Everyman's Library POCKET CLASSICS

Variations on a musical theme by a striking range of authors, among them Flaubert, Turgenev, Proust, Nabokov, Katherine Mansfield, Kazuo Ishiguro, Ian McEwan, Amit Chaudhuri, Bernard MacLaverty and Maya Angelou. Wesley Stace's attractive medley embraces musical genres from Virginia Woolf's 'A String Quartet' to Langston Hughes's 'The Blues I'm Playing'. Short stories are interspersed with interludes from longer works - E. M. Forster's Howards End, Ann Patchett's Bel Canto and Vikram Seth's An Equal Music. Here are music lessons, solos and duets, rehearsals and performances - and a whole suite of stories demonstrating that music is indeed the food of love. The perfect marriage of the musical and the literary.

Scottish Stories is a treasury of great writing from a richly literary land, where the short story has flourished for over two centuries. Here are chilling supernatural stories from Robert Louis Stevenson, Eric Linklater and Dorothy K. Haynes; side-splittingly funny stories from Alasdair Gray and Irvine Welsh; a stylish offering from urban realist William McIlvanney. Iain Crichton Smith evokes the Gaelic-speaking highlands, George Mackay-Brown the Orkney islands, Andrew O'Hagan working-class Glasgow; while Leila Aboulela, originally from Sudan, ponders the relations between colonizers and colonized from her home in Aberdeen. Though there is no one 'Scottishness' that binds the authors together, writes editor Gerard Carruthers, each has a Scottish footprint or accent. And perhaps more importantly, all are masters of their form.

Here are libraries modest, mobile, mystical (Borges of course) and magical (Helen Oyeyemi's enchanting 'Books and Roses'); public and private, provincial and prestigious. Little that happen in Elizabeth McCracken's eccentric library did not happen in real life - even down to the murder; and it is rumoured that on 3 June 1997 the British Museum Reading Room really was visited by the ghost of Max Beerbohm's obscurest of poets, Enoch Soames...
Fiction and reality merge in Cortazar's 'A Continuity of Parks'. Characters step out of their books in Fay Weldon's 'Lily Bart's Hat Shop', while Jasper Fforde's Jurisfiction operatives enter Wuthering Heights to deliver a Rage-Counselling session. Charles Lamb muses on the annoying book-borrowing habits of Samuel Taylor Coleridge; the teenage Teffi is overawed by Tolstoy; Helene Hanff in Manhattan launches her famous correspondence with a London antiquarian bookshop at 84 Charing Cross Road.
Reading, as the Queen informs an appalled private secretary, is 'untidy, discursive and perpetually inviting'. And also, of course, a lot of fun. Sit comfortably, then, and begin.

Woven through all these tales are the unique histories and mythologies of the regions of Southern Italy, encompassing Sicily, Calabria, Cantania, Basilicata, Apulia and Campania. Theocritus, Virgil and Ovid evoke a Sicily populated by Cyclopes and sea monsters, while in an excerpt from The Smile of the Unknown Mariner Vincenzo Consolo depicts the island in 1860, on the frontline in Italy's war of independence. The South's legendary legacy of brigandage and organized crime enlivens the stories of Leonardo Sciascia, Carlo Levi and Joseph Conrad. Curzio Malaparte and Norman Lewis immortalize the wreckage of Naples and the indomitable spirit of its people during World War II, and Elena Ferrante paints a spectacular portrait of a poor but vibrant Neapolitan neighbourhood in an excerpt from the bestselling My Brilliant Friend. Collectively, these entertaining tales plunge readers into the sometimes harsh and troubled, but always seductive and vital world of Italy's Mezzogiorno

Spectacular gardens are viewed from the perspective of a snail in Virginia Woolf's 'Kew Gardens' and from that of a sheltered teenage girl in Katherine Mansfield's 'The Garden Party'. The family of Doris Lessing's 'Flavours of Exile' haul succulent vegetables and fruits from the rich African soil, and Colette in 'Bygone Spring' luxuriates in extravagantly blooming flowers. Children discover their own peculiar paradises in Sandra Cisneros's 'The Monkey Garden' and Italo Calvino's 'The Enchanted Garden', while adult gardeners find things that move and haunt them in William Maxwell's 'The French Scarecrow' and Jamaica Kincaid's 'The Garden I Have in Mind'.
Gardens of the mind round out the anthology: the beautiful but fatal garden of Nathaniel Hawthorne's 'Rappaccini's Daughter', the crystal buds of J. G. Ballard's 'The Garden of Time', ravenous orchids in John Collier's 'Green Thoughts', and Aoko Matsuda's 'Planting', in which a young woman plants each day whatever she has been given - roses and violets, buttons and broken cups, love and fear and sorrow.
An entrancing book for everyone who loves gardens and the beauty of nature.

Trees have starred in stories ever since Ovid described the nymph Daphne's metamorphosis into a laurel, and the landscape of literature has long been enlivened by wild woodlands, sacred groves, and fertile orchards. This delightful collection ranges from Ovid to Austen and from Robin Hood's Sherwood Forest (via Thomas Love Peacock's Maid Marian) to Washington Irving's 'The Legend of Sleepy Hollow'. Here are forest-haunted fairy tales both classic (the Brothers Grimm) and inventively retold (Angela Carter). There is room in these woods for comedy as well as terror, in Stella Gibbons's Cold Comfort Farm, and Alexander McCall Smith's 'Head Tree'. Notable writers from around the world contribute arboreal fiction-from South Africa, Finland, France, Zimbabwe, Russia, Martinique, and India, as well as Britain, Ireland, Canada and America. From Daphne du Maurier's 'The Apple Tree' to R. K. Narayan's 'Under the Banyan Tree', the sheer range of stories in these pages will leave readers refreshed and dazzled.

This unique collection of medical stories approaches its theme from many eras and perspectives. Some of the authors included were themselves physicians, notably Chekhov, Conan Doyle, Somerset Maugham and William Carlos Williams. Bulgakov, too, draws on his own experience as a doctor in rural Russia a century ago, while Anna Kavan's story from Asylum Piece, takes a surreal look inside a Swiss psychiatric clinic, and Lorrie Moore's witty, grief-stricken Mother in 'People Like Us Are the Only People Here' examines the feelings of a parent with a child in the Paediatric Oncology war - 'Peed Onk'. Maupassant, Stevenson, Kipling, Conrad, Graham Greene, O. Henry, J. G. Ballard, Robert Heinlein, Dorothy Parker, Jhumpa Lahiri and Alice Munro all feature. Doctors observe patients; patients observe doctors. Nurses go about their important business, not always appreciated. Not quite everyone is healed. The meaning of illness - does it have any? - and of life itself, is called into question - and all in the most entertaining way imaginable.

Florence's world-famous Renaissance is brought to life in this anthology through the eyes of its most illustrious chroniclers. Beginning with Dante's vision of Inferno, teeming with his Florentine enemies, to the artist Cellini's swashbuckling adventures in High Renaissance Italy, and including the pioneering writings of Boccaccio, Ficino, Guicciardini and Vasari, this selection shows that in literature, as in art, Florence was a trailblazer.

The city's long tradition of mesmerizing foreigners is celebrated in selections from Tobias Smollet, Henry James, D.H. Lawrence and Stendhal (whose rapturous impressions gave name to 'Stendhal syndrome'), while indigenous writers such as Curzio Malaparte and Vasco Pratolini paint a far grittier portrait of Florence under the looming cloud of Fascism and World War II. Salman Rushdie's dazzling novel The Enchantress of Florence takes inspiration from the city's gilded Renaissance past, while Mary McCarthy's masterful travelogue captures a bustling 20th century market city. George Eliot, Rainer Maria Rilke, Iris Origo and Penelope Fitzgerald are among the other brilliant writers whose stories illuminate the many faces of this fascinating city.

The Golden City of Prague has long been an intellectual centre of the western world. The writers collected here range from the early nineteenth century to the present and include both Prague natives and visitors from elsewhere. Here are stories, legends, and scenes from the city's past and present, from the Jewish fable of the golem, a creature conjured from clay, to tales of German and Soviet invasions. The international array of writers ranges from Franz Kafka to Ivan Klíma to Bruce Chatwin, and includes the award-winning British playwright Tom Stoppard and former American Secretary of State Madeleine Albright, both of whom have Czech roots. Covering the city's venerable Jewish heritage, the glamour of the belle-époque period, World War II, Communist rule, the Prague Spring, the Velvet Revolution, and beyond, Prague Stories weaves a remarkable selection of fiction and nonfiction into a literary portrait of a fascinating city.

Richard Bassett, former Central European correspondent for The Times, knows his subject inside out. Here is Prague in all its brilliance, a city rich in folklore both Slavic and Jewish, whose history is the stuff of legend - Jan Hus, Charles IV and his eponymous bridge, serial defenestrations; Prague in the dark years of World War II, in the grey years of Communism, in the excitement of the Velvet Revolution. And here is today's Prague, a vibrant cosmopolitan capital where a new generation of Czech writers - Sylva Fischerova, Daniela Hodrova and others - explores its identity in new and exciting ways.

A unique collection of fiction and non-fiction to delight and stimulate travellers and stay-at-homes alike.

Berlin, in the words of Philip Hensher, editor of this anthology, 'has always been a city of desperate modernity', both in terms of urban architecture - largely a creation of the progressive 19th century, laid waste by World War II, temporary home of the infamous Wall - and in ways of living and behaving. As early as the 1920s it was the gay capital of Europe; the Communist East/free West barrier presented unique problems for a divided population; and in the 1990s, in the aftermath of reunification, the cheap, run-down city became a vibrant centre for creative artists. 'The sense of making it up as you go along is never far away in Berlin.'
The stories in this volume are the product of this series of multiple rebirths from the viewpoint of both insiders and outsiders. From pre- 1914 there are contributions from Theodor Fontane and Robert Walser; from the Weimar Republic, Alexander Döblin, Vladimir Nabokov, Erich Kästner, Ernst Haffner, Irmgeud Keun and Christopher Isherwood; from the Third Reich, Thomas Wolfe, Hans Fallada and Heinz Rein; from the Cold War era, Peter Schneider, Thomas Brussig, Len Deighton, Christa Wolf and Ian McEwan; from post-reunification, Günter Grass, Wladimir Kaminer, Chloe Aridjis, Uwe Timm, Kevin Barry, Jean-Philippe Toussaint and Jenny Erpenbeck.

Russian Stories rounds up marvellous short stories by all the Russian heavyweights, including Pushkin, Lermontov, Gogol, Dostoevsky, Tolstoy, Turgenev, Chekhov, Bulgakov, Babel and Nabokov, and continuing up to contemporary writers such as Tatyana Tolstaya and the recent Nobel Prize winner, Svetlana Alexievich. There is no similar one-volume collection of the best of the Russian greats in English. Women writers are particularly well represented and predominate in the last fifty years; also included is a story by the recently rediscovered Teffi, who was widely hailed a century ago in Russia as 'the female Chekhov'.

The sublime city of Venice has long offered inspiration to the world's storytellers. This anthology gathers a dazzling variety of stories with Venetian settings, including Daphne du Maurier's haunting "Don't Look Now," Anthony Trollope's wartime romance "The Last Austrian Who Left Venice," Vernon Lee's spine-chilling "A Wicked Voice," and a scene from The Wings of the Dove, Henry James's tale of passion and betrayal in a Gothic palazzo on the Grand Canal. The famed Venetian adventurer Giacomo Casanova weighs in with escapades from his notorious Memoirs, alongside enthralling selections by Baron Corvo, Marcel Proust, Camillo Boito, and Jeanette Winterson. In its multifaceted portrait of La Serenissima, Venice Stories showcases a lineup of literary classics worthy of the magnificent city they celebrate.

Saki's dazzling tales manage the remarkable feat of being anarchic and urbane at the same time. Studded with Wildean epigrams and featuring well-contrived plots and surprise endings, his stories gleefully skewer the pompous hypocrisies of upper-class Edwardian society. But they go beyond mere satire, raising dark humour to extremes of entertaining outrageousness that have rarely since been matched. Saki's elegantly mischievous young heroes sow chaos in their wake without breaking a sweat, occasionally assisted by werewolves, tigers, eavesdropping house pets and casually murderous children. This selection of over fifty stories includes such favourites as 'Tobermory', 'The Open Window', 'Sredni Vashtar', 'Mrs Packletide's Tiger', 'The Schartz-Metterklume Method', and many more.

The stories collected here--including such gems as Stephen Crane's "The Bride Comes to Yellow Sky," O. Henry's "The Marry Month of May," F. Scott Fitzgerald's "The Bridal Party," Joy Williams's "The Wedding," and Lorrie Moore's "Thank You For Having Me", encompass comic wedding mishaps, engagements broken and mended, honeymoon adventures, and scenes both heartwarming and heartbreaking. There are glamorous weddings in Paris and New York, and more eccentric ones in the Wild West and on a remote island beach. There are nervous brides, forgetful grooms, meddling guests, interrupted nuptials, second thoughts, and second chances. Above all, there are all kinds of people - young and old, rich and poor, divorced and widowed, with or without children - joining together in the age-old quest for matrimonial happiness.

During its three-thousand-year history Rome has been an imperial metropolis, the capital of a nation and the spiritual core of a great world religion. For writers from antiquity to the present, however, the place holds an alternative significance as a realm of fantasy, aspiration and desire. Captivating and lethal at one and the same moment, its fatal gift of beauty both transfigures and betrays those in thrall to it. Rome Stories explores the city's fateful impact through the writing of classical historians, a Renaissance sculptor, 18th-century tourists, American, British and French novelists and the authors of modern Rome, each testing and unravelling the city's ageless paradoxes. Gibbon admires the Last of the Tribunes, Goethe decodes the mysteries of the Carnival and Stendhal's subversive aristocrats mingle revolution with a little cross-dressing amid their gilt mirrors and frescoed ceilings From Plutarch to Pasolini, from Hawthorne to Wharton, the city of Caesars and popes, of dreamers, chancers and hustlers confronts the questing imagination with its eternally unflinching gaze.

In this lively collection, wine snobs receive their comeuppance at the hands of Roald Dahl and Edgar Allan Poe; innocents over-imbibe in tales by Jack London and Alice Munro; riotous partying exacts a comic price in stories by P. G. Wodehouse and Kingsley Amis; Charles Jackson and Jean Rhys chronicle liquor-soaked epiphanies; while John Cheever, Vladimir Nabokov and Robert Coover set their characters afloat on surreal, soul-revealing adventures. Here, too, are well-lubricated tales by Dickens, Twain, Beckett, Colette, Dorothy Parker, F. Scott Fitzgerald, Doris Lessing, Frank O'Connor, Penelope Lively, and many more.

The settings include hotels and restaurants, a wine cellar in Italy, a café in Paris, a bar in Dublin, a New York nightclub, Jazz Age speakeasies, suburban lawn parties and the occasional gaol cell, and are peopled by lovers and loners, barmen and chorus girls, youths taking their first sips and experienced tipplers nursing hangovers.

Whether living it up or drowning their sorrows, the vividly drawn characters in these sparkling pages will leave you shaken and stirred.