Chris Kraus

Praise for After Kathy Acker

This is a gossipy, anti-mythic artist biography which feels like it's being told in one long rush of a monologue over late-night drinks by someone who was there. Acker emerges as an unlikely literary hero, but an ut ...

Sheila Heti, author of How Should A Person Be

The path of the female artist. Is hell. Chris Kraus's veracious and intricately structured portrait rouses and stirs as it documents in meticulous and fascinating detail the life, work and body of Kathy Acker and w ...

Viv Albertine

Kraus reconstitutes Acker's wanderings with real wit and beauty, understanding without pandering to the painfully high stakes of her identity games

Olivia Laing, Guardian

This is a gossipy, anti-mythic artist biography which feels like it's being told in one long rush of a monologue over late-night drinks by someone who was there. Acker emerges as an unlikely literary hero, but an ut ...

Sheila Heti, author of How Should A Person Be

The path of the female artist. Is hell. Chris Kraus's veracious and intricately structured portrait rouses and stirs as it documents in meticulous and fascinating detail the life, work and body of Kathy Acker and w ...

Viv Albertine

Kraus reconstitutes Acker's wanderings with real wit and beauty, understanding without pandering to the painfully high stakes of her identity games

Olivia Laing, Guardian

This is a gossipy, anti-mythic artist biography which feels like it's being told in one long rush of a monologue over late-night drinks by someone who was there. Acker emerges as an unlikely literary hero, but an ut ...

Sheila Heti, author of How Should A Person Be

The path of the female artist. Is hell. Chris Kraus's veracious and intricately structured portrait rouses and stirs as it documents in meticulous and fascinating detail the life, work and body of Kathy Acker and w ...

Viv Albertine

Kraus reconstitutes Acker's wanderings with real wit and beauty, understanding without pandering to the painfully high stakes of her identity games

Olivia Laing, Guardian