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Inspector Maigret

by75 books in this series
Book cover of Maigret Takes a Room by Georges Simenon

Maigret Takes a Room

What he thought he had discovered, in place of the joyful candour that she usually displayed, was an irony which was neither less cheerful nor less childish, but which troubled him . . . He wondered now if his exultation wasn't down to the fact that she was playing a part, not just to deceive him, not just to hide something from him, but for the pleasure of acting a part.
Book cover of Maigret's Holiday by Georges Simenon

Maigret's Holiday

At what point in the day could the note have been slipped into his pocket, his left breast pocket? It was an ordinary sheet of glazed squared paper, probably torn out of an exercise book. The words were written in pencil, in a regular handwriting that looked to him like a woman's.
For pity's sake, ask to see the patient in room 15.

There was no signature. Only those words.
Book cover of Maigret's Madwoman by Georges Simenon

Maigret's Madwoman

A kind but seemingly paranoid old lady turns to Inspector Maigret for help. Against the judgement of his subordinates, he decides to pay a visit to her Parisian apartment to investigate, but is he already too late?
Book cover of Maigret's Memoirs by Georges Simenon

Maigret's Memoirs

I can still see Simenon coming into my office the next day, pleased with himself, displaying even more self-confidence, if possible, than before, but nevertheless with a touch of anxiety in his eyes . . . He trumpeted these last words as if they were a sensational discovery. 'Making it seem truer than life, that's the crux of it. Well, I've made you truer than life.'
Book cover of The Carter of 'La Providence' by Georges Simenon

The Carter of 'La Providence'

What was the woman doing here?
In a stable, wearing pearl earrings, her stylish bracelet and white buckskin shoes!
She must have been alive when she got there because the crime had been committed after 10 in the evening.
But how? And why? And no one had heard a thing! She had not screamed. The two carters had not woken up.
If the whip had not been mislaid, it was likely the body might not have been discovered for a couple of weeks or a month, by chance when someone turned over the straw.
And other carters passing through would have snored the night away next to a woman's corpse!

These questions lead Maigret into an unfamiliar world of canals, with its run down cafés, shadowy towpaths and eccentric inhabitants.
Book cover of The Dancer at the Gai-Moulin by Georges Simenon

The Dancer at the Gai-Moulin

A vast emptiness. The room, in the darkness, seemed big as a cathedral. Warm currents of air still drifted from the radiators.
Delfosse struck a match. They paused for a moment to take a breath and get their bearings. And suddenly the match dropped. A piercing shriek came from Delfosse . . . Chabot saw something too.


Maigret observes from a distance as two boys are accused of killing a rich foreigner in Liège. Their loyalty, which binds them together through their adventures in the seedier side of the city, is put to the test and seemingly irrelevant social differences threaten their friendship.
Book cover of Félicie by Georges Simenon

Félicie

In his mind's eye he would see that slim figure in the striking clothes, those wide eyes the colour of forget-me-not, the pert nose and especially the hat, that giddy, crimson bonnet perched on the top of her head with a bronze-green feather shaped like a blade stuck in it . . . Félicie had given him more trouble than all the 'hard' men who had been put behind bars.
Book cover of The Flemish House by Georges Simenon

The Flemish House

Maigret goes to the Belgian border to investigate the disappearance of a young woman.
Book cover of Inspector Cadaver by Georges Simenon

Inspector Cadaver

In everyone's eyes, even the old ladies hiding behind their quivering curtains, even the kids just now who had turned to stare after they had passed him, he was the intruder, the undesirable. No, worse, he was fundamentally untrustworthy, some stranger who had just turned up from who knew where to do who knew what.
Book cover of The Late Monsieur Gallet by Georges Simenon

The Late Monsieur Gallet

Instead of the detail filling itself in and becoming clearer, it seemed to escape him. The face of the man in the ill-fitting coat just misted up so that it hardly looked human. In theory this mental portrait was good enough, but now it was replaced by fleeting images which should have added up to one and the same man but which refused to get themselves into focus.

The circumstances of Monsieur Gallet's death all seem fake: the name the deceased was travelling under and his presumed profession, and more worryingly, his family's grief. Their haughtiness seems to hide ambiguous feelings about the hapless man. In this haunting story, Maigret discovers the appalling truth and the real crime hidden behind the surface of lies.
Book cover of Liberty Bar by Georges Simenon

Liberty Bar

Half an hour later, he was in Cannes ... White everywhere! Huge white hotels, white shops, white trousers and dresses, white sails out at sea.
It was as if life were no more than a pantomime fairy-tale, a white and blue fairy-tale.

Dazzled at first by the glamour of sunny Antibes, Maigret soon finds himself immersed in the less salubrious side of the Riviera when he traces the steps of a shabby former spy who is fond of pretty women and dive bars.
Book cover of Lock No. 1 by Georges Simenon

Lock No. 1

Cars drove past along with the trucks and trams, but by now Maigret had realised that they were not important. Whatever roared by like this along the road was not part of the landscape. ... What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots' bars and especially the tall house where he could make out Ducrau's red chair framed by a window.

Maigret is drawn into the orbit of the self-made, mercurial Ducrau, as the latter's past catches up with him.
Book cover of The Madman of Bergerac by Georges Simenon

The Madman of Bergerac

He recalled his traveling companion's agitated sleep - was it really sleep - his sighs, and his sobbing. Then two dangling legs in their patent leather boots and hand-knitted socks . . . A lacklustre face. Glazed eyes. And Maigret was not surprised to see a grey beard eating into his cheeks.
Book cover of Maigret and the Headless Corpse by Georges Simenon

Maigret and the Headless Corpse

When a man's headless body is pulled from the Canal Saint Martin, Maigret and his colleagues are puzzled. In a chance encounter at a local cafe Maigret uncovers the truth behind this disturbing murder in an intriguing story of an estranged family, adulterous affairs and a secret inheritance
Book cover of Maigret and the Killer by Georges Simenon

Maigret and the Killer

When a tape recorder is found on a murder victim, Inspector Maigret hopes this will be the clue he needs to track down the killer.
Book cover of Maigret and the Lazy Burglar by Georges Simenon

Maigret and the Lazy Burglar

Set against a high-profile hunt for the latest criminal gang to hit Paris, Maigret is determined to track down the murderer of a quiet crook for whom he cannot help feeling affection and respect.