Everyman's Library CLASSICS

Kafka was an obsessive writer who produced a huge volume of stories, novels, diaries and letters in his brief lifetime. The present volume includes all his available shorter fiction in a new collection edited and introduced by Gabriel Josipovici. The stories, which range from tiny fragments to substantial narratives, have been arranged both to illuminate one another and to illustrate Kafka's evolution as a writer - which, as Professor Josipovici shows, is more complex and radical than often thought. The extensive prefatory essay is an introduction not only to the stories but also to Kafka's work as a whole.

Easily the most celebrated historical work in English, Gibbon's account of the Roman empire was in its time a landmark in classical and historical scholarship and remains a remarkable fresh and powerful contribution to the interpretation of Roman history more than two hundred years after its first appearance. Its fame, however, rests more on the exceptional clarity, scope and force of its argument, and the brilliance of its style, which is still a delight to read. Furthermore, both argument and style embody the Enlightenment values of rationality, lucidity and order to which Gibbon so passionately subscribed and to which his HISTORY is such a magnificent monument.

In the third novel of the Barsetshire series, Trollope continues his study of a small cathedral city and the surrounding rural community which he presents as a microcosm of nineteenth-century England. Through each of the Barsershire novels can be read on its own, the six together present an incomparable portrait of life and manners in the quiet but troubled heart of a great nation at the zenith of its prosperity. DOCTOR THORNE revolves round the characters of the doctor and his niece, Mary, but the complex social life of which they are a part, ranging in scope from great houses to poor cottages, is almost more important than individual characters. If God is in the details, these novels are indeed divine.

In a novella which remains highly controversial to this day, Conrad explores the relations between Africa and Europe. On the surface, this is a horrifying tale of colonial exploitation. The narrator, Marlowe journeys on business deep into the heart of Africa. But there he encounters Kurtz, an idealist apparently crazed and depraved by his power over the natives, and the meeting prompts Marlowe to reflect on the darkness at the heart of all men. This short but complex and often ambiguous story, which has been the basis of several films and plays, continues to provoke interpretation and discussion.

Dicken's third novel, published in 1839, is a brilliant and vivid melodrama of honest youth triumphing over vice and injustice. Bursting with energy and populated by a whole world of inimitable and memorable characters - including especially the theatrical troupe with whom Nicholas performs - the book is both a griping story and a series of magnificent scenes. It is also indignant protest against cruelty and oppression, most memorably encapsulated in Dickens's powerful portrayal of Mr Squeers and his wicked boarding school - a passage which was to be instrumental in helping to reform the Victorian education system. The novel has been adapted for television stage and screen.

THE SOCIAL CONTRACT is one of three most influential treatises ever written (the others being PLato's REPUBLIC and Marx's DAS KAPITAL) Of the three it is safe to say that only THE SOCIAL CONTRACT is much read in its entirety today, and it continues to exert a direct influence on contemporary political thought. In it - and in the three DISCOURCES here printed with it - Rousseau discusses the nature of liberty, human rights and the state; the origins of private property the function of education; the economic structure of society; and the relationship between individuals and the community. This revised re-issue of G. D. H. Cole's celebrated translation, long published by Everyman, includes sections from the manuscript draft of the text and is accompanied by an extensive new introduction, chronology and bibliography prepared by Professor Alan Ryan.

A biting satire on dictatorship written during the Second World War and published in 1945, ANIMAL FARM is perhaps the most celebrated twentieth-century English satire after the same writer's NINETEEN EIGHTY-FOUR. One of the very few writers to be compared in power, artistry and moral authority with Jonathan Swift, the purity of Orwell's spare prose and the logic of his dark comedy emphasize the stark message of man's inhumanity to man and beast's to beast

The story of young Nanda Brookenham's struggle to preserve her honesty in the brilliant but corrupt world of her parents is a drama of innocence betrayed yet preserved. Written when James was recovering from the shock od failure as a playwright, THE AWKWARD AGE is one of his greatest masterpieces. Conceived like a play terms of scenes and conducted largely through witty dialogue, the novel bears the triumphant signs of his painful apprenticeship in the theatre

Dostoesky's drama of sin, guilt and redemption transmutes the sordid story of an old woman's murder by a desperate student into the nineteenth century's profoundest and most compelling philosophical novel. Grim in theme and setting, the book nevertheless seduces by its combination of superbly drawn characters, narrative brilliance and manic comedy.

FICTIONS is perhaps the single most mysterious and extraordinary collection of short stories written this century. Influenced by writers as disparate as Lewis Carroll, Stevenson and Cervantes, Borges is nethertheless a complete original who can turn dry logical puzzles in to enchanting fables. The Pieces in this volume represent his most accomplished work.

An attack on war which broadens into a satire on the ANCIEN REGIME of the Austro-Hungarian empire, THE GOOD SOLDIER SVEJK recreates the age-old figure of the simple soldier whose sheer determination to survive brings into question the mighty social and political institutions he confronts. Set in a Central Europe which has long since vanished, Hasek's novel is nevertheless a timeless portrait of the 'little man' doughtily waging his own war against authority

Calvino's dazzling post-modernist masterpiece combines a love story, a detective story and a sardonic dissection of the publishing industry in a scintillating allegory of reading. Based on a witty anaolgy between the reader's desire to finish the story and the lover's desire to consummate his or her passion, IF ON A WINTER'S NIGHT is the tale of two bemused readers whose attempts to reach the end of same book - IF ON A WINTER'S NIGHT by Italo Calvino - are constantly and comically frustrated. THE ARABIAN NIGHTS of our day

Hailed as the greatest Japanese novel of the Twentieth century, THE MAKIOKA SISTERS is a subtle tale of domestic oppression worthy of Balzac or Chekhov, In this saga of the once prosperous but now declining Makioka family struggling to marry off one of their daughters, Tanizaki presents the picture of a family and a society striving to preserve their self-respect as they come to terms with disturbing new ways in a classic confrontation of innovasion and tradition. A wonderful portrait of Japanese life in the first half of the twentieth century.

D H Lawrence remarked that Hardy's best novels were about 'the struggle into love and the struggle with love', and THE MAJOR OF CASTLEBRIDGE is no exception. One of the long series of Wessex tales include FAR FROM THE MADDING CROWD, it is the story of the brooding and sometimes brutal Michael Henchard and the women with whom he searches for happiness in the harsh world of the nineteenth-century rural England