Herman Melville, John Updike (Introducer)

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Summary

Herman Melville (1819-91) brought as much genius to the smaller-scale literary forms as he did to the full-blown novel: his poems and the short stories and novellas collected in this volume reveal a deftness and a delicacy of touch that is in some ways even more impressive than the massive, tectonic passions of Moby-Dick. In a story like “Bartleby, the Scrivener” — one of the very few perfect representatives of the form in the English language — he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In “Benito Cereno,” he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime’s magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.

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About the author

Herman Melville

Herman Melville (1819-91) became in his late twenties a highly successful author of exotic novels based on his experiences as a sailor - writing in quick succession Typee, Omoo, Redburn and White-Jacket. However, his masterpiece Moby-Dick was met with incomprehension and the other later works which are now the basis of his reputation, such as Bartleby, the Scrivener and The Confidence-Man, were failures. Melville stopped writing fiction and the rest of his long life was spent first as a lecturer and then, for nineteen years, as a customs official in New York City. He was also the author of the immensely long poem Clarel, which was similarly dismissed. At the end of his life he wrote Billy Budd, Sailor which was published posthumously in 1924.

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