The Way We Were: Britain, 1970-1974

State of Emergency

Britain, 1970-1974

State of Emergency : Britain 1970-74 is a brilliant history of the gaudy, schizophrenic atmosphere of the early Seventies. 
 
 The early 1970s were the age of gloom and glam. Under Edward Heath, the optimism of the Sixties had become a distant memory. Now the headlines were dominated by social unrest, fuel shortages, unemployment and inflation. 
 
 The seventies brought us miners' strikes, blackouts, IRA atrocities, tower blocks and the three-day week, yet they were also years of stunning change and cultural dynamism, heralding a social revolution that gave us celebrity footballers, high-street curry houses, package holidays, gay rights, green activists and progressive rock; the world of Enoch Powell and Tony Benn, David Bowie and Brian Clough, Germaine Greer and Mary Whitehouse. 
 
 Dominic Sandbrook's State of Emergency is the perfect guide to a luridly colourful Seventies landscape that shaped our present, from the financial boardroom to the suburban bedroom. 
 
 'Hugely entertaining, always compelling, often hilarious' Simon Sebag Montefiore, Sunday Telegraph 
 
 'Thrillingly panoramic ... he vividly re-creates the texture of everyday life in a thousand telling details' Francis Wheen, Observer 
 
 'Masterly ... nothing escapes his gaze' Independent on Sunday 
 
 'Splendidly readable ... his almost pitch-perfect ability to recreate the mood and atmospherics of the time is remarkable' Economist

In the early 1970s, Britain seemed to be tottering on the brink of the abyss. The headlines were dominated by strikes and blackouts, unemployment and inflation. As the world looked on in horrified fascination, Britain seemed to be tearing itself apart. And yet, amid the gloom, glittered a creativity and cultural dynamism that would influence our lives long after the nightmarish Seventies had been forgotten. 
 
In this brilliant new history, Dominic Sandbrook recreates the gaudy, schizophrenic atmosphere of the early Seventies: the world of Enoch Powell and Tony Benn, David Bowie and Brian Clough, Germaine Greer and Mary Whitehouse. An age when the unions were on the march and the socialist revolution seemed at hand, but also when feminism, permissiveness, pornography and environmentalism were transforming the lives of millions. It was an age of miners' strikes, tower blocks and IRA atrocities, but it also gave us celebrity footballers and high-street curry houses, organic foods and package holidays, gay rights and glam rock. 
 
For those who remember the days when you could buy a new colour television but power cuts stopped you from watching it, this book could hardly be more vivid. It is the perfect guide to a luridly colourful Seventies landscape that shaped our present from the financial boardroom to the suburban bedroom.

The Battle for Britain, 1974-1979

Seasons in the Sun

Britain, 1974-1979

Dominic Sandbrook's magnificent account of the late 1970s in Britain 
 
The late 1970s were Britain's years of strife and the good life. They saw inflation, riots, the peak of trade union power - and also the birth of home computers, the rise of the ready meal and the triumph of a Grantham grocer's daughter who would change everything. Dominic Sandbrook recreates this extraordinary period in all its chaos and contradiction, revealing it as a turning point in our recent history, where, in everything from families and schools to punk and Doctor Who, the future of the nation was being decided. 
 
'Magnificent ... if you lived through the late Seventies - or, for that matter, even if you didn't - don't miss this book' Mail on Sunday 
 
'Sandbrook has created a specific style of narrative history, blending high politics, social change and popular culture ... always readable and assured ... [A] splendid book' Stephen Robinson, Sunday Times 
 
'[Sandbrook] has a remarkable ability to turn a sow's ear into a sulk purse. His subject is depressing, but the book itself is a joy ... Sandbrook is, without doubt, superb ... Seasons in the Sun is a familiar story, yet seldom has it been told with such verve' Gerard DeGroot, Seven 
 
'A brilliant historian ... I had never fully appreciated what a truly horrible period it was until reading Sandbrook' A. N. Wilson, Spectator 
 
'Nuanced ... Sandbrook has rummaged deep into the cultural life of the era to remind us how rich it was, from Bowie to Dennis Potter, Martin Amis to William Golding' Damian Whitworth, The Times 
 
'Sharply and fluently written ... entertaining ... By making you quite nostalgic for the present, Sandbrook has done a public service' Evening Standard

Magnificent ... if you lived through the late Seventies - or, for that matter, even if you didn't - don't miss this book.

Sandbrook has created a specific style of narrative history, blending high politics, social change and popular culture ... always readable and assured ... Anyone who genuinely believes we have never been so badly governed should read this splendid book.

Nuanced ... Sandbrook has rummaged deep into the cultural life of the era to remind us how rich it was, from Bowie to Dennis Potter, Martin Amis to William Golding.

Sharply and fluently written ... entertaining ... By making you quite nostalgic for the present, Sandbrook has done a public service.

In this gloriously colourful book, Dominic Sandbrook recreates the extraordinary period of the late 1970s in all its chaos and contradiction, revealing it as a decisive point in our recent history. Across the country, a profound argument about the future of the nation was being played out, not just in families and schools but in everything from episodes of Doctor Who to singles by the Clash. These years saw the peak of trade union power and the apogee of an old working-class Britain - but also the birth of home computers, the rise of the ready meal and the triumph of the Grantham grocer's daughter who would change our history forever.

The Strange History of Our National Imagination

The Great British Dream Factory

'Delightfully good ... an exuberant and learned celebration of British culture ... full of love for and fascination with everything from the origins of heavy metal in the metal-bashing industries of the West Midlands to John Lennon's and Damien Hirst's lust for money' Nick Cohen, Observer 
 
'Terrific ... I defy you not to be swept up in a narrative that's as colourful as it is dramatic' - John Preston, Mail on Sunday 
 
'Dramatic, perceptive and often extremely funny' Spectator, Books of the Year 
 
Britain's empire has gone. We no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture. 
 
It is extraordinary to think that one British writer, J. K. Rowling, has sold more than 400 million books; that Doctor Who is watched in almost every developed country in the world; that James Bond has been the central character in the longest-running film series in history; that The Lord of the Rings is the second best-selling novel ever written (behind only A Tale of Two Cities); that the Beatles are still the best-selling musical group of all time; and that only Shakespeare and the Bible have sold more books than Agatha Christie. To put it simply, no country on earth, relative to its size, has contributed more to the modern imagination. 
 
This is a book about the success and the meaning of Britain's modern popular culture, from Bond and the Beatles to Catherine Cookson and Coronation Street, from Harry Potter, heavy metal and Kate Bush to Damien Hirst, Downton Abbey and Grand Theft Auto. 
 
Dominic Sandbrook's superbly rich, entertaining and thought-provoking book makes it clear that The Great British Dream Factory is a very strange and wonderful place indeed.

Delightfully good ... an exuberant and learned celebration of British culture

Not only thoroughly entertaining, but crammed with as many serious insights as a shelf-ful of academic studies.

I read it in less than two days, my attention never flagging ... It is dramatic, perceptive and often extremely funny

I read it in less than two days, my attention never flagging ... Embracing everything from Black Sabbath's guitarist, Tony Iommi, losing his fingers in a sheet metal press to the 2012 Olympic opening ceremony, it's dramatic, perceptive and often extremely funny.

It was hard to find a more convincing read ... a highly entertaining look at everything from The Avengers to Harry Potter that proclaims Britain as the champion of culture, spreading words and songs internationally like no other

Sandbrook's hugely enjoyable analysis of why we continue to punch above our weight in this area ... covers everything from boarding school tales (Tom Brown to Harry Potter) to country house tales (Brideshead and Downton), the works of Tolkien to the 2012 Olympics.

Terrific fun ... Sandbrook isn't like other historians ... He heads off down strange, neglected byways, teasing out unexpected connections, with the results often proving far more illuminating - and enjoyable - than conventional narratives ... I defy you not to be swept up in a narrative that's as colourful as it is dramatic.

Engrossing ... delightful ... a book that relishes an argument and likes to challenge received opinion ... not only thoroughly entertaining, but crammed with as many serious insights as a shelf-ful of academic studies.

Witty ... enthusiastic ... a passionate and admirable defence of coach-party musical theatre, large-print historical fiction, wedding reception rock, Orc sagas, To the Manor Born, Arnold Bennett, Billy Bunter and Billy Elliot ... The hot core of his story, though, is made of the most thrillingly unlikely material.

Splendid ... Sandbrook is always an engaging and perceptive writer and the subject lends itself to his eye for a story and his ability to connect with the reader. This is, after all, a book about the very things that, over the past century, we have most enjoyed, from Hercule Poirot to Sgt Pepper.

Sparkling ... fascinating ... always enlightening ... as usual with Sandbrook, there are some lovely vignettes and incongruous details ... Academic writers could certainly learn something from his lightness of touch and ability to build an argument.

Beautifully written ... wonderfully counter-intuitive ... with an excellent feel for the contemporary pulse and the surprising killer detail ... I, too, have left out loads that Sandbrook has cleverly and incisively included.

A marvellous read ... juicy, irresistible, restoring the past with all its delight, defeats and energy to the ageing spectator ... He delights in the sheer, tumbling crowdedness of British popular culture over the past half century or so, crams in at a terrific pace the innumerable stories of its successes, and lends the status of heroism to his favourite figures. The author catches with infectious excitement the cracking pace and headlong productivity of this teeming crowd.

Masterly ... lively and stimulating ... He loves to debunk received opinion.

A vivid, endlessly fascinating account of the numerous achievements of this country's national imagination. This book is my personal dream factory ... so invigorating and exciting.

Defiantly populist ... Dominic Sandbrook zestfully charts the route that has taken Britain from 'workshop of the world' to 'cultural superpower' ... as Sandbrook rightly insists, 'we still live in the shadow of the Victorians

An engaging and very accessible history book about our modern artistic achievements that, provocatively, also debunks some of the very icons it praises.

I loved this book about British culture, partly because there's so much in it, and partly because of the brilliant way the author joins the dots ... Sandbrook gets us thinking about cinema, art, country houses, Tolkein, Doctor Who, and, superbly, much more.

An entertaining trawl through British culture ... [Sandbrook] has produced a book that is not only thoroughly enjoyable to read, but also crammed with as many serious insights as a shelf of academic studies

It's a great premise, and I dived into, and splashed around in, this book gleefully at first. Here were lucid and often amusing expositions on the work of Lennon and McCartney, Ian Fleming, JRR Tolkien, Christie ... in his books on Britain in the 1950s and 60s, Sandbrook has covered some of this ground before. But he doesn't repeat himself, and his scope is wider than heretofore - he notices, for instance, how ingrained Charles Dickens's influence is, still, in popular entertainment ...  It would be impossible to please everyone. But when Sandbrook is pleasing, he is very pleasing indeed.

Dominic Sandbrook's most recent book for Penguin was Seasons in the Sun: The Battle for Britain, 1974-79. He is the presenter of a number of highly successful BBC television series, on subjects as diverse as the joys of the Volkswagen and the history of science fiction. He writes reviews and articles principally for the Daily Mail and Sunday Times.

Britain's empire has gone. Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture. 
 
This is a book about the success and the meaning of Britain's modern popular culture, from Bond and the Beatles to heavy metal and Coronation Street, from the Angry Young Men to Harry Potter, from Damien Hirst to The X Factor.

Dominic Sandbrook

Britain, 1979-1982

The early 1980s were the most dramatic, colourful and controversial years in our modern history. Margaret Thatcher had come to power in 1979 with a daring plan to reverse Britain's decline. But as factories closed their doors, dole queues lengthened and the inner cities exploded in flames, would her harsh medicine rescue the Sick Man of Europe - or kill it off? 
 
Evocative, surprising and gloriously entertaining, Dominic Sandbrook's new book recreates the great turning point in Britain's modern history. For some people this was an age of unparalleled opportunity, the heyday of computers and credit cards, Sloane Rangers and Spandau Ballet. But as industries collapsed, working-class communities buckled and the Labour Party tore itself apart, it was also an age of extraordinary acrimony. And when Argentine forces seized the Falklands, it seemed the final humiliation for a deeply divided country. 
 
Here are the early 1980s in all their gaudy glory: Chariots of Fire, Joy Division, the Austin Metro and Juliet Bravo; wine bars, Cruise missiles, the battle of Goose Green and the ZX Spectrum. And towering above them all, the most controversial Prime Minister in our modern history - the Iron Lady.

Dominic Sandbrook

Who Dares Wins

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