persian forms such as the ghazal, which spoke eloquently of beauty, love, loss and separation. A major poet, Alshir Navayi (1441­-1501) fully established classical Turkic or Chagatai as a perfect vehicle for poetic expression. Some contemporary poets continue to find inspiration within the traditional forms, while others experiment with a freer style of verse.
Uyghur poetry reflects the magnificent natural landscapes where the Uyghurs have lived for two millennia - endless steppes, soaring mountain ranges and mysterious deserts, crossed by the historic Silk Road. It is also shaped by their turbulent past, caught between warring empires or marauding warlords - and their deeply troubled present.
The Uyghurs form a minority in China, where the government is now making a systematic attempt to erase their language and culture. Many intellectuals have been imprisoned, and many poets are now writing from exile, including the editor and translator of this volume, Aziz Isa Elkun, who lives in London. Uyghur Poems is not only a celebration of an ancient and vibrant poetic tradition, but also a vital witness to a culture under threat.

Elves, changelings, leprechauns, pixies, brownies and sprites; England's Queen Mab, France's Melusine, Scandinavian nixies and Scottish selkies: these magical creatures are sometimes mischievous, sometimes dangerous, always enchanting. This collection brings together a diverse array of literary fairies: here are Spenser's Faerie Queene, Shakespeare's Titania, Keats's Belle Dame Sans Merci, of course, but also Rimbaud's 'Fairy', Goethe's 'Erl-King', Denise Levertov's 'Elves', Sylvia Plath's 'Lorelei', Christopher Okigbo's 'Watermaid', Neil Gaiman's 'The Fairy Reel' and Patience Agbabi's changeling boy ('The Double').

Dip into this inspired assortment of concise masterpieces, and draw out - a fragment of Sappho from ancient Greece, a perfect haiku from Japan; a brief nature poem by John Clare, Robert Frost, Ted Hughes or Boris Pasternak; a compact love poem by Alexander Pushkin or Anne Bradstreet, Robert Herrick or Carol Ann Duffy; a miniature story by Hardy, Rumi or Roethke; a pithy meditation by Wang Wei, Emily Dickinson, Tennyson or Lorca. Dip again, and discover the compressed wit of Dorothy Parker and Ogden Nash; contemporary poets Simon Armitage and Moniza Alvi at their most succinct; short poems in very odd shapes from Apollinaire and Vaclav Havel ... So few lines, so much variety: epitaphs and epigrams; couplets and quatrains; lyrics, limericks and lullabies - go on, dip again.

'All good poetry is the spontaneous poetry of powerful feelings' -William Wordsworth

No generation of poets has felt more powerfully and enduringly than the Romantics of the late eighteenth and early nineteenth centuries. In this indispensable volume, Sir Jonathan Bate - prizewinning biographer of Wordsworth, Keats and John Clare - brings together the most loved poems of the age, together with many forgotten gems. Alongside classics such as Coleridge's 'Kubla Khan' and 'Frost at Midnight', the odes of Keats and generous selections from Wordsworth's Lyrical Ballads and The Prelude, the reader will discover the wit of Byron, the wildness of Blake, the passion of Shelley, a wealth of nature poems by Clare, and the distinctive voices of women Romantics such as Charlotte Smith, Mary Robinson, Felicia Hemans, Dorothy Wordsworth and Letitia Landon.

Rivers were the arteries of our first civilizations - the Tigris and Euphrates of Mesopotamia, India's Ganges, Egypt's Nile, the Yellow River of China - and have nourished modern cities from London to New York, so it is natural that poets have for centuries drawn essential meanings and metaphors from their endless currents.

English poets from Shakespeare and Dryden, Wordsworth and Byron to Ted Hughes, John Betjeman and Alice Oswald; Irish poets - Eavan Boland, Seamus Heaney, Paul Muldoon, to name but a few; Scottish and Welsh poets from Henry Vaughan and Robert Louis Stevenson to Robin Robertson and Gillian Clarke. A whole raft of American poets from Whitman, Emerson and Emily Dickinson to Langston Hughes, Mary Oliver, Natasha Trethewey and Grace Paley. Folk songs. African-American spirituals. Poems from ancient Egypt and Rome. From medieval China and Japan. And a truly international selection of modern poets from Europe (France, Italy, Russia, Serbia), India, Africa, Australia and South and Central America, all combining in celebration of the rivers of the world. From the Mississippi to the Limpopo. From the Dart to the Danube.

Plunge in.

Place of refuge, place where we can be ourselves; place we long to escape from, place where we are confronted by absence and loneliness; shabby downtown apartment or idyllic country cottage. Like it or loathe it, home is where we do most of our living.
Home is, of course, many things to many poets. It is Billy Collins's favourite armchair and Imtiaz Dharker's 'Living Space' in the slums of Mumbai. It is Wordsworth's 'dear Valley' of Grasmere, and Philip Larkin's Coventry, that place where nothing so famously happens. It may be somewhere we long for, perhaps unattainably: Ovid and Mahmoud Darwish lament their home countries, Kapka Kassabova seeks 'a house we can never find', while Jules Supervielle is 'Homesick for the Earth'.

There is an abundance of domestic life. Attend a miserable breakfast chez Jacques Prévert; observe Wendy Cope and partner happily 'Being Boring'. Cut to Anna Barbauld's washing-day, Marilyn Nelson dusting, Buson mending his clothes and Fiona Wright contending with a Tupperware party. Peep in on Amy Lowell in the bath and John Donne in bed, Auden in the privy and Joy Harjo at the kitchen table. Here are removals and homecomings, neighbours good and bad. Inevitably, after a year of enforced domesticity, some lockdown thoughts (Anna McDonald, Pauline Prior-Pitt); Mary Oliver's dream house, Naomi Shihab Nye's homes where children live, the far-from-safe houses of U. A. Fanthorpe, and some final reflections on the idea of a dwelling place from Rumi, Emily Dickinson, John Burnside, Vinita Agrawal, Derek Walcott, Les Murray and Iman Mersal.
It may not always be sweet, but there is certainly No Place Like Home.

A remarkably diverse treasury of literary celebrations, Books and Libraries is sure to take pride of place on the shelves of the book-obsessed.
Books have long captured the imagination of readers everywhere, commanding their love, earning their veneration. For Emily Dickinson they are frigates that 'take us Lands away'; for Wordsworth they are 'a substantial world, both pure and good'; Alberto Rios calls them 'the deli offerings of civilization itself'. This affection extends to the hallowed gathering places of the written word: libraries where one can best hear "a choir of authors murmuring inside their books," as Billy Collins has it; bookshops, especially second-hand ones, 'too small for the worlds they hold, where words that sing you to sleep, stories that stalk your dreams, open like windows in a wall' (Gillian Clarke).
The poets collected here include Catullus, Horace, T'ao Ch'ien, Dante, Petrarch, Boccaccio, Ronsard, Lope de Vega, Shakespeare, Marvell, Blake, Pope and Keats; more recent luminaries include Brecht, Cavafy, Gabriela Mistral, Dylan Thomas, Iku Takenaka, Pablo Neruda, Wislawa Szymborska, Anne Stevenson, Maya Angelou, Derek Walcott, John Burnside and Ian McMillan.

Poems of London brings together a remarkably wide range of poems inspired by the storied city, from its teeming medieval streets to the multicultural metropolis it is today.
The pantheon of classic English poets, from Shakespeare and Donne to Wordsworth and Blake to T. S. Eliot and Ted Hughes, provide their views of London alongside tributes by notable visitors including Arthur Rimbaud, Samuel Beckett, and Sylvia Plath. Here, too, are poetic contributions by an array of immigrants and the children of immigrants, including Linton Kwesi Johnson, Fleur Adcock, Patience Agbabi, and Booker Prize-winner Bernardine Evaristo. All the famous sights of London, from the Thames to the Tower, are touched on in this vibrant collection, and denizens of its busy streets, ranging from princes to pub-goers to pickpockets, wander through these pages. The result is an enthralling portrait of an endlessly varied and fascinating place.

Given that insects vastly outnumber us (there are approximately 200 million insects for every human) it is no surprise that there is a rich body of verse on the creeping, scuttling, flitting, stinging things with which we share our planet.

Many cultures have centuries-old traditions of insect poetry. In China,where noblewomen of the Tang dynasty kept crickets in gold cages-countless songs were written in praise of these 'insect musicians'. The haiku masters of Japan were similarly inspired, though spread their net wider to include less prepossessing bugs such as houseflies, fleas and mosquitoes. In the West, poems about insects date back to the ancient Greeks, and insects feature frequently in European literature from the 16th century onwards.

The poets collected here range from Donne, Marvell, Keats and Wordsworth; Emily Dickinson, Gerard Manley Hopkins and Christina Rossetti, to Elizabeth Bishop, Mary Oliver, Ted Hughes, Paul Muldoon and Alice Oswald. In translation there is verse by - amongst others - Meleager and Tu Fu, Ivan Turgenev, Victor Hugo, Paul Valéry, Pablo Neruda, Antonio Machado and Xi Chuan.

Bees, butterflies and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybirds and glowworms--the miniature creatures that adorn these pages are as varied as the poetic talents that celebrate them.

From ancient Greece and Rome (Sappho, Marcellus Empiricus) to the current Covid 19 crisis (Eavan Boland's 'Quarantine'), poets have responded with sensitivity and insight to the troubles of the human body and mind. Poems of Healing is a small treasury of their words, illuminating many different experiences of illness, injury and convalescence, from John Donne's 'Hymne to God My God, In My Sicknesse' to Thom Gunn's 'The Man with Night Sweats'; from Anne Finch's 'Spleen' to Jane Kenyon's 'Prognosis'; from Emily Dickinson's 'The Soul has Bandaged moments' to Seamus Heaney's 'Miracle'. Here are poems from around the world, by Baudelaire, Hugo, Rudaki and Cavafy; by Masaoka Shiki, Miroslav Holub and Zbigniew Herbert. Shakespeare and Milton; Tennyson and Emily Bronte; Charlotte Mew, Sylvia Plath, Wallace Stevens, W. H. Auden, Tony Harrison and Carol Ann Duffy are all present at the sickbed. Messages of hope in the midst of pain - in such masterpieces as Adam Zagajewski's 'Try to Praise the Mutilated World', Wislawa Szymborska's 'The End and the Beginning' and Stevie Smith's 'Away, Melancholy' - make this a perfect gift for anyone on the road to healing.

There is a great deal more to Greek poetry than the Iliad or the Odyssey. Shorter masterpieces abound, and the lyrical and elegiac poems, odes, and epigrams in this volume give an unparalleled sampling of them. Included here are selections from the early Greek poets - from Hesiod, Pindar and Bacchylides, Alcaeus and Sappho; from the later Alexandrian poets Theocritus, Bion, Apollonius of Rhodes, and many more. A whole section is devoted to poems from the celebrated Greek Anthology, which spans a thousand years from the Classical to the Byzantine age, and another to the Anacreontea, the delightful collection of odes on the pleasures of drink, love, and beauty which has been popular for centuries both in the original Greek and in English. Excerpts from somewhat longer poems include Percy Bysshe Shelley's 'Homeric Hymn to Mercury' and the hugely entertaining Homeric pastiche 'The Battle of the Frogs and Mice'.
Paul Quarrie's selection of English translations draws fruitfully on the work of lesser-known as well as more famous names. In these pages poets jostle with Regius Professors of Greek at Oxbridge, professional writers and translators with enthusiastic amateurs including teachers, librarians, aristocrats, diplomats, civil servants, bankers, soldiers and clergymen. Historically their translations range from anonymous versions produced in Tudor England through the golden age of translation presided over by George Chapman in the seventeenth century, to modern translations by James Michie, Fleur Adcock and Robert Fagles. The editor provides an informative preface, introductions to the Greek Anthology and the Anacreontea, and biographies of translators where bibliographical detail is set off by colourful anecdote.

Poets from around the world give eloquent voice to the trials, hopes, rewards and losses of migration.
Each year, millions join the ranks of intrepid migrants who have reshaped societies throughout history. Most recently, Middle Eastern and African people have risked their lives to reach safety in Europe, while central Americans have fled north seeking asylum. But whether they are refugees from war or violence, political exiles or immigrants in search of education, opportunity and freedom, these travellers share the challenge of adapting to being strangers in a strange land.
Border Lines brings together more than a hundred poets representing more than sixty nations - Imtiaz Dharker, Ruth Padel, Bernadine Evaristo, Derek Walcott, Mahmoud Darwish, 'Dreadlock Alien', Dunya Mikhail and Hédi Kaddour, to name but a few. Their poems tell moving stories of displacement and new beginnings in the UK, France and Germany, Canada and the United States and challenge us to reexamine our own society from a new perspective.

Montale's incandescently beautiful poetry is deeply rooted in the venerable lyric tradition that began with Dante, but he brilliantly reinvents that tradition for our time, probing the depths of love, death, faith and philosophy in the bracing light of modern history. Montale's poems teem with allusion and metaphor but at the same time are densely studded with concrete images that keep his complex musings firmly tethered to the world.
Montale's reputation is international and enduring, and he has influenced generations of poets around the world. This volume contains selections from all his greatest works, rendered into English by the accomplished poet and translator Jonathan Galassi. It serves as both an essential introduction to an important poet and a true pleasure for lovers of contemporary poetry.

Legendary American composer and lyricist Stephen Sondheim has won eight Tonys, eight Grammys, six Olivier Awards, an Academy Award and a Pulitzer Prize. His brilliant songs and lyrics of genius have entertained us for more than half a century and his Broadway shows revolutionized musical theatre. Working together with Sondheim, editor Peter Gethers has selected for this volume lyrics from across Sondheim's career, drawn from shows including West Side Story, Gypsy, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George and Into the Woods. The result is a delightful pocket-sized treasury of the best of Sondheim