Penguin Modern Classics

The Osugi family have come to a realization. Each of them hails from a different planet. Father from Mars, mother from Jupiter, son from Mercury and daughter from Venus. Already seen as oddballs in their small Japanese town in the 1960s, this extra-terrestrial knowledge brings them closer together; they climb mountains to wait for UFOs, study at home together and regard their human neighbours with a kindly benevolence.

But Father, Juichiro, is worried about the bomb. He writes letters to Khrushchev, trying to warn everyone he can of the terrible threat. After all, humans may be terribly flawed, but aren't they worth saving? He sends out a coded message in the newspaper to find other aliens. But there are other extra-terrestrials out there, ones who do not look so kindly on the flaws and foibles of humans. And a charming young man, who claims to be from Venus too, tempts daughter Akiko away from the family . . .

A man with his head in the clouds, an artist who has visions, is shot dead after a domestic disturbance. His partner struggles with her feelings of responsibility, and whole relationships, whole lives, the entire multicultural city of Toronto, swirl around the fatal moment. Outsiders settle in the unfamiliar landscape of a new country, uncomfortable with the place and its people, uncomfortable sometimes with themselves. Still earlier, the poet discovers herself as speaker and subject, in a joyful, imagistic, rigorous and ruthless reclamation of the poetic.

With a critical introduction by scholar and theorist Christina Sharpe, Nomenclature is the searing new volume spanning a decades-long career, from 1982-2022, and gathering the new and collected poems of one of Canada's most honoured, significant and bestselling poets. Here, Dionne Brand bears powerful witness to the seemingly unending wars, the ascendance of fundamentalisms and the nameless casualties of the current era, but also to the rich textures of human life and human feeling that, in the face of this world's violences, endure and flourish - and that might reach beyond the known to some other, possibly future, time and place.

It is a master work, classic and living, and a record of one of the great writers of our age.

Impish, foul-mouthed Zazie arrives in Paris from the country to stay with her uncle Gabriel. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into a hugely successful film by Louis Malle. Packed full of word play and phonetic games, Zazie in the Metro remains as stylish and witty as ever.

In a rocky cove in the bay of Hakata, the bodies of a young and beautiful couple are discovered. Standing in the coast's wind and cold, the police see nothing to investigate: the flush of the couple's cheeks speaks clearly of cyanide, of a lovers' suicide. But in the eyes of two men, Torigai Jutaro, a senior detective, and Kiichi Mihara, a young gun from Tokyo, something is not quite right. Together, they begin to pick at the knot of a unique and calculated crime . . .

Now widely available in English for the first time, Tokyo Express is celebrated around the world as Seicho Matsumoto's masterpiece - and as one of the most fiendish puzzles ever written.

Blessing the Boats draws together poems from across Lucille Clifton's career, showcasing the stunning simplicity and grace with which she addressed the whole of human experience: birth, death, children, family, illness, sexuality and injustice in antebellum and contemporary America. Hers is a poetry that is passionate and wise, not afraid to rage or whisper; a poetry that speaks unparalleled candour and empathy to the personal, the political and the spiritual.

A newly married woman longs, irrationally, for a silk umbrella; a husband chases away his wife's beloved cat; a betrayed mother impulsively sacks her housekeeper. Underneath the surface of these precisely observed tales of love, marriage and family life in mid-century Copenhagen pulse currents of desire, violence and despair, as women and men dream of escaping their conventional roles and finding freedom and happiness - without ever truly understanding what that might mean.

The story behind The Actual belongs to Harry Trellman, an aging, astute businessman who has never belonged anywhere.

This is the definitive collection of short stories by Saul Bellow. Abundant, precise, various, rich and exuberant, the stories display the stylistic and emotional brilliance which characterizes this master of prose. Some stories recount the events of a single day, some are contained in a wider frame; each story is a characteristic combination of observation and a celebration of humanity.

Expecting to be inducted into the army, Joseph has given up his job and carefully prepared for his departure to the battlefront. When a series of mix-ups delays his induction, he finds himself facing a year of idleness. Dangling Man is his journal, a wonderful account of his restless wanderings through Chicago's streets, his musings on the past, his psychological reaction to his inactivity while war rages around him, and his uneasy insights into the nature of freedom and choice.

Dean Corde is a man of position and authority at a Chicago university. He accompanies his wife to Bucharest where her mother, a celebrated figure, lies dying in a state hospital. As he tries to help her grapple with an unfeeling bureaucracy, news filters through to him of problems left behind in Chicago. A student had been been murdered and Corde had directed that charges be pressed against two black youths, but controversy and pressure are mounting against the university administration. Further, a series of articles written by Corde has offended influential Chicagoans whom he had counted as friends. Corde is troubled: at home the centre is not holding firm, in Eastern Europe authority is cruel and dehumanising.

Kenneth Trachtenberg, the witty and eccentric narrator of More Die ofHeartbreak, has left his native Paris for the Midwest. He has come to benear his beloved uncle, the world-renowned botanist Benn Crader, self-described "plant visionary." While his studies take him around the world, Benn, a restless spirit, has not been able to satisfy his longings after his first marriage and lives from affair to affair and from "bliss to breakdown." Imagining that a settled existence will end his anguish, Benn ties the knot again, opening the door to a flood of new torments. As Kenneth grapples with his own problems involving his unusual lady-friend Treckie, the two men try to figure out why gifted and intelligent people invariably find themselves "knee-deep in the garbage of a personal life."

Mr. Artur Sammler, Holocaust survivor, intellectual, and occasional lecturer at Columbia University in 1960s New York City, is a "registrar of madness," a refined and civilized being caught among people crazy with the promises of the future (moon landings, endless possibilities). His Cyclopean gaze reflects on the degradations of city life while looking deep into the sufferings of the human soul. "Sorry for all and sore at heart," he observes how greater luxury and leisure have only led to more human suffering. To Mr. Sammler-who by the end of this ferociously unsentimental novel has found the compassionate consciousness necessary to bridge the gap between himself and his fellow beings-a good life is one in which a person does what is "required of him." To know and to meet the "terms of the contract" was as true a life as one could live.

Abe Ravelstein is a brilliant professor at a prominent midwestern university and a man who glories in training the movers and shakers of the political world. He has lived grandly and ferociously-and much beyond his means. His close friend Chick has suggested that he put forth a book of his convictions about the ideas which sustain humankind, or kill it, and much to Ravelstein's own surprise, he does and becomes a millionaire. Ravelstein suggests in turn that Chick write a memoir or a life of him, and during the course of a celebratory trip to Paris the two share thoughts on mortality, philosophy and history, loves and friends, old and new, and vaudeville routines from the remote past. The mood turns more somber once they have returned to the Midwest and Ravelstein succumbs to AIDS and Chick himself nearly dies.

In the mid-1970s, Saul Bellow visited Israel and To Jerusalem and Back is his account of his time there. Immersing himself in its landscape and culture, he records the opinions, passions and dreams of Israelis of varying viewpoints – from Prime Minister Rabin, novelist Amos Oz and the editor of an Arab-language newspaper to a kibbutznik escaped from the Warsaw ghetto and the barber at Bellow’s hotel. Through meditations steeped in history and literature he adds his own reflections on being Jewish in the twentieth century. Bellow’s exploration of a beautiful and troubled city is a powerful testament to the unique spirit and challenges of Israel, its history and its future.

Lucia Bernardi was last seen driving a car at top speed away from a villa - and the body of her murdered Iraqi lover - in Switzerland. Now disgraced journalist Piet Maas has been sent to find her in the south of France. When he does, he must decide whether to get the scoop of his lifetime - or to plunge into ever more dangerous waters with her.

Featuring a cast of fraudsters, hitmen and Kurdish revolutionaries, A Kind of Anger is a classic thriller from the father of the genre.

Arthur Abdel Simpson is a failed journalist and soon-to-be failed thief, embittered by memories of his unhappy childhood in England and eking out a living in Athens. When he spots a newly arrived tourist at the airport, he offers his services as a private driver and sees an easy chance to make some money by illicit means. But the out-matched Simpson soon finds himself embroiled in blackmail and driving a highly suspicious car to Istanbul. When he is stopped by the Turkish police, it seems his luck can't get any worse - but this is just the beginning . . .

Adapted as the classic film Topkapi and featuring one of literature's greatest heist scenes, Light of Day is a heart-stopping and highly enjoyable novel from the father of the spy thriller.