Mathelinda Nabugodi

A voice sometimes tentative and searching, then sure of its scholarship, then puzzled by some large absence in the archive, then engrossed by a poem, an essay, a letter. All the time, that voice made the reader become engaged both emotionally and intellectually in the quest to re-see and re-imagine and re-read the past

Mathelinda Nabugodi shows us that those palely loitering Romantic poets were deeply entwined with the Black Atlantic, and that these connections inform our ongoing encounters with canonical whiteness. The Trembling Hand reaches out to readers, contributes to a highly topical reevaluation of the literary canon, and offers itself as a generous and thoughtful memoir

Emma Smith, author of 'This Is Shakespeare'

Reflections of a Black Woman in the Romantic Archive

Wordsworth, Shelley, Byron, Keats – the Romantic poets are titans of English literature, taught and celebrated around the world. Their work is associated with sublime passions, violent stormscapes and a questing search for the inner self. It is rarely associated with the racial politics of the transatlantic slave economy.But these literary icons lived through a period when individual and collective resistance by Black people in Britain and her overseas colonies was making it increasingly difficult – and increasingly costly – to ignore their demands for freedom. A time when popular support for the abolition movement exploded across the country – and was met by a vehement, reactionary campaign from the establishment. A time when white supremacist ideologies were fomented to justify the abuse and exploitation of non-white 'races'. This cultural context is not immediately obvious in the canon of Romantic poetry. But that doesn’t mean it’s not there.The Trembling Hand turns an urgent critical gaze onto six major Romantic authors, examining how their lives and works were entangled with the racist realities of their era. Mathelinda Nabugodi pores over carefully preserved manuscripts, travels to the houses where these writers lived and died, examines the personal objects which survived them: a teacup, a baby rattle, a lock of hair. Amid this archive, she searches for traces of Black figures whose lives crossed paths with the great Romantics. And she grapples with the opposing forces of reverence and horror as her fascination with literary relics collides with feelings of sorrow and rage.

Mathelinda Nabugodi

Praise for The Trembling Hand

A voice sometimes tentative and searching, then sure of its scholarship, then puzzled by some large absence in the archive, then engrossed by a poem, an essay, a letter. All the time, that voice made the reader beco ...

Mathelinda Nabugodi shows us that those palely loitering Romantic poets were deeply entwined with the Black Atlantic, and that these connections inform our ongoing encounters with canonical whiteness. The Trembli ...

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