Virginia Woolf

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Night And Day

Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realisation of experimental achievements that have completely broken with tradition

Virginia Woolf was one of the great innovators of that decade of literary Modernism, the 1920s

WITH INTRODUCTIONS BY ANGELICA GARNETT AND JO SHAPCOTT 
 
In Night and Day, Virginia Woolf portrays her elder sister Vanessa in the person of Katharine Hilbery - the gifted daughter of a distinguished literary family, trapped in an environment which will not allow her to express herself. 
 
Looking at questions raised by love and marriage, Night and Day paints an unforgettable picture of the London intelligensia before the First World War, with psychological insight, compassion and humour.

'Woolf was an innovator who redefined the novel and pointed the way towards its future possibilities.' Jeanette Winterson

Virginia Woolf was born in London in 1882, the daughter of Sir Leslie Stephen, first editor of The Dictionary of National Biography. After his death in 1904 Virginia and her sister, the painter Vanessa Bell, moved to Bloomsbury and became the centre of 'The Bloomsbury Group'. This informal collective of artists and writers which included Lytton Strachey and Roger Fry, exerted a powerful influence over early twentieth-century British culture. 
In 1912 Virginia married Leonard Woolf, a writer and social reformer. Three years later, her first novel The Voyage Out was published, followed by Night and Day (1919) and Jacob's Room (1922). These first novels show the development of Virginia Woolf's distinctive and innovative narrative style. It was during this time that she and Leonard Woolf founded The Hogarth Press with the publication of the co-authored Two Stories in 1917, hand-printed in the dining room of their house in Surrey. 
Between 1925 and 1931 Virginia Woolf produced what are now regarded as her finest masterpieces, from Mrs Dalloway (1925) to the poetic and highly experimental novel The Waves (1931). She also maintained an astonishing output of literary criticism, short fiction, journalism and biography, including the playfully subversive Orlando (1928) and A Room of One's Own (1929) a passionate feminist essay. This intense creative productivity was often matched by periods of mental illness, from which she had suffered since her mother's death in 1895. On 28 March 1941, a few months before the publication of her final novel, Between the Acts, Virginia Woolf committed suicide.

Night And Day

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