Everyman's Library CLASSICS

Published in the same year as the American Declaration of Independence, The Wealth of Nations has had an equally great impact on the course of modern history. Adam Smith’s celebrated defence of free market economics is notable also as one of the Enlightenment’s most eloquent testaments to the sanctity of the individual in his relations to the state.

'In one moment, every drop of blood in my body was brought to a stop .. There, as if it had that moment sprung out of the earth .. stood the figure of a solitary Woman, dressed from head to foot in white'

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.

The title of the novel comes from the Yorkshire manor on the moors of the story. The narrative centres on the all-encompassing, passionate, but ultimately doomed love between Catherine Earnshaw and Heathcliff, and how this unresolved passion eventually destroys them and the people around them

Selected by Cynthia Ozick from a dozen books written across more than fifty years, the essays and short stories gathered here constitute a summing-up of her remarkable literary career. In such classic essays as “Who Owns Anne Frank?,” “What Helen Keller Saw,” “Dostoevsky’s Unabomber,” and “Transcending the Kafkaesque,” Ozick examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. In her short stories, including “A Hebrew Sibyl,” “What Happened to the Baby?,” “Dictation,” “The Biographer’s Hat,” and “The Conversion of the Jews,” Ozick demonstrates again and again her stylistic brilliance and the originality of her distinctive interweaving of the strands of history and myth.

This hardcover omnibus edition of Didion's collected nonfiction contains her final four books: Blue Nights, South and West, Let Me Tell You What I Mean, and her bestselling and most famous work, The Year of Magical Thinking In her essay “Why I Write” (included in this volume), Joan Didion explained what lies behind her iconic nonfiction writing: "I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means.” Across her long and prolific career, readers have been blessed time and again by her brilliance as a prose stylist and a social commentator. Form her unforgettable reckonings with grief (for her husband in The Year of Magical Thinking and for her daughter in Blue Nights), to her exploration of two iconic regions of America in South and West, through the indelible pieces of reporting collected from across her career in Let Me Tell You What I Mean, the books collected here show Didion at her best: bearing witness to our history, illuminating our culture, and shedding light on the human condition.

Called to serve on the jury of a murder trial, Prince Dmitri Nekhlyudov is devastated to recognise the defendant, Katyusha, as a young woman he had drunkenly assaulted and then abandoned years before. Pregnant with his child, she was cast out of her home and had turned to prostitution to survive, only to be charged with poisoning a client who beat her. Struck by the tragic consequences of his selfish actions, Dmitri decides to give up his life of wealth and privilege to devote himself to rescuing Katyusha, even if it means following her into exile in Siberia. With its colourful cast of characters that range from peasants to aristocrats, and from bureaucrats to convicts, Tolstoy's novel, first published in 1899, creates a vivid panorama of Russian life.

From her prison cell, the irrepressible, magnetic Sara Monday looks back on the past half-century of her life in Herself Surprised. Born into a poor family, her employment while still a young girl as a cook in a middle-class household set her on a colourful and picaresque path. In To Be a Pilgrim, Tom Wilcher, a wealthy and disgraced lawyer who has been both Sara’s employer and her lover, has retreated to his estate near the end of his life to wrestle with his tormented conscience. And the centre of The Horse's Mouth, a charming, talented,
impoverished artist named Gulley Jimson–also a lover of Sara Monday–is a restless, rebellious, and self-serving scoundrel whose antics verge on the appalling and farcical.

Read together, these three vigorous and unforgettable narrative voices offer a sweeping vision of the first half of the twentieth century that is lyrical, profane, tragic, and comic all at once.

Published in 1941, 1942, and 1944, the novels in Cary’s trilogy were designed to reveal three complex characters, not only as they see themselves, but as they are seen by one another, resulting in a work of three-dimensional depth and force.

'Family life just goes on. Toughest thing in the world. But of course it is also the microcosm of a world. You get everything there—birth, life, death, love and jealousy, conflict of wills, of authority and freedom, the new and the old. And I always choose the biggest stage possible for my theme...' Joyce Cary