Deepti Kapoor
Praise for A Bad Character
The title character of Deepti Kapoor’s searing debut is dead by Line 1, but I still read A Bad Character in one frantic sitting... Intoxicating.
Catherine Lacey, New York Times
A stylishly written, powerfully moving love story, set against the bleak beauty and baroque decay of 21st century Delhi - its rubble, construction sites, wastelands, and the poisoned ooze of its dead river. What
William Dalrymple, author of The Last Mughal
Twenty-first-century Delhi needed a voice, and here it is, in all its dark majesty. A Bad Character comes as if from nowhere: it is an alchemical marvel, a novel of stunning beauty and originality.
Rana Dasgupta
The title character of Deepti Kapoor’s searing debut is dead by Line 1, but I still read A Bad Character in one frantic sitting... Intoxicating.
Catherine Lacey, New York Times
A stylishly written, powerfully moving love story, set against the bleak beauty and baroque decay of 21st century Delhi - its rubble, construction sites, wastelands, and the poisoned ooze of its dead river. What
William Dalrymple, author of The Last Mughal
Twenty-first-century Delhi needed a voice, and here it is, in all its dark majesty. A Bad Character comes as if from nowhere: it is an alchemical marvel, a novel of stunning beauty and originality.
Rana Dasgupta
The title character of Deepti Kapoor’s searing debut is dead by Line 1, but I still read A Bad Character in one frantic sitting... Intoxicating.
Catherine Lacey, New York Times
A stylishly written, powerfully moving love story, set against the bleak beauty and baroque decay of 21st century Delhi - its rubble, construction sites, wastelands, and the poisoned ooze of its dead river. What
William Dalrymple, author of The Last Mughal
Twenty-first-century Delhi needed a voice, and here it is, in all its dark majesty. A Bad Character comes as if from nowhere: it is an alchemical marvel, a novel of stunning beauty and originality.
Rana Dasgupta