Everyman's Library CLASSICS

These humorous and poignant tales of lovers, loneliness, and never-quite-belonging, delivered in her characteristically knowing, wry voice, confirm Lorrie Moore as a master of the short story form.
Self-Help, Like Life, Birds of America and Bark, her four acclaimed collections, are all here, and for good measure so too are a handful of stories excerpted from the novels Anagrams, Who Will Run the Frog Hospital? and The Gate at the Stairs. But at the author's request, the order of play is gloriously random: 'I didn't want this Everyman's volume to be one that simply glued all the books together in the obvious sequential order,' she writes. 'I wanted instead to let the magical alphabet set individual stories side by side in an otherwise unexpected and unchronological way so that friction or frost might occur: they could jostle and rap and spark or repel .... It might all be like a playlist set to shuffle ...' So, a joyous new discovery for first-time readers and for Moore fans, a multitude of new angles from which to view her incomparable ouevre.

A brilliant and much admired novelist, Elizabeth Bowen (1899–1973) surpassed herself as a writer of short fiction: 'the supreme genius of her time', writes John Banville in his introduction; 'There is not a story in this substantial volume ... that is not brought off beautifully.' A substantial volume indeed, Including 79 stories written over four decades, ranging in setting from the County Cork of the author's Anglo-Irish childhood to bomb-ravaged London where she coolly sat out the War, evoked with vivid and impeccable artistry. She has a disturbing sense of the uncanny, an acute eye for social comedy and her often emotionally secretive characters are depicted with penetrating psychological insight. She is good at houses, ghosts, children, animals ... 900 pages of sheer delight

Post-colonial Africa is dissected with pitiless lucidity in this disturbing novel about an outsider, the young Indian trader, Salim, who has moved from the coastal settlement where he grew up to an unnamed country in the African interior (largely based on the Democratic Republic of Congo), settling on that very bend in the river where Conrad had set his Heart of Darkness some seventy years before. Salim enters a ghost town, once a flourishing European outpost, which is fast returning to the bush. A new dictator 'the Big Man' is about to impose his regime with the assistance of Raymond, 'The Big Man's White Man', whose humanitarian concerns have won him international acclaim, but whose plans for the country's future are arrogant and delusional. Salim becomes obsessed by Raymond's wife, Yvette, and begins and affair with her. Personal and political tragedy follow, civil war returns, and Salim, contemplating the disastrous course of his life since leaving home, speaks for the powerlessness of ordinary people everywhere in the face of historical upheaval: 'I couldn't protect anyone [and] no one could protect me... we could only in various ways hide from the truth... One tide of history has brought us here ... Another tide of history was coming to wash us away.'.

OSCAR AND LUCINDA is a sweeping, irrepressibly inventive novel set in nineteenth-century England and Australia where the two potential lovers lead parallel lives until chance brings them together on board ship.
A narrative tangle of love, religion, gambling, commerce and colonialism culminates in a nightmare expedition – the result of a wager – to transport a glass church across the Australian wilderness.

In TRUE HISTORY OF THE KELLY GANG the legendary Australian outlaw Ned Kelly speaks for himself in a voice that is direct, colloquial, theatrical, and utterly magical. To his pursuers he is nothing but a monstrous criminal, but to his own people he is a hero, defying British imperial authority in support of the poor Irish settlers who are its victims. In a dazzling act of ventriloquism, Carey brings the famous bushranger unforgettably to life.

American Tabloid gives us John F. Kennedy's rise and fall from an insider's perspective. We're there for the rigged 1960 election and for the Bay of Pigs fiasco. We're the eyes and ears and souls of three rogue cops who've signed on for the ride and come to see Jack as their betrayer. And we're there in Dallas in 1963 where it all comes to a brutal end.
The Cold Six Thousand the cover-up for the Kennedy assassination begins. This time the ride takes us from Dallas to Vietnam to Las Vegas to Memphis to Cuba to the kitchen of the Ambassador Hotel in L.A. We're rubbing shoulders Klansmen and mafiosi, killers, hoods and provocateurs. WIth Robert F. Kennedy and Martin Luther King. And of course a lot of corrupt policemen.
Blood's a Rover takes us into the 70s. RFK and MLK are dead. A kid private eye clashes with a mob goon and an enforcer for FBI director Edgar Hoover in L.A. There's an armoured-car heist and a cache of missing emeralds. Revolution brews in Haiti and the Dominican Republic. Amidst all this, all three anti-heros fall for Red revolutionary Joan Rosen Klein. Each will pay 'a dear and savage price to live History'.
The American dream as Nightmare.

Blood's a Rover takes us into the 70s. RFK and MLK are dead. A kid private eye clashes with a mob goon and an enforcer for FBI director Edgar Hoover in L.A. There's an armoured-car heist and a cache of missing emeralds. Revolution brews in Haiti and the Dominican Republic. Amidst all this, all three anti-heros fall for Red revolutionary Joan Rosen Klein. Each will pay 'a dear and savage price to live History'.

The Black Dahlia depicts the infrastructure of L.A.'s most sensational murder case. A young cop morphs into the obsessed lover and lust-crazed avenger. His rogue investigation is a one-way ticket to hell.

The Big Nowhere blends the crime novel with the political novel. It is winter, 1950, and the L.A. authorities are targeting movieland Reds. The three cops assigned to the job are out to grab all the kudos they can. But a series of brutal sex killing intervenes ...

L.A. Confidential plumbs the depths: political corruption, scandal-rag journalism, racism and gangland wars, savage slaughter in an all-night hash house. And the inglorious Los Angeles Police Department to disentangle the conspiracy that links it all together.

White Jazz gives us the tortured confession of a cop who's gone to the bad - killer, slum landlord and parasitic exploiter. He's also a pawn in a police power struggle and beginning to realize it. But he's just met a woman and wants to claw his way out of the pit. Somehow.

Social realism and fairy tale combine in Lucky Per, a bildungsroman about the ambitious son of a clergyman who rejects his faith and flees a restricted life in rural Jutland for Denmark's capital city. Per is a gifted young man who firmly believes that 'you had to hunt down luck as if it were a wild creature, a crooked-fanged beast ... and capture and bind it'. He falls in with Copenhagen's Jewish community, and falls for Jakobe Salomon, a wealthy heiress, who is not only the strongest character in the book but among the great Jewish heroines of European literature.
Per becomes obsessed with a grand engineering scheme that he believes will both reshape Denmark's landscape and correct its minor position in the world. Eventually personal and his career ambitions alike come to grief. At the heart of Lucky Per lies the question of the relationship of 'luck' to 'happiness' (the Danish word in the title can have both meanings), a relationship which Per comes to view differently by the end of his life.

Humboldt (1769–1859) was an intrepid explorer and the most famous scientist of his age. His life was packed with adventure and discovery, whether climbing volcanoes in the Andes, swimming with crocodiles, racing through anthrax-infected Siberia, or publishing groundbreaking bestsellers. Ahead of his time, he recognized nature as an interdependent whole and he saw before anyone else that humankind was on a path to destroy it. He was one of the first European to study the Inca, Aztec and Mayan cultures and his epic five-year expedition to Latin America (1799–1804) prompted him to denounce slavery as 'the greatest evil ever to have afflicted humanity'. To Humboldt, the melody of his prose was as important as its content, and this selection from his most famous works - the Personal Narrative of his travels to Latin America, Cosmos, Views of Nature, Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, The Geography of Plants and his anti-slavery essay in Political Essay of the Island of Cuba - allows us the pleasure of reading his own accounts of his daring explorations and new concept of nature. Humboldt’s writings profoundly influenced naturalists and poets including Darwin, Thoreau, Muir, Goethe, Wordsworth, and Whitman. The Selected Writings is not only a tribute to Humboldt’s important role in environmental history and science, but also to his ability to fashion powerfully poetic narratives out of scientific observations.

When Samuel Pepys (1633–1703) began writing in 1660 he was a young clerk living in London, struggling to pay his rent. Over the next nine years as he kept his journal, he rose to be a powerful naval administrator. He became eyewitness to some of the most significant events in seventeenth-century English history, among them, the Restoration of the monarchy in 1660 (he was in the ship that brought back Charles II from exile), the plague that ravaged the capital in 1665, and the Great Fire of 1666, described with poetry and horror.
Pepys's diary gives vivid descriptions of spectacular events, but much of the richness of the diary lies in the details it provides about the minor dramas of daily life. While Pepys was keen to hear the King's views, he was also ready to talk with a soldier, a housekeeper, or a child rag-picker. He records with searing frankness his tumultuous personal and professional life: the pleasures and frustrations of his marriage, together with his infidelities, his ambitions, and his power schemes. All of this was set down in shorthand, to protect it from prying eyes. The result is a lively, often astonishing, diary and an unrivalled account of life in seventeenth-century London.

In 1914 Paul Bäumer and his classmates are marched to the local recruiting office by a sentimentally patriotic form-master. On a calm October day in 1918, only a few weeks before the Armistice, Paul will be the last of them to be killed. In All Quiet on the Western Front he tells their story.
A few years after it was published in 1929 the Nazis would denounce and publicly burn Remarque's novel for insulting the heroic German army - in other words, for 'telling it like it was' for the common soldier on the front line where any notions of glory and national destiny were soon blasted away by the dehumanizing horror of modern warfare.
Remarque has an extraordinary power of describing fear: the appalling tension of being holed up in a dugout under heavy bombardment; the animal instinct to kill or be killed which takes over during hand-to-hand combat. He also has an eye for the grimly comic: the consignment of coffins Paul and his friends pass as they make their way up the line for a new offensive; the young soldiers joyfully tucking into double rations when half their company are unexpectedly wiped out.
Remarque's elegy for a sacrificed generation is all the more devastating for the laconic prose in which his teenaged veteran narrates shocking experiences which for him have become the stuff of daily life. Paul cannot imagine a life after the war and can no longer relate to his family when he returns home on leave. Only the camaraderie of his diminishing circle of friends has any meaning for him. He comes especially to depend on an older comrade, Stanislaus Katczinsky, and one of the most poignant moments in the book is when he carries the wounded Kat on his back under fire to the field dressing station, with starkly tragic outcome.
The saddest and most compelling war story ever written.

Written during the Golden Age of Chinese philosophy, and composed partly in prose and partly in verse, the Tao Te Ching is the most terse and economical of the world's great religious texts. In a series of short, profound chapters it elucidates the idea of the Tao, or the Way, and of Te - Virtue, or Power - ideas that in their ethical, practical and spiritual dimensions have become essential to the life of China's powerful civilization.

The Tao Te Ching has been translated into Western languages more times than any other Chinese work. It speaks of the ineffable in a secular manner and its imagery, drawn from the natural world, transcends time and place. The application of its wisdom to modern times is both instructive and provocative - for the individual, lessons in self-awareness and spontaneity, placing stillness and consciousness of the word around above ceaseless activity; for leaders of society, how to govern with integrity, to perform unobtrusively the task in hand and never to utter words lightly; for both, the futility of striving for personal success.

D. C. Lau's classic English version remains a touchstone of accuracy. Informed by the most impressive scholarship this is a translation both for academic study and for general readers who prefer to reflect on the meaning of this ancient text unencumbered by the subjective interpretations and poetic licence of more recent 'inspirational' translations. Sarah Allan's masterly introduction discusses the origins of the work, sheds light on the ambiguities of its language, and places it firmly in its historical and philosophical context.

The Everyman edition uses Lau's translation of the Ma Wang Tui manuscripts (discovered in 1973) in the revised 1989 version published by The Chinese University Press. The iconic text is presented uncluttered by explanatory notes. A chronology and glossary are included, together with the translator's informative appendices.

In The Bloody Chamber, Carter's famous collection of deeply unsettling stories inspired by fairy tales, a Beauty is turned into a Beast and Little Red Riding's grandmother is stoned to death as a witch; a young music student is swept off her feet in Paris by a middle-aged aristocrat and transported to his ancestral abode to re-enact the story of Bluebeard against a sumptuous fin de siècle background; a British soldier on a cycling holiday in Transylvania in the summer of 1914 finds himself the guest of an alluring female vampire. By contrast, in Wise Children, Carter's last novel), the comic, the bawdy and the life-enhancing prevail. An irrepressible elderly lady recalls the many colourful decades she and her sister spent as vaudeville performers - a tale as full of twins and mistaken identities as any plot of Shake- speare's. The early collection, Fireworks, reveals Carter taking her first forays into the fantastic writing that was to become her unforgettable legacy. The Everyman's Library omnibus gathers the best of Angela Carter in one astonishing volume.

Written over two thousand years ago, The Art of War contains penetrating insights into the nature of power, inter-state rivalry, realpolitik and military success, relevant to any age. It was first translated into English in the early 20th century. Sun Tzu's short lines of argument and pithy aphorisms are highly accessible to modern readers, and his text has almost achieved cult status. He is quoted everywhere 'from divorce courts to Facebook', and has something to offer anyone interested in honing leadership skills and achieving in any competitive environment 'from the boardroom to the bedroom'. Sun Tzu's advice is shrewd and pragmatic - he does not glory in slaughter and prefers to win battles off the battlefield if possible; he is a strong supporter of the use of deception, of varying your shots and above all, of doing your research: knowing your enemy is key; but of little use if you do not also 'know yourself'.

Features a brilliant new translation by Peter Harris.

The iconic text in its original 13 short chapters printed unencumbered by notes
The text repeated, this time interspersed with selected extracts from the canon of traditional Chinese commentators who have explained Sun Tzu's wisdom over the centuries; each chapter ending with an explanatory note from Peter Harris

Robert Graves, aged nineteen, left school within a week of the outbreak of World War I, and immediately volunteered with the Royal Welch Fusiliers. His experiences as a junior officer form the heart of this compelling autobiography. Beginning with an ironic overview of his Edwardian childhood, he proceeds to a tongue-in-cheek account of a young poet's life at public school (not helpful to be half-German, but handy to take up boxing), progressing to caricatures of military stereotypes he encounters in training, and the devastating farce of the War itself, the blundering and mismanagement, and the appalling human consequences. Graves's handling of the horrors of war is always deadpan, honest and unadorned. It is wholly in line with his sense of the absurd that his commanding officer should write to inform his parents that he had died of wounds during the battle of the Somme. He soon found that patriotism was meaningless to the men in the trenches; loyalty to comrades alive and dead drove him back to active service though still suffering from shell-shock.
Goodbye to All That takes Graves through his convalescence in England, his efforts to protect the poet Siegfried Sassoon, a friend and fellow officer, from the consequences of his public denunciation of the war; marriage to artist and feminist Nancy Nicholson, postwar undergraduate years at Oxford and a decade as a struggling writer with four young children, beset with money problems and neurasthenia. It is written in a spirit of defiance as he prepared to put 'all that' behind him and begin a new life in Majorca with the American poet Laura Riding.

This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.