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Lyrical Ballads

A selection of poems from Wordsworth and Coleridge's 1798 collaboration, which marked the beginning of the English Romantic poetry movement. In Episode One, we hear Coleridge's 'Lewti' and Wordsworth's 'The Thorn', while in Episode Two the verses showcased are Coleridge's 'The Nightingale' and Wordsworth's 'Lucy' poems. In the final episode, we hear Wordsworth's 'Lines Written A Few Miles Above Tintern Abbey' and Coleridge's pseudo-medieval ballad, 'Love'. The readers are Julius D'Silva, Mark Meadows and Peter Gruffyd. Adapted and produced by Emma Harding.

Prelude, The Complete Series (BBC Radio 4 Classical Serial)

BBC Radio 4 presents William Wordsworth's autobiographical poem ‘The Prelude’, read by Sir Ian McKellen, directed by Susan Roberts and features specially composed music by John Harle.‘The Prelude’ is arguably the most important piece of poetic writing in our language. Accessible, full of emotion and gripping, the poem is recorded in Wordsworth's home in Grasmere, Cumbria and looks back over events in his early life in Grasmere, Cambridge, France, London and the Alps.Wordsworth believed that poetry should be written in the natural language of common speech, and in that way it was revolutionary in its time.Last broadcast on 14 and 15 May 2011, with music performed by John Harle on Saxophone and Neill MacColl on guitar.

Extracts from the Journal of Dorothy Wordsworth and from the Poems of William Wordsworth

Home at Grasmere

A continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems.

Virginia Woolf (1882-1941) is now recognised as a major 20th century author, a great novelist and essayist, and a key figure in literary history as a feminist and modernist

A continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems. Dorothy Wordsworth kept her Journal 'because I shall give William pleasure by it'. In doing so, she never dreamt that she was giving future readers not only the chance to enjoy her fresh and sensitive delight in the beauties that surrounded her at Grasmere but also a rare opportunity to observe 'the progress of a poet's mind'. Colette Clark's skilful and perceptive arrangement of Dorothy's entries alongside William's poems throws a unique light on his creative process, and shows how the interdependence of brother and sister was a vital part in the writing of many of his great poems. By reading these poems in relation to the Journal it is possible to trace the processes by which they were committed to paper and so achieve a fuller understanding of them. A writer in her own right, Dorothy kept her Journal sparse in personal and emotional detail. Yet there is, nevertheless, a deep emotional undercurrent running beneath the surface which only falters when William marries Mary Hutchinson. Never again was Dorothy to achieve the freedom, spontaneity and the limpidly beautiful prose with which she infused and irradiated the Grasmere Journals.

A Life in Letters

"Enjoyable, sympathetically selected and annotated, and making a fine companion to Juliet Barker's biography ... not to be missed" TLS

Juliet Barker is the author of the highly acclaimed The Brontes: A Life in Letters and Wordsworth: A Life. She trained as an historian at Oxford University and was curator of the Bronte Parsonage Museum in Haworth for six years. She lives in the South Pennines.

William Wordsworth is usually remembered as the quintessential Victorian Poet Laureate: a dull, worthy, establishment figure, with impeccable middle class, Tory, Anglican credentials, whose moralistic poetry has been required reading for generations of yawning school children. Yet there is so much more to Wordsworth than Daffodils and The Prelude. 
 
This selection of letters and autobiographical fragments introduces us to the real Wordsworth: the rebellious schoolboy, who vandalised his family portraits, became a supporter of the French Revolution and fathered an illegitimate daughter in France; the radical poet whose flouting of the conventions of the day attracted the ridicule of the reviewers and forced him to endure thirty years of rejection, obscurity and financial hardship before achieving belated critical and popular success; the devoted brother, husband and father who could still write passionate love letters to his wife after ten years of marriage and the birth of five children; and, finally, the revered patriarch whose poetry formed the hearts and minds of a generation, whose opinions were sought by writers, politicians, churchmen and educationalists throughout the English speaking world, but who thought nothing of vaulting walls, skating on the Lakes or climbing Helvellyn even in his seventies.

The founding work of Romanticism which changed the direction of English poetry

A collection of poems exemplifying Romantic aesthetic ideals, whose unique beauty lies in their revolutionary exploration of the 'overflow of powerful emotions recollected in tranquility', Samuel Taylor Coleridge and William Wordsworth's Lyrical Ballads is edited with a note on the text by Michael Schmidt in Penguin Classics. 
 
Published in 1798, Lyrical Ballads is a dazzling collaboration containing twenty-three poems by close friends, William Wordsworth and Samuel Taylor Coleridge - two major figures of English Romanticism. The volume heralded a new approach to poetry and expresses the poets' reflections on mankind's relationship with the forces of the world. Coleridge's contribution includes the nightmarish vision of 'The Rime of the Ancyent Marinere', one of the works for which he became best known, as well as the fantastical conversational poem 'The Foster-Mother's Tale' and the melancholic 'The Nightingale'. Wordsworth's 'We are Seven' depicts a child's naïve optimism in the face of the cruel mortality, while 'Goody Blake and Harry Gill' and 'Simon Lee' celebrate the simplicity and strength he perceived in country people, and 'Tintern Abbey' explores the healing powers of nature. 
 
This Penguin Classics edition allows readers to recapture the full impact and power of Lyrical Ballads. It also includes a note on the history of the text by Michael Schmidt. 
 
Samuel Taylor Coleridge (1772-1834) has been criticized as a political turn-coat, drug addict and plagiarist whose wrecked career left only a handful of magical early poems. But the shaping influence of his highly imaginative criticism is now generally accepted, and his position, along with that of William Wordsworth (1770-1850), as one of the two great progenitors of the English Romantic spirit is assured. A great innovator, Wordsworth permanently enlarged the range of English poetry both in subject matter and treatment. 
 
If you enjoyed the Lyrical Ballads, you might like Wordsworth's Selected Poems, also available in Penguin Classics.

Coleridge (1772-1834) has been criticized as a political turn-coat, drug addict and plagiarist whose wrecked career left only a handful of magical early poems. But the shaping influence of his highly imaginative criticism is now generally accepted,and his position, along with Wordsworth (1770-1850), as one of the two great progenitors of the English Romantic spirit is assured. A great innovator, Wordsworth permanently enlarged the range of English poetry both in subject matter and treatment. 
 
 
Michael Schmidt is Professor of English and Director of the Writing School at Manchester Metropolitan University. He is the author of the critical history LIVES OF THE POETS (1999), THE STORY OF POETRY (five volumes, 2001-), and THE FIRST POETS: LIVES OF THE ANCIENT GREEK POETS.

Published in 1798, Lyrical Ballads is a dazzling collaboration containing twenty-three poems by close friends, William Wordsworth (1770-1850) and Samuel Taylor Coleridge (1772-1834) - two major figures of English Romanticism. The volume heralded a new approach to poetry and expresses the poets' reflections on mankind's relationship with the forces of the world. Coleridge's contribution includes the nightmarish vision of 'The Rime of the Ancyent Marinere', one of the works for which he became best known, as well as the fantastical conversational poem 'The Foster-Mother's Tale' and the melancholic 'The Nightingale'. Wordsworth's 'We are Seven' depicts a child's naïve optimism in the face of the cruel mortality, while 'Goody Blake and Harry Gill' and 'Simon Lee' celebrate the simplicity and strength he perceived in country people, and 'Tintern Abbey' explores the healing powers of nature. 
 
Published as part of the Penguin Poetry First Editions series in which the greatest collections of poetry in English will be published in their original form. All texts have been completely reset and some minor changes made to punctuation.

The Four Texts (1798, 1799, 1805, 1850)

The Prelude

The culmination of a life, this collection of poetry is an examination of the self, and the growth of a man

William Wordsworth was born in the Lake District in 1770 and died there eighty years later in 1850. He had three brothers and a sister, Dorothy, to whom he was extremely close. As an undergraduate at Cambridge, Wordsworth travelled widely and wrote poetry. He spent his twenties as a wanderer in France, Wales, London, the Lakes, Dorset and Germany. In France he fathered a child who he did not meet until she was nine, due to the war. In 1795 he was reunited with Dorothy and met Coleridge, who was to be a particular influence on his poetry. He became Poet Laureate in 1843. 
 
 
Jonathan Wordsworth is descended from William's younger brother Christopher, is Chairman of the Wordsworth Trust and a Lecturer in Romantic Studies at Oxford.

First published in July 1850, shortly after Wordsworth's death, The Prelude was the culmination of over fifty years of creative work. The great Romantic poem of human consciousness, it takes as its theme 'the growth of a poet's mind': leading the reader back to Wordsworth's formative moments of childhood and youth, and detailing his experiences as a radical undergraduate in France at the time of the Revolution. Initially inspired by Coleridge's exhortation that Wordsworth write a work upon the French Revolution, The Prelude has ultimately become one of the finest examples of poetic autobiography ever written; a fascinating examination of the self that also presents a comprehensive view of the poet's own creative vision.

William Wordsworth

Samuel Taylor Coleridge

Lyrical Ballads (1798) is a landmark collection of poems that marks the beginning of the English Romantic Movement in literature. Co-written by friends William Wordsworth and Samuel Taylor Coleridge, the collection broke away from traditional poetic form. Of the twenty-three poems, Wordsworth penned works such as 'Lines written a few miles above Tintern Abbey' and 'The Idiot Boy' that use colloquial speech and take the everyday as their theme. The collection also includes Coleridge's greatest poem 'The Rime of the Ancyent Marinere', a supernatural tale of a sailor's voyage.

William Wordsworth

Lyrical Ballads

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