Poet in New York

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Federico Garc&iacute;a Lorca was born into an educated family of small landowners in Fuente Vaqueros in 1898. A poet, dramatist, musician and artist, he attended the university at Granada, where he acquired a fine knowledge of literature. In 1919 he went to the Residencia de Estudiantes in Madrid and during his long stay there he met all the principal writers, critics and scholars who visited the place, which was then a flourishing centre of cultural liberalism. In 1928 his Gipsy-Ballad Book (Romancero gitano) received much public acclaim. In 1929 he went to New York with Fernando de los R&iacute;os and his volume of poems Poet in New York (Poeta en Nueva York) was published posthumously in 1940. 
 
On his return to republican Spain, he devoted himself to the theatre, as co-director of La Barraca, a government-sponsored student theatrical company that toured the country. He now wrote fewer poems, but these include his masterpiece Lament for Ignacio S&aacute;nchez Mej&iacute;as (Llanto por la muerte de Ignacio S&aacute;nchez Mej&iacute;as, 1935), a lament for a dead bullfighter. He wrote classical plays, pantomimic interludes, puppet plays, La zapatera prodigiosa (1930) and three tragedies: Blood Wedding (Bodas de sangre, 1933), Yerma (1934) and The House of Bernarda Alba (La casa de Bernarda Alba, 1936). Just after the outbreak of the Spanish Civil War in 1936 he was murdered at Granada by Nationalist partisans, in mysterious circumstances.

'There has been no more terribly acute critic of America than this steel-conscious and death-conscious Spaniard, with his curious passion for the modernities of nickel and tinfoil and nitre . . .' So wrote Conrad Aiken of Lorca's violent response to the New York he encountered as a student at Columbia University in 1929 and 1930. Born and brought up in Andalusia, Lorca's reaction to the brutality and loneliness of the vast city was one of amazement and indignation. His poetry moved away from the lyricism of the early Romanceros and became a vehicle for experimental techniques through which he expressed tortured feelings of alienation and dislocation. Based on a new edition of the original text, Greg Simon's and Steven White's new translation brings to life Lorca's arresting imagery. Christopher Maurer, a leading authority on Lorca's work, provides an enlightening introduction placing Poet in New York in context, and there are translations of Lorca's letters as well as a lecture he gave about the work. Illustrated with archive photographs, this comprehensive volume will make Lorca's masterpiece available to a whole new generation of readers.

Selected Poems

Spain's greatest and most well-loved modern poet, Lorca has long been admired for the emotional intensity and dark brilliance of his work, which drew on music, drama, mythology and the songs of his Andulucian childhood. From the playful Suites and stylized Gypsy Ballads, to his own dark vision of urban life, Poet in New York, and his elegaic meditation on death, Lament for Ignacio S&aacute;nchez Mej&iacute;as; his range was remarkable. This bilingual edition provides versions by distinguished poets and translators, drawing on every book of poems published by Lorca and on his uncollected works.

The House of Bernarda Alba and Other Plays

Federico Garc&iacute;a Lorca was born into an educated family of small landowners in Fuente Vaqueros in 1898. In 1928 his Gipsy-Ballad Book (Romancero gitano) received much public acclaim. In 1929 he went to New York with Fernando de los R&iacute;os and his volume of poems Poet in New York (Poeta en Nueva York) was published posthumously in 1940. On his return to republican Spain, he devoted himself to the theatre, as co-director of La Barraca, a government-sponsored student theatrical company that toured the country. He now wrote fewer poems, but these include his masterpiece Lament for Ignacio S&aacute;nchez Mej&iacute;as (Llanto por la muerte de Ignacio S&aacute;nchez Mej&iacute;as, 1935), a lament for a dead bullfighter. He wrote classical plays, pantomimic interludes, puppet plays, La zapatera prodigiosa (1930) and three tragedies: Blood Wedding (Bodas de sangre, 1933), Yerma (1934) and The House of Bernarda Alba (La casa de Bernarda Alba, 1936). Just after the outbreak of the Spanish Civil War in 1936 he was murdered at Granada by Nationalist partisans, in mysterious circumstances.

In The House of Bernarda Alba, a tyrannical matriarch rules over her house and five daughters, cruelly crushing their hopes and needs. The other plays here also portray female characters whose desires are tragically and violently frustrated: a woman&rsquo;s longing for a child in Yerma, and a bride&rsquo;s yearning for her lover in Blood Wedding. All appeal for freedom and sexual and social equality, and are also passionate defences of the imagination: in Christopher Maurer&rsquo;s words, &lsquo;poetic drama unsurpassed by any writer of our time&rsquo;.

Cicada!

Poet, playwright, musician and artist, close friend of the great Surrealists Salvador Dalí, Joan Miró and Luis Buñuel, Federico García Lorca was one of the most distinctive and beloved writers of modern times. His writing has inspired generations of writers and artists, from Pablo Neruda to Leonard Cohen and Patti Smith. 
 
Born in Andalusia, Spain, in 1898, Lorca studied in Madrid as a young man and soon became prominent in artistic circles; in 1928 his book of Gypsy Ballads catapulted him to literary stardom. He escaped to New York for a year in 1929, where he found he was able to focus on his poetry and immerse himself in the thriving gay culture of Harlem; upon returning to republican Spain he became increasingly politicized, devoting himself to radical works of theatre that rebelled against the bourgeois status quo. 
 
Just after the outbreak of the Spanish Civil War in 1936, he was murdered at Granada by Nationalist partisans. He was thirty-eight years old.

Now you slip away in sleep. 
Your boat is sea-mist, dreaming, by the shore.Spain’s most beloved poet, Federico García Lorca brilliantly captures the beauty and brutality of the twentieth century. His creative imagination transcends his own experiences – be it from the perspective of an ant, a gypsy nun, or Socrates – to meditate on death, love and honour, and to interrogate the decay and pretence of his society. Lorca’s poetry excites, moves and disarms.

Gypsy Ballads

Poet, playwright, musician and artist, close friend of the great Surrealists Salvador Dalí, Joan Miró and Luis Buñuel, Federico García Lorca was one of the most distinctive and beloved writers of modern times. His writing has inspired generations of writers and artists, from Pablo Neruda to Leonard Cohen and Patti Smith. 
 
Born in Andalusia, Spain, in 1898, Lorca studied in Madrid as a young man and soon became prominent in artistic circles; in 1928 his book of Gypsy Ballads catapulted him to literary stardom. He escaped to New York for a year in 1929, where he found he was able to focus on his poetry and immerse himself in the thriving gay culture of Harlem; upon returning to republican Spain he became increasingly politicized, devoting himself to radical works of theatre that rebelled against the bourgeois status quo. 
 
Just after the outbreak of the Spanish Civil War in 1936, he was murdered at Granada by Nationalist partisans. He was thirty-eight years old.

Federico García Lorca

The Dialogue of Two Snails

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