Everyman's Library CLASSICS

Benvenuto Cellini is an artist-craftsman, one of the greatest sculptors in the renaissance, passionately devoted to art, the worshipper and frequenter of the great men of his time, the 'divine' Michelangelo, who came to his studio, the 'marvellous' Titian (the adjectives are Cellini's ). He loathed the sculptor Torregiano because he had broken Michelangelo's nose.His autobiography gives a quite extraordinarily vivid account of daily life in Renaissance Florence and Rome, its studios, its taverns, its violence, his loves, the kings, cardinals and popes who commission his works. At 27 he helps direct the defence of the castello San Angelo; his account of his imprisonment there under a mad castellan (who thought he was a bat), his escape by an improvised rope, his recapture, his confinement in 'a cell of tarantulas and venomous worms' is a chapter of adventure equal to any in fact or fiction. Later he describes burning all his furniture to achieve sufficient heat to cast of one of his most famous works, Perseus and the Head of Medusa.
Cellini's Life was translated by Goethe into German. The Everyman translation by Anne Macdonell (1903) is widely recognised as the most faithful to the energy and spirit of the original.

p-Included here are famous tales like 'Sound of Thunder', in which the carelessness of a group of time-travellers leads to disastrous consequences, and 'The Veldt', in which two seemingly innocent young children transform their nursery into a lethal trap. Here are the Martian stories, tales that vividly animate the red planet with its brittle cities and double-mooned sky. Here are stories which speak of a special nostalgia for Green Town, Illinois, the perfect setting for a seemingly cloudless childhood - except for the unknown terror lurking in the ravine. Here are the Irish stories and the Mexican stories, linked across their separate geographies by Bradbury's astonishing inventiveness. Here, too, are thrilling, terrifying stories such as 'The Fog Horn' - perfect for reading under the covers.
Read for the first time, these stories are a feast for the imagination; read again - and again - they reveal new, dazzling facets of a master storyteller's extraordinary art.

Chinua Achebe is considered the father of African literature in English, the writer who 'opened the magic casements of African fiction' for an international readership. Following the 50th anniversary of the publication of his ground-breaking Things Fall Apart, Everyman republish Achebe's first and most famous novel alongside No Longer at Ease and Arrow of God, under the collective title The African Trilogy.
In Things Fall Apart the individual tragedy of Okonkwo, 'strong man' and tribal elder in the Nigeria of the 1890s is intertwined with the transformation of traditional Igbo society under the impact of Christianity and colonialism. In No Longer at Ease, Okonkwo's grandson, Obi, educated in England, returns to a civil-service job in colonial Lagos, only to clash with the ruling elite to which he now believes he belongs. Arrow of God is set in the 1920s and explores the conflict from the two points of view - often, but not always, opposing - ofEzuelu, an Igbo priest, and Captain Winterbottom, a British district officer.
In spare and lucid prose,Achebe tellsa universal tale of personal and moral struggle in a changing world which continues to resonate in Africa today and has captured the imaginations of readers everywhere.

For George MacDonald Fraser the bully Flashman was easily the most interesting character in Tom Brown's Schooldays, and imaginative speculation as to what might have happened to him after his expulsion from Rugby School for drunkenness ended in 12 volumes of memoirs in which Sir Harry Paget Flashman - self-confessed scoundrel, liar, cheat, thief, coward -'and, oh yes, a toady' - romps his way through decades of nineteenth-century history in a swashbuckling and often hilarious series of military and amorous adventures. In Flashman the youthful hero, armed with a commission in the 11th Dragoons, is shipped to India, woos and wins the beautiful Elspeth, and reluctantly takes part in the first Anglo-Afghan War, honing a remarkable talent for self-preservation.Flash for Freedom! finds him crewing on an African slave ship, hiding in a New Orleans whorehouse and fortuitously running into rising young American politician Abraham Lincoln...

Tacitus was the greatest historian of the Roman empire. Born in about AD 55, he served as administrator and leading senator. This career gave him an intimate view of the empire at its highest levels, experience brought to bear on his writing.
His major works are the Annals and the Histories, both of which have come down to us incomplete. Between them, they cover a period of about 80 years, from the death of the first emperor, Augustus, to the death of Domitian in 96AD. In addition, Tacitus also composed two short historical books or essays, the Agricola (about his father-in-law, a distinguished provincial governor) and the Germania, an account of the tribes beyond the Rhine.
Tacitus is a brilliant narrator and master stylist who had ample material for his story in the dramatic, violent and often bloody events of the first century. His portraits - especially those of Tiberius, Nero, and Nero's immediate circle - are unforgettable, his scene-setting masterly, his psychological analysis as acute as any novelist. He is also a fierce critic of the decadence and corruption which marked struggles for the imperial succession. As Robin Lane Fox writes in his brilliant introduction, 'Above all Tacitus was supremely wary of the distortions and "spin" of official announcements. He had no illusions about the capacities of presidential, one-man rule.' Napoleon disliked him, not surprisingly.
Everyman reprints the classic translation by A.J. Church and W.J. Brodribb, with extensive notes considerably revised and updated by Dr Eleanor Cowan.

Brillat - Savarin's unique, exuberant collection of dishes, experiences, reflections, history and philosophy raised gastronomy to an art form. First published in France in 1825, this remarkable book reflected a new era in French cuisine: the advent of the restaurant, which gave the bourgeoisie the opportunity to select their dishes with precision and anticipation. Yet the author also gives his views on taste, diet and maintaining a healthy weight, on digestion, sleep, dreams and being a gourmand. Witty, shrewd and anecdotal, The Physiology of Taste not only contains some remarkable recipes, it an elegant argument for the pleasures of good food and a hearty appetite.

The story of Scrooge, a miser who becomes a different man when he is presented with visions of past, present and future by Marley's ghost. First published on 17th December 1843, it had, by Christmas Eve of that year, sold 6000 copies at a price of five shillings.

The Decameron (subtitle: Prencipe Galeotto) is a collection of 100 novellas by Italian author Giovanni Boccaccio, probably begun in 1350 and finished in 1353. It is a medieval allegorical work best known for its bawdy tales of love, appearing in all its possibilities from the erotic to the tragic. Some believe many parts of the tales are indebted to the influence of The Book of Good Love. Many notable writers such as Chaucer are said to have drawn inspiration from The Decameron

The contents have been intriguingly divided into eight narrative threads that influenced and informed O'Connor's oeuvre. War includes the famous 'Guests of the Nation', set during the Irish War of Independence; Childhood draws on autobiographical writings to present a revealing picture of the author as a boy, the only child of an alcoholic father and doting mother; Writers bears witness to his literary debt to Yeats and Joyce. The stories in Lonely Voices movingly demonstrate O'Connor's theory that in this genre can be achieved 'something we do not often find in the novel - an intense awareness of human loneliness'; yet they are counterparted by his wonderfully polyphonic tales of family, friendship and rivalry in Better Quarrelling. In Ireland come poems, stories and articles inspired by the native land he loved but never sentimentalized, while from Abroad the writer in exile discourses upon universally relevant themes of emigration, hardship, absence and return. Finally, Last Things contains O'Connor's thoughts on religion, the church, the soul and its destiny, but remains above all a celebration of humanity 'who for me represented all I should ever know of God'.

On the day of his wedding, Edmond Dantes, master mariner, is arrested in Marseille on trumped-up charges and spirited away to the cellars of the Chateau d'If, an impregnable sea fortress in which he is imprisoned indefinitely. Escaping from the chateau by a series of daring manoeuvres, he unearths a great treasure on the island of Monte Cristo, buried there by a former fellow prisoner who bequeaths to him the secret of its whereabouts. Thus armed with unimaginable wealth and embittered by his long imprisonment, he resolves to devote his life to tracking down and punishing those responsible.
This classic nineteenth-century translation has been revised and updated by Peter Washington, with an introduction by award-winning novelist Umberto Eco.

A trilogy of brilliant novels-The Sportswriter, Independence Day, and The Lay of the Land-that charts the life and times of one of the most beloved and enduring characters in modern fiction.When we meet Frank Bascombe in The Sportswriter, his unguarded voice instantly wins us over and pulls us into a life that has been irrevocably changed-by the loss of a marriage, a career, a child. We then follow Frank, ever laconic and observant, through Independence Day and The Lay of the Land.

"In Haddam, summer floats over tree-softened streets like a sweet lotion balm from a careless, languorous god, and the world falls in tune with its own mysterious anthems. Shaded lawns lie still and damp in the early a.m." - Independence Day

Richard Yates was acclaimed as one of the most powerful, compassionate and accomplished writers of America's post-war generation. Whether addressing the smothered desire of suburban housewives, the white-collar despair of Manhattan office workers or the heartbreak of a single mother with artistic pretensions, Yates ruthlessly examines the hopes and disappointments of ordinary people with empathy and humour.

Included are seminal stories like 'To Room Nineteen'; in which a woman reacts against the oppression of her banal marriage with dreadful results; 'One off the Short List', which traces the surprising conclusion to a seduction gone awry, and 'The Habit of Loving' in which a lonely older man who takes a vivacious young wife witnesses an unexpected reversal of intimacy.
Here also are two classic novellas, The Temptation of Jack Orkney and The Other Woman, exemplifying Lessing's impressive understanding of human psychology. Rich and various in mood and background - the settings range across England and France - these stories powerfully convey the uncompromising insight, intelligence and vision of one of the most ardently admired writers of our time.

Set in her native southwest Ontario, they include 'Royal Beatings', in which a young girl, her father and her stepmother release the tension of their circumstances in a ritual of punishment and reconciliation; 'Friend of My Youth', in which a woman comes to understand that her difficult mother is not so very different from herself; and 'The Love of a Good Woman', in which, when an old crime resurfaces, a woman has to choose whether to believe in the man she intends to marry.
Like the World War I soldier of the title story, whose letters from the front to a small-town librarian he doesn't know change her life for ever, Munro's unassuming characters take permanent hold of our imaginations. Her incomparable empathy for the people she writes about, the depth of her understanding of human nature, and the grace and surprise of her narrative add up to a richly layered and capacious fiction.

Collected here are Gogol's finest tales - stories which combine the wide-eyed, credulous imagination of the peasant with the sardonic social criticism of the city dweller - allowing readers to experience anew the unmistakable genius of a writer who paved the way of Dostoevsky and Kakfa. All of Gogol's most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know. The wholly unique blend of satire and realism that Gogol crafted established his reputation as one of the most daring and inventive writers of his time.

Marco Polo set off on his travels from Venice as a young man in 1271, and returned home in 1295 after spending 24 years away, 17 of them in China. He isone of the few early adventurers whose name nearly everyone knows. His book was one of the best-loved works of the Middle Ages, and has remained popular ever since. At a time when China is again assuming global importance, his account of China under the Mongol emperor Khubilai Khan - the dazzlingly splendid capital in Beijing, the great southern metropolis of Hangzhou - is a classic reminder of the antiquity of Chinese power and civilization.
Marco Polo also portrays countries and cities all along the trade route from the Mediterranean to Mongolia. He reminds us that Iraq's present suffering is not unique by relating the story of the attack on Baghdad by Mongol forces in 1258. He conveys the daunting prospect of the deserts of central Asia and the distant charms of Yunnan. And he reminds us of the huge merchant ships dominating China's trade with foreign countries, ships that far outstripped their European counterparts. He even writes about Japan, the first European to do so.
His book was often thought of as a book of marvels, but one of its striking features to a contemporary reader is its clarity, realism and tolerance. As this new edition shows, he sometimes exaggerates, but his reputation for making things up is quite unfair, as Colin Thubron makes clear in his introduction.
The original manuscript of Marco Polo's book is lost, and in the many later versions names and other details have become so garbled that it has been said that his itineraries are impossible to follow. This new Everyman edition shows this need not be so. It explains clearly all the references in the book, and shows in detail with new maps the routes described from Venice to Beijing, from Beijing to Burma, and from Beijing to south-east China. It also provides an up-to-date history of the book and the controversies surrounding it.