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The Temple of Dawn

The Temple of Dawn

Summary

Mishima’s literary powers are on full display in his penultimate novel, a meditation on reincarnation and Buddhist philosophy.

Honda, a brilliant lawyer and man of reason, is called to Bangkok on legal business. He is granted an audience with a young Thai princess known as 'Moonlight', an encounter that radically alters the course of his life. Convinced she is a reincarnated spirit, he undertakes a long, arduous pilgrimage to the holy places of India. There he encounters her again. But the princess has become one more embodiment of all that Honda cannot possess.

'An elegy to the loss of pureness in the Japanese national spirit' Japan Times

Reviews

  • The four novels remain one of the outstanding works of 20th-Century literature and a summary of the author's life and work... Like the Divine Comedy and Remembrance of Things Past, "The Sea of Fertility" gives the reader the sensation of being carried to a great height...but Mishima abandons the reader at the edge of the precipice, revealing the abyss beneath the degraded life of the post-war world
    Los Angeles Times

About the author

Yukio Mishima

Yukio Mishima was born into a samurai family and imbued with the code of complete control over mind and body, and loyalty to the Emperor – the same code that produced the austerity and self-sacrifice of Zen. He wrote countless short stories and thirty-three plays, in some of which he acted. Several films have been made from his novels, including The Sound of Waves; Enjo, which was based on The Temple of the Golden Pavilion; and The Sailor Who Fell From Grace with the Sea. Among his other works are the novels Confessions of a Mask and Thirst For Love and the short-story collections Death in Midsummer and Acts of Worship.

The Sea of Fertility tetralogy, however, is his masterpiece. After Mishima conceived the idea of The Sea of Fertility in 1964, he frequently said he would die when it was completed. On November 25th, 1970, the day he completed The Decay of the Angel, the last novel of the cycle, Mishima committed seppuku (ritual suicide) at the age of forty-five.
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