The Correspondence
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Summary
'What a nutjob!' - Geoff Dyer
'Questions that occurred to me as I read this brilliant, baffling book: What the hell is this? Who the hell is this? Is this poetry?' - Tom Bissell
Can civilization save us from ourselves? That is the question J. D. Daniels asks in his first book, a series of six letters written during dark nights of the soul. Working from his own highly varied experience – as a janitor, night watchman, adjunct professor, drunk, exterminator, dutiful son –he considers how far books and learning and psychoanalysis can get us, and how much we’re stuck in the mud.
In prose wound as tight as a copper spring, Daniels takes us from the highways of his native Kentucky to the Balearic Islands and from the Pampas of Brazil to the rarefied precincts of Cambridge, Massachusetts. His travelling companions include psychotic kindergarten teachers, Israeli sailors, and Southern Baptists on fire for Christ. In each dispatch, Daniels takes risks – not just literary (voice, tone, form) but also more immediate, such as spending two years on a Brazilian jiu-jitsu team (he gets beaten to a pulp, repeatedly) or participating in group psychoanalysis (where he goes temporarily insane).
Daniels is that rare thing, a writer completely in earnest whose wit never deserts him, even in extremis. Inventive, intimate, restless, streetwise and erudite, The Correspondence introduces a brave and original observer of the inner life under pressure.
'Questions that occurred to me as I read this brilliant, baffling book: What the hell is this? Who the hell is this? Is this poetry?' - Tom Bissell
Can civilization save us from ourselves? That is the question J. D. Daniels asks in his first book, a series of six letters written during dark nights of the soul. Working from his own highly varied experience – as a janitor, night watchman, adjunct professor, drunk, exterminator, dutiful son –he considers how far books and learning and psychoanalysis can get us, and how much we’re stuck in the mud.
In prose wound as tight as a copper spring, Daniels takes us from the highways of his native Kentucky to the Balearic Islands and from the Pampas of Brazil to the rarefied precincts of Cambridge, Massachusetts. His travelling companions include psychotic kindergarten teachers, Israeli sailors, and Southern Baptists on fire for Christ. In each dispatch, Daniels takes risks – not just literary (voice, tone, form) but also more immediate, such as spending two years on a Brazilian jiu-jitsu team (he gets beaten to a pulp, repeatedly) or participating in group psychoanalysis (where he goes temporarily insane).
Daniels is that rare thing, a writer completely in earnest whose wit never deserts him, even in extremis. Inventive, intimate, restless, streetwise and erudite, The Correspondence introduces a brave and original observer of the inner life under pressure.
Reviews
Tightly written, often brilliant… Alive with deft asides and daring intuitive leaps. Daniels is a very good writer, and [this is] a very good book… The self is the well from which all these essays are drawn; or perhaps it’s the sewer into which all these essays drain… A complete work about a work-in-progress, the self-portrait of a writer slowly coming into his own.
J Robert Lennon, Guardian