Fame

'Good b.o means good "box office." You can smell it from a mile away' 
 
The legendary sixties New York pop artist Andy Warhol's hilarious and insightful vignettes and aphorisms on the topics of love, fame and beauty. 
 
Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

The Andy Warhol Diaries Edited by Pat Hackett

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NOW A MAJOR NETFLIX SERIES 
 
'His last great work of art' Nicholas Lezard, Guardian 
 
'Cruel, sexy, and sometimes heartbreaking ... Warhol is no neutral observer, but a character in his own right' Newsweek 
 
Andy Warhol kept these diaries faithfully from November 1976 right up to his final week, in February 1987. Written at the height of his fame and success, Warhol records the fun of an Academy Awards party, nights out at Studio 54, trips between London, Paris and New York, and surprisingly even the money he spent each day, down to the cent. With appearances from and references to everyone who was anyone, from Jim Morrison, Martina Navratilova and Calvin Klein to Shirley Bassey, Estee Lauder and Muhammad Ali, these diaries are the most glamorous, witty and revealing writings of the twentieth century. 
 
Edited with an Introduction by Pat Hackett

Cruel, sexy, and sometimes heartbreaking ... Warhol is no neutral observer, but a character in his own right

A guilty pleasure, famed for their celebrity anecdotes, their triviality, their lack of engagement...The 90s bestseller that no one admitted having read...In his diaries, as in much else, Warhol was way ahead of the game.

Diaries are his last great work of art, and no less valuable for having been created with even less visible conscious intent than anything else he produced....There's something about them that makes you strongly suspect that editor Pat Hackett has done a very thorough and sympathetic job...There is much to surprise, though...Warhol was a more amusing person, and a more human one, than the mask and blond fright-wig might have let on. The deadpan are by no means immune to human feeling, after all.

Andy Warhol, a painter and graphic artist, also produced a significant body of film work, including the famous Chelsea Girls. Equally well known in the late sixties and early seventies as resident in his studio, the Factory, Warhol died in New York in 1987. 
 
Pat Hackett worked closely with Andy Warhol for twenty years, co-authoring two books and a screenplay as well as serving as his diarist.

Andy Warhol kept these diaries faithfully from November 1976 right up to his final week, in February 1987. Written at the height of his fame and success, Warhol records the fun of an Academy Awards party, nights out at Studio 54, trips between London, Paris and New York, and surprisingly even the money he spent each day, down to the cent. With appearances from and references to everyone who was anyone, from Jim Morrison, Martina Navratilova and Calvin Klein to Shirley Bassey, Estee Lauder and Muhammad Ali, these diaries are the most glamorous, witty and revealing writings of the twentieth century.

POPism

A classic from the leader of the pop art movement - published to coincide with the opening of the exhibition Pop Art Portraits at the National Portrait Gallery (October 2007-February 2008)

'POPism reads like a novel... Social history of the rarest kind, set down in ultra-sharp focus by someone who helped shape the events he describes' The New Yorker 
 
A cultural storm swept through the 1960s - Pop Art, Bob Dylan, psychedelia, underground movies - and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.

Andy Warhol (1928-1987) was a painter, graphic artist filmmaker, and leader of the Pop Art movement. He also produced a significant body of film work, including the famous Chelsea Girls. Equally well known in the late Sixties and early Seventies as resident host at his studio, the Factory. Andy Warhol died following gall bladder surgery, in New York on the 22nd February 1987. As Warhol said: 'I never think that people die. They just go to department stores.' 
 
Pat Hackett worked closely with Andy Warhol for twenty years, coauthoring two books and a screenplay as well as serving as his diarist.

A cultural storm swept through the 1960s -- Pop Art, Bob Dylan, psychedelia, underground movies -- and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.

The Philosophy of Andy Warhol

A classic from the leader of the pop art movement and one of the 20th Century's most notable personalities

The autobiography of an American icon 
 
'I never think that people die. They just go to department stores' 
 
Andy Warhol - American painter, filmmaker, publisher, actor and major figure in the Pop Art movement - was in many ways a reluctant celebrity. Here, in his autobiography, he spills his secrets and muses about love, sex, food, beauty, fame, work, money, success, New York and America and its place in the world. But it is his reflections on himself, his childhood in McKeesport, Pennsylvania, the explosion of his career in the Sixties and his life among celebrities - from working with Elizabeth Taylor to partying with the Rolling Stones - that give a true insight into the mind of one of the most iconic figures in twentieth-century culture. 
 
Andy Warhol (1928-1987), was an American painter, filmmaker, publisher, actor, and a major figure in the Pop Art movement. He also produced a significant body of film work, including the famous Chelsea Girls; characterised the epoch with the now-famous expression 'fifteen minutes of fame'; produced the first album by The Velvet Underground; and was nearly killed just two days before the assassination of JFK. 
 
If you enjoyed The Philosophy of Andy Warhol, you might like 100 Artists' Manifestos, also available in Penguin Modern Classics. 
 
'Acute. Accurate. Mr Warhol's usual amazing candor. A constant entertainment and enlightenment' 
Truman Capote

Andy Warhol (1928-1987), was an American painter, filmmaker, publisher, actor, and a major figure in the Pop Art movement. He also produced a significant body of film work, including the famous Chelsea Girls. Equally well known in the late Sixties and early Seventies as resident host at his studio, the Factory. Andy Warhol died following gall bladder surgery, in New York on the 22nd February 1987. As Warhol said: 'I never think that people die. They just go to department stores.'

In his autobiography, published in 1975, the private Andy Warhol talks about love, sex, food, beauty, fame, work, money, success; about New York and America; about himself - his childhood in McKeesport, Pennsylvania, good times and bad times in the Big Apple, the explosion of his career in the Sixties, and life among celebrities.

America

Andy Warhol

A Novel

A knowing response to James Joyce's Ulysses, a gives us twenty-four hours in the life of Ondine, an actor and Warhol superstar. The book is transcribed from tapes between Warhol and Ondine, reproduced exactly as-is: as in his visual art, Warhol has used spontaneous performance and explicit lack of editing as a device to create a portrait of Warhol's Factory and the artists, superstars and addicts who lived and worked there. Beginning with Odine taking an amphetamine, we then follow these characters as they converse with incisive wit and humour and run through the clubs, coffee shops, hospitals and whorehouses of 1960s Manhattan.

Andy Warhol

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