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“Real horrorshow”: the iconic covers of A Clockwork Orange through the decades

Restored Edition

A Clockwork Orange

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Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews 
 
Edited by Andrew Biswell With a Foreword by Martin Amis 
 
'It is a horrorshow story ...' 
 
Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean? 
 
A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'. 
 
Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993. 
 
Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

Still delivers the shock of the new ... a red streak of gleeful evil

Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993. 
 
Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

Edited by Andrew Biswell With a Foreword by Martin Amis 
 
Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean? 
 
A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'.

A new critical edition to celebrate the 50th anniversary of A Clockwork Orange - one of the most influential books of the twentieth century

A brilliant novel . . . a tour-de-force in nastiness, an inventive primer in total violence, a savage satire on the distortions of the single and collective minds.

I do not know of any other writer who has done as much with language as Mr Burgess has done here - the fact that this is also a very funny book may pass unnoticed.

Burgess’s dystopian fantasy still fascinates as it clocks up 50 years

The 50th anniversary of Anthony Burgess's A Clockwork Orange is celebrated this weekend with the publication of a handsome new hardback edition (the edges of its paper are orange!) by Random House (£20). It is compiled and edited by Andrew Biswell – Burgess's biographer – and has a foreword by Martin Amis, as well as unpublished material including a 1972 interview with Burgess, the prologue to his 1986 A Clockwork Orange: A Play With Music, and his annotated 1961 typescript of the novel, complete with his doodles in the margins. His picture of an orange with a spring poking out of it is particularly special

We might therefore suppose that Burgess would appreciate the publication of a “restored edition” of A Clockwork Orange (Heinemann, £20; US, W. W. Norton, $24.95) to mark the fiftieth anniversary of the publication of his best-known work. Expertly edited by Andrew Biswell, and including a foreword by Martin Amis and a wealth of supplementary materials – explanatory notes, an expanded glossary of Nasdat, contemporary reviews by Kingsley Amis and Malcolm Bradbury among others, essays by Burgess and the “Prologue” and “Epilogue” to his musical stage version (1987) – the volume grants Burgess the kind of salutatory treatment he bestowed on others.

Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He served in the British army from 1940 to 1946 and was a schoolteacher in England before becoming a colonial education officer in 1954. His Malayan trilogy of novels and a history of English literature were published while he was living in Malaya and Brunei. 
 
He became a full-time writer in 1959 and achieved a worldwide reputation as one of the most versatile novelists of his day. His writings include biographies of Shakespeare and Hemingway, critical studies of James Joyce, stage plays, and two volumes of autobiography. His work as a composer and librettist includes the Broadway musical, Cyrano, and Blooms of Dublin, an operetta based on Joyce's Ulysses. 
 
His 33 novels continue to be published all over the world. They include A Clockwork Orange, Nothing Like the Sun, The Complete Enderby, Earthly Powers, Napoleon Symphony, and Beard's Roman Women, a collaboration with the photographer David Robinson. 
 
Anthony Burgess died in London in 1993.

The fully restored fiftieth anniversary edition 
 
Foreword by Martin Amis 
 
First published by William Heinemann in 1962, A Clockwork Orange is widely acknowledged as one of the most influential books of the twentieth century. This special edition, compiled and edited by Andrew Biswell, Burgess's biographer, restores the text of the novel as Burgess originally wrote it, and includes a selection of interviews, articles, reviews and other previously unpublished material.

Little Wilson and Big God

A high spirited candid book of confessions from the twentieth century literary giant Anthony Burgess

Like the best of Burgess' novels, the book has terrific pace and vivacity... It is the story of a sort of Unlucky Jim

These are Anthony Burgess's candid confessions: he was seduced at the age of nine by an older woman; whilst serving in Gibraltar in World War II he was thrown into jail on VE Day for calling Franco names; he once taught a group of Nazi socialites that the English equivalent of 'heil' was 'sod' and had them crying 'Sod Hitler'. Little Wilson and Big God moves from Moss Side to Malaya recalling Burgess's time as an education officer in the tropics, his tempestuous first marriage, his struggles with Catholicism and the beginning of his prolific writing life. Wise, self-deprecating and bristling with incident, this is a first-class memoir.

Byrne

Completed shortly before Burgess's death, this novel in verse is extravagantly original

A rumbustious memorial to one of the most unignorable literary presences of our time

Dazzling... A brilliant and surprising conclusion to the career of one of the most intelligent and tireless writers of the century

Byrne is full of his characteristic wit, gusto and erudition

A complex dark comedy in fluently rhymed verse. Frequently hilarious and always engaging, this final book simultaneously satisfies the differing demands of prose fiction and narrative verse. Composed mostly in the same ottava rima that Byron used for "Don Juan," Byrne shows Burgess in command of his poetic medium. One might expect an author to experience new spiritual insight on his deathbed, but such a technical breakthrough is highly unusual

Michael Byrne is an Irish Don Juan - a composer, a charmer, a bigamist and a thug.  He moves from country to country, from bed to bed, selling his talents and leaving a trail of children in his wake.  His journey takes him from post-Great War London to the centre of Hitler's Third Reich and then he vanishes. His twin sons travel across the troubled face of Europe to pursue their father for one final apocalyptic reckoning.

The Complete Enderby

Written between 1960 and 1984, and now collected in one volume, the four 'Enderby' novels are Burgess's finest comic achievement.

The Enderby series are even finer comedies than those by Evelyn Waugh

Ferociously funny and wildly verbally inventive

Burgess is at his most inventive in these books, especially when he gives us the full text of Enderby's songs and sonnets (many of which are laughably bad). Poetry, Burgess seems to conclude, is rather like shitting: it's really about purging oneself of dead matter

Burgess is the great postmodern storehouse of British writing-an important experimentalist; an encyclopaedic amasser, but also a maker of form; a playful comic, with a dark gloom

No less an authority than Harold Bloom rates the Enderby books among the great comic fictions of our time. Certainly Anthony Burgess, that dizzying polymath and flamboyant novelist, never created a more engaging hero than this hapless poet... All in all, these four books, though diverse in tone and character, strikingly exhibit the narrative gusto and linguistic sprezzatura of Anthony Burgess at his best

Enderby is a poet, social critic and Catholic. He may be found hiding in the lavatory where much of his best work is composed, or perhaps in Rome, brainwashed into respectability by a glamorous wife, aftershave and the dolce vita. Whether he is pursuing revenge and inspiration in Morocco, expounding on his notorious sex film on a TV chat show, or writing a hit musical based on the life and work of Shakespeare, Enderby emerges triumphant.

The daring dystopian satire that inspired one of the most notorious films ever made, beautifully reimagined as part of the Penguin Essentials series 
 
'Every generation should discover this book' Time Out 
 ________________ 
 
In this nightmare vision of youth in revolt, fifteen-year-old Alex and his friends set out on a diabolical orgy of robbery, rape, torture and murder. Alex is jailed for his teenage delinquency and the State tries to reform him - but at what cost? 
 
 Experiment of language? Social prophecy? Black comedy? A Clockwork Orange is all of these. 
 
Dazzling and transgressive, this frightening fable about good and evil asks the meaning of human freedom. 
________________ 
 
'A gruesomely witty cautionary tale' Time 
 
 'Not only about man's violent nature and his capacity to choose between good and evil. It is about the excitements and intoxicating effects of language' Daily Telegraph 
 
 'I do not know of any other writer who has done as much with language . . . a very funny book' William S. Burroughs 
 
 'One of the cleverest and most original writers of his generation' The Times

Every generation should discover this book

Not only about man's violent nature and his capacity to choose between good and evil. It is about the excitements and intoxicating effects of language

I do not know of any other writer who has done as much with language...a very funny book

One of the cleverest and most original writers of his generation

Anthony Burgess was born in Manchester in 1917. He studied English at Manchester University and joined the army in 1940 where he spent six years in the Education Corps. After demobilization, he worked first as a college lecturer in Speech and Drama and then as a grammar-school master before becoming an education officer in the Colonial Service, stationed in Malay and Borneo. In 1959 Burgess was diagnosed with an inoperable brain tumour and decided to become a full-time writer. Despite being given less than a year to live, Burgess went on to write at least a book a year - including A Clockwork Orange (1962), M/F (1971), Man of Nazareth (1979), Earthly Powers (1980) and The Kingdom of the Wicked (1985) - and hundreds of book reviews right up until his death. He was also a prolific composer and produced many full-scale works for orchestra and other media during his lifetime. Anthony Burgess died in 1993.

'What we were after was lashings of ultraviolence' 
 
In this nightmare vision of youth in revolt, fifteen-year-old Alex and his friends set out on a diabolical orgy of robbery, rape, torture and murder. Alex is jailed for his teenage delinquency and the State tries to reform him - but at what cost? 
 
Social prophecy? Black comedy? Study of freewill? A Clockwork Orange is all of these. It is also a dazzling experiment in language, as Burgess creates a new language - 'nadsat', the teenage slang of a not-too-distant future.

Anthony Burgess

Tristram Foxe and his wife, Beatrice-Joanna, live in their skyscraper world where official family limitation glorifies homosexuality. Eventually, their world is transformed into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without anger.

Anthony Burgess

The Wanting Seed

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