A Doll's House and Other Plays

A Doll's House/Ghosts/Pillars of the Community/An Enemy of the People 
 
'Our home has never been anything other than a play-house. I've been your doll-wife here, just as at home I was Daddy's doll-child' 
 
These four plays established Ibsen as the leading figure in the theatre of his day, sending shockwaves throughout Europe and beyond. A Doll's House scandalized audiences with its free-thinking heroine Nora. Ibsen's even more radical follow-up, Ghosts, exposes family secrets and sexual double-dealing, while Pillars of the Community and An Enemy of the People both explore the hypocrisy and the dark tensions at the heart of society. This new translation, the first to be based on the latest critical edition of Ibsen's works, offers the best version available in English. 
 
A new translation by DEBORAH DAWKIN and ERIK SKUGGEVIK 
With an Introduction by TORE REM 
General Editor TORE REM

Henrik Ibsen (Author) Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in Norway, he left his homeland in 1864 for a 21-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great 12-play cycle of society dramas between 1877 and 1899. This included A Doll's House, Ghosts, Hedda Gabler, The Master Builder, and, finally, When We Dead Awaken. Deborah Dawkin (Translator) Deborah Dawkin is a researcher at University College London and the British Library. She has been a literary translator from Norwegian for the last ten years. Erik Skuggevik (Translator) Erik Skuggevik is a lecturer in Translation Studies at the University of Surrey and the University of Westminister.

With her assertion that she is 'first and foremost a human being', rather than a wife, mother or fragile doll, Nora Helmer sent shockwaves throughout Europe when she appeared in Ibsen's greatest and most famous play, A Doll's House. Ibsen's follow-up Ghosts was no less radical, with its unrelenting investigation into religious hypocrisy, family secrets and sexual double-dealing. These two masterpieces are accompanied here by The Pillars of the Community and An Enemy of the People, both exploring the tensions and dark compromises at the heart of society.

Peer Gynt and Brand

A new Penguin edition of Ibsen's two great verse plays, in masterful versions by one of our greatest living poets, Geoffrey Hill. 
 
These two powerful and contrasting verse dramas by Ibsen made his reputation as a playwright. The fantastical adventures of the irrepressible Peer Gynt - poet, idler, procrastinator, seducer - draw on Norwegian folklore to conjure up mountains, kidnappings, shipwrecks and trolls in an exuberant examination of truth and the self; while Brand, an unsparing vision of an idealistic priest who lives by his steely faith, explores free will and sacrifice. This volume brings together the poet Geoffrey Hill's acclaimed stage version of Brand with a new poetic rendering of Peer Gynt, published for the first time. 
 
This Penguin edition includes an interview with Geoffrey Hill about recreating Ibsen in English, an introduction by Janet Garton and editorial materials by Tore Rem.

Henrik Ibsen (Author) Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in Norway, he left his homeland in 1864 for a 21-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great 12-play cycle of society dramas between 1877 and 1899. This included A Doll's House, Ghosts, Hedda Gabler, The Master Builder, and, finally, When We Dead Awaken. Geoffrey Hill (Translator) Sir Geoffrey Hill (1932-2016) was Professor of Poetry at the University of Oxford from 2010 to 2015. He published many volumes of poetry and critical writing, winning many awards, and his Broken Hierarchies: Collected Poems 1952-2012 appeared in 2013.

These two masterly and contrasting verse dramas by Ibsen made his reputation as a playwright. The fantastical adventures of the irrepressible Peer Gynt - poet, idler, procrastinator, seducer - draw on Norwegian folklore to conjure up mountains, kidnappings, shipwrecks and trolls in an exuberant celebration of life; while Brand, an unsparing vision of an idealistic priest who lives by his steely faith, explores free will, sacrifice and the self. This volume brings together the poet Geoffrey Hill's acclaimed stage version of Brand with a new poetic rendering of Peer Gynt, published for the first time.

The Master Builder and Other Plays

Ibsen's greatest late plays in superb modern translations, part of the new Penguin Ibsen series. 
 
 This volume includes The Master Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken - Ibsen's last four plays, written in his old age in Oslo. In The Master Builder, a married, middle-aged architect becomes bewitched by a strange young woman who claims to have known him for years. A sudden death in Little Eyolf is the catalyst that drives a couple into a greater understanding of themselves. In John Gabriel Borkman, a banker recently released from prison must choose between his wife and her sister, while a sculptor on holiday is reunited with the woman who inspired his greatest art in When We Dead Awaken. 
 
 The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. All the plays have been freshly translated by leading translators and are based on the definitive Norwegian edition of Ibsen's works. This volume includes an introduction by Toril Moi on the themes of death and human limitation in the plays, and additional editorial apparatus by Tore Rem. 
 
 Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in the small Norwegian town of Skien, he left Norway in 1864 for a twenty-one-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great twelve-play cycle of society dramas between 1877 and 1899. This included The Pillars of Society, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, Little Eyolf, John Gabriel Borkman, and, finally, When We Dead Awaken. Ibsen returned to Norway in 1891 and died there at the age of seventy-eight. 
 
 Barbara J. Haveland and Anne-Marie Stanton-Ife are both freelance literary translators. 
 
 Toril Moi is Professor of English, Theater Studies and Philosophy at Duke University. Her books include Henrik Ibsen and the Birth of Modernism (2006). 
 
 Tore Rem is Professor of British literature at the University of Oslo and author of Henry Gibson/Henrik Ibsen (2006).

Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. He was born in the small Norwegian town of Skien and started writing plays from an early age. In 1864 he left Norway for a 21-year-long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great 12-play cycle of society dramas between 1877 and 1899. This included The Pillars of Society, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, Little Eyolf, John Gabriel Borkman and, finally, When We Dead Awaken. Ibsen returned to Norway in 1891 and died there at the age of seventy-eight. 
 
Barbara J. Haveland and Anne-Marie Stanton-Ife are both freelance literary translators. 
 
Toril Moi is Professor of English, Theater Studies and Philosophy at Duke University. 
 
Tore Rem is Professor of British literature at the University of Oslo.

Henrik Ibsen was born at Skien in Norway in 1828. He was one of the earliest writers to dramatise the individual's alienation from society. Although never fully appreciated during his lifetime, he has since come to be recognised as one of the greatest dramatists and the 'Father of Modern Drama'. 
 
 
Translated by Una Ellis-Fermor

The four plays in this volume, written late in Ibsen's career as a dramatist, move away from his earlier preoccupation with people at odds with society to instead explore the inward struggle with their own thoughts, feelings and dreams. The Master Builder (1892) depicts a powerful man whose illusions collapse in the face of a young woman's courageous common sense. In Rosmersholm (1886), an idealist is forced to question his beliefs and confront terrible truths about the past, while Little Eyolf (1894) portrays a man's self-deception, which brings both tragic repercussions for his family and new hope for their future. And in John Gabriel Borkman (1896), a dying woman returns to reclaim the affections and loyalty of her nephew, resulting in a bitter struggle with her sister.

Ghosts, A Public Enemy, When We Dead Wake

With three plays focusing on the family and how it struggles to stay together by telling lies - and exposing them, Henrik Ibsen's Ghosts and Other Plays is translated with an introduction by Peter Watts in Penguin Classics. 
 
In Ghosts, Osvald Alving returns home only to discover the truth about the father he always looked up to, and learns the horrific effect his father's debauchery has had on him. It was Ibsen's most provocative drama, stripping away the surface of a middle-class family to expose layers of hypocrisy and immorality. A Public Enemy sets two brothers against each other when one wishes to make public the facts about the polluted water in the public baths of their home town. And When We Dead Wake tells of an artist meeting an old lover by chance and rejecting his wife, in a symbolic exploration of Ibsen's own literary life and the sacrifices he made in his work. 
 
Peter Watts's translation maintains the colloquial tone of the original dialogue. He has also provided an introduction and notes on the texts. 
 
Henrik Ibsen (1828-1906) turned to journalism and playwriting instead of pursuing a university career. Ibsen was one of the earliest writers to dramatise the individual's alienation from society. Although Ibsen was never fully appreciated during his lifetime, he has since come to be recognised as one of the great dramatists of all time and the 'Father of Modern Drama'. 
 
If you enjoyed Ghosts, you might like Ibsen's A Doll's House and Other Plays, also available in Penguin Classics.

Henrik Ibsen was born Norway in 1828. One of the first writers to dramatise the individual's alienation from society. He is recognised as one of Europe's greatest dramatists and is called 'The Father of Modern Drama'. Peter Watts is a journalist and translator.

The plays in this volume focus on the family and how it struggles to stay together by telling lies &ndash; and exposing them. In Ghosts, Osvald Alving returns home only to discover the truth about the father he always looked up to, and learns the horrific effect his father&rsquo;s debauchery has had on him. It was Ibsen&rsquo;s most provocative drama, stripping away the surface of a middle-class family to expose layers of hypocrisy and immorality. A Public Enemy sets two brothers against each other when one wishes to make public the facts about the polluted water in the public baths of their home town. And When We Dead Wake tells of an artist meeting an old lover by chance and rejecting his wife, in a symbolic exploration of Ibsen&rsquo;s own literary life and the sacrifices he made in his work.

Hedda Gabler and Other Plays

Henrik Ibsen was born at Skien in Norway in 1828. He was one of the earliest writers to dramatise the individual's alienation from society. Although never fully appreciated during his lifetime, he has since come to be recognised as one of the greatest dramatists and the 'Father of Modern Drama'. 
 
Una Ellis-Fernor has also translated other Ibsen works for the Penguin Classics.

In these three unforgettably intense plays, Henrik Ibsen explores the problems of personal and social morality that he perceived in the world around him and, in particular, the complex nature of truth. The Pillars of the Community (1877) depicts a corrupt shipowner&rsquo;s struggle to hide the sins of his past at the expense of another man&rsquo;s reputation, while in The Wild Duck (1884) an idealist, believing he must tell the truth at any cost, destroys a family by exposing the lie behind his friend&rsquo;s marriage. And Hedda Gabler (1890) portrays an unhappily married woman who is unable to break free from the conventional life she has created for herself, with tragic results for the entire family.

Henrik Ibsen

Deborah Dawkin

Erik Skuggevik

In these four unforgettably intense plays, Henrik Ibsen explores the complex nature of truth, the tension between freedom and responsibility, and the terrible pull that the past exerts over the present. In The Wild Duck an idealist destroys a family by exposing the lie behind his friend's marriage. In Rosmersholm, a respectable man is driven to extremes by guilt over his wife's death, while in The Lady from the Sea a woman is caught between her family and the enticement of the wild sea. And in Hedda Gabler, one of Ibsen's most famous and vivid anti-heroines struggles to break free from the conventional life she has created for herself, with tragic results.

Henrik Ibsen

Hedda Gabler and Other Plays

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