Letters to Camondo
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Summary
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63 rue de Monceau, Paris
Dear friend,
As you may have guessed by now, I am not in your house by accident. I know your street rather well.
Count Moïse de Camondo lived a few doors away from Edmund de Waal's forebears, the Ephrussi, first encountered in his bestselling memoir The Hare with Amber Eyes. Like the Ephrussi, the Camondos were part of belle époque high society. They were also targets of anti-semitism.
Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count's death, was bequeathed to France.
The Musée Nissim de Camondo has remained unchanged since 1936. Edmund de Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a haunting series of letters addressed to the Count, he tells us what happened next.
© Edmund de Waal 2021 (P) Penguin Audio 2021
63 rue de Monceau, Paris
Dear friend,
As you may have guessed by now, I am not in your house by accident. I know your street rather well.
Count Moïse de Camondo lived a few doors away from Edmund de Waal's forebears, the Ephrussi, first encountered in his bestselling memoir The Hare with Amber Eyes. Like the Ephrussi, the Camondos were part of belle époque high society. They were also targets of anti-semitism.
Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count's death, was bequeathed to France.
The Musée Nissim de Camondo has remained unchanged since 1936. Edmund de Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a haunting series of letters addressed to the Count, he tells us what happened next.
© Edmund de Waal 2021 (P) Penguin Audio 2021
Reviews
I was deeply moved... De Waal has found a way to meditate on exile, migration and polarisation that feels painfully relevant
Sunday Times
