Everyman's Library CLASSICS

Readers everywhere were introduced to the work of Irène Némirovsky through the publication of her long-lost masterpiece, Suite Française. But Suite Française was only a coda to the brief yet remarkably prolific career of this nearly forgotten, yet hugely talented novelist, who fled Russia for Paris after the Revolution and died at Auschwitz at the age of 39. Here in one volume are four of Némirovsky's other novels - all of them newly translated by the award-winning Sandra Smith, and all, except David Golder, available in English for the first time.

David Golder is the book that established Némirovsky's reputation in France in 1929 when she was twenty-six. It is a novel about greed and loneliness, the story of an ageing Russian Jewish businessman,an exile in France, learning to confront death and the knowledge that wealth has not brought him happiness. The Ball is both a sensitive exploration of adolescenceand a mercilessexposure of bourgeois social pretension. Snow in Autumn is an evocative tale of White Russian emigrés in Paris, while in The Courilof Affair a retired Russian revolutionary recalls an infamous assassinationcommitted in his youth. Introduced by novelist Claire Messud.

This handsome edition of McCarthy's completed Border Trilogy in one volume gives the reader one of the most important works of American fiction of the last decades. McCarthy's work is far more than a western, but crosses the borders between fiction and philosophy, the real and the world of dream. With influences ranging from the traditional western; the coming-of-age story; the courtly romance; classical tragedy; and magical realism, McCarthy's masterpiece is a work to be read and read again. This new volume containing all three of the novels, All the Pretty Horses, The Crossing, and Cities of the Plain, is a welcome addition to the canon of McCarthy's works in print.

Struggling manufacturer Robert Moore has introduced labour saving machinery to his Yorkshire mill, arousing a ferment of unemployment and discontent among his workers. Robert considers marriage to the wealthy and independent Shirley Keeldar to solve his financial woes, yet his heart lies with his cousin Caroline, who, bored and desperate, lives as a dependent in her uncle's home with no prospect of a career. Shirley, meanwhile, is in love with Robert's brother, an impoverished tutor - a match opposed by her family. As industrial unrest builds to a potentially fatal pitch, can the four be reconciled? Set during the Napoleonic wars at a time of national economic struggles, "Shirley" (1849) is an unsentimental, yet passionate depiction of conflict between classes, sexes and generations.

These brilliantly wrought, tragic novellas explore the repressed emotions and destructive passions of working-cass people far removed from the social milieu usually inhabited by Edith Wharton's characters.
Ethan Frome is one of Wharton's most famous works; it is a tightly constructed and almost unbearably heartbreaking story of forbidden love in a snowbound New England village. Summer, also set in rural New England, is often considered a companion to Ethan Frome - Wharton herself called it 'the hot Ethan' - in its portrayal of a young woman's sexual and social awakening. Bunner Sisters takes place in the narrow, dusty streets of late-nineteenth-century New York, where the constrained but peaceful lives of two spinster shopkeepers are shattered when they meet a man who becomes the unworthy focus of all their pent-up hopes.
All three of these novellas feature realistic and haunting characters as vivid as any Wharton ever conjured, and together they provide a superb introduction to the shorter fiction of one of America's greatest writers.

Poet, artist and mystic Kahlil Gibran was born in 1883 to a poor Christian family in Lebanon and emigrated to the United States as an adolescent. His masterpiece, The Prophet, a book of poetic essays written in his youth, has sold over eight million copies in more than twenty languages since its first publication in 1923. But all Gibran's works - essays, stories, parables, prose poems - are imbued with equally powerful simplicity and wisdom, whether meditating upon love, marriage, friendship, work, pleasure, time or grief. Perhaps no other twentieth-century writer has touched the hearts and minds of so remarkably varied and widespread a readership.Included in this volume are The Madman, The Forerunner, The Prophet, Sand and Foam, Jesus the Son of Man, Earth Gods, The Wanderer, The Garden of the Prophet, Prose Poems, Spirits Rebellious, Nymphs of the Valley and A Tear and a Smile.

With his diamond-sharp prose and artfully handled intrigue, Dashiell Hammett virtually invented hard-boiled crime fiction. This omnibus edition includes four linked stories - 'The House in Turk Street', 'The Girl with the Silver Eyes', 'The Big Knockover' and '$106,000 Blood Money - featuring the Continental Op, Hammett's anonymous tough-guy detective. In The Dain Curse, the Op takes on a wealthy young woman who appears to be the victim of a deadly family curse. And in The Glass Key - Hammett's own favourite among his works - we encounter his most cynical, morally ambiguous hero and a hard-boiled version of a love triangle. In the works collected here, we can observe the process by which Hammett both stripped crime fiction down to its most subtle and searing essentials and elevated it to high literature.

In the five novels by Ireland's greatest comic writer we can explore the full range of his invention, from the multi-layered madness of At Swim-Two-Birds to the piercing realism of The Hard Life and the surreal logic of The Third Policeman. This is a world where bicycles listen to conversations, inventors search formethods of 'diluting' water, and characters play truant while novelists sleep; a world where spiteful fairies wreak havoc and heroes from legend blunder into suburban sitting-rooms. This is recognizably the Ireland of Joyce and Beckett - rowdy, high-spirited, by turns sensual and and cerebral -transformed by O'Brien's unique vision.

Paul Scott's epic study of British India in its final years has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence. Book one, The Jewel in the Crown, describes the doomed love between an English girl and an Indian boy, Daphne Manners and Hari Kumar. This affair touches the lives of other characters in three subsequent books, most of them unknown to Hari and Daphne but involved in the larger social and political conflicts which destroy the lovers.
On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author's capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.

Paul Scott's epic study of British India in its final years has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence. Book one, The Jewel in the Crown, describes the doomed love between an English girl and an Indian boy, Daphne Manners and Hari Kumar. This affair touches the lives of other characters in three subsequent books, most of them unknown to Hari and Daphne but involved in the larger social and political conflicts which destroy the lovers.
On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author's capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.

The books' titles are taken from actual streets in Cairo, the city of Mahfouz's childhood and youth.
The trilogy follows the life of the Cairene patriarch al-Sayyid Ahmad Abd al-Jawad and his family across three generations, from World War I to the overthrow of King Farouk in 1952.

The name of Giacomo Casanova, Chevalier de Seingalt (1725-1798), in now synonymous with amorous exploits, and there are plenty of these, vividly narrated, in him memoirs. But Casanova was not just an energetic lover. In his time he was diplomat, business man, trainee priest, traveller, prisoner, magician, confidence trickster, gambler, professional entertainer and chalatan. He financed business projects, organised lotteries, wrote opera libretti and dabbled in high politics. Above all he was an autobiographer of enduring brilliance and subtlety who left behind him what is probably the most remarkable confession ever written. Casanova was a Venetian who explored to the full all the possibilities 18th century Venice offered by way of love and profit before being imprisoned, escaping from gaol, and fleeing from the city to begin travels which took him across Europe. In Moscow and London, Berlin and Constantinople, he met the famous men and women of the time - Catherine the Great, Voltaire, Louis XV, Rousseau - and recorded his encounters for the memoirs he wrote in retirement at the end of his life. These memoirs are by turns subtle, touching, thrilling, wonderfully comic and quite irresistible. Although the present edition includes one third of Casanova's enormous (though unfinished) book, it contains all his major adventures and all is greatest affairs of the heart. 'Casanova is unsurpassed as the recreator of the daily talking interests of 18th century Europe. he ranges from slut to patrician, from closet to cabinet, waterfront to palace.' - V S PRITCHETT

Who is killing monks in a great medieval abbey famed for its library - and why? Brother William of Baskerville is sent to find out, taking with him the assistant who later tells the tale of his investigations. Eco's celebrated story combines elements of detective fiction, metaphysical thriller, post-modernist puzzle and historical novel in one of the few twentieth-century books which can be described as genuinely unique.
The Name of the Rose was made into a film in 1986, starring Sean Connery and Christian Slater and directed by Jean-Jacques Annaud.

From his birth in 1923 to his belated paternity and public apotheosis as a spry septuagenarian in 1999, Bech plugs away, globetrotting in the company of foreign dignitaries one day and schlepping in tattered tweeds on the college lecture circuit the next. By turns cynical and naïve, wry and avuncular, and always amorous, he is Updike's most endearing confection-a Lothario, a curmudgeon, and a winsome literary icon all in one. A perfect forum for Updike's limber prose, The Complete Henry Bech is an arch portrait of the literary life in America from an incomparable American writer.

Since tales of his exploits began appearing in The New Yorker more than thirty years ago, Henry Bech, John Updike's playfully irreverent alter-ego, has charmed readers with his aesthetic dithering and his seemingly inexhaustible libido.

It is the mid-1800s. At Sweet Home in Kentucky, an era is ending as slavery comes under attack from the abolitionists. The worlds of Halle and Paul D. are to be destroyed in a cataclysm of torment and agony. The world of Sethe, however, is to turn from one of love to one of violence and death - the death of Sethe's baby daughter Beloved, whose name is the single word on the tombstone, who died at her mother's hands, and who will return to claim retribution.

The Republic of Gilead offers Offred only one function: to breed . If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. . . . .

Of Antonia, the passionate heroine of Willa Cather's greatest novel, the narrator says that she left 'images in the mind that did not fade - that grew stronger with time'. The same could be said of the novel itself. On one level it is a straighforward story, beautifully written, of the struggle for survival of a family of pioneers on the vast Nebraska plains. On another it encompasses history, the relationship ofhuman beings and the natural world, and the destiny of the individual - even as it lovingly and unsentimentally portrays a woman whose robust spirit and enduring warmth make her emblematic of what Cather most admired in the American people.

'The time will come when Willa Cather will be ranked above Hemingway.' - Leon Edel