Confessions of an English Opium-Eater

Thomas de Quincey was the original cosmonaut of inner space, his Confessions of an English Opium Eater predating the wave of drug buddy literature from William Burroughs to Irvine Welsh by half a century or more

Glasgow Herald

A stimulating cocktail: exotic dream-sequences conjured up in baroque prosepoetry, camp Gothic effects worthy of Hammer Horror, classical quotations, London street-slang and sprawling footnotes on German philosophy. De Quincey served up this heady concoction of high-culture and low-life in all of his finest writings... At his best, however, he is one of the finest English prose stylists for sheer variety and opiumtinted vividness

Mail on Sunday

The first - and still is the finest - literary dope fiend

Guardian

It is one of the classics of 19th-century life writing and its influence is still felt

Observer

The original sensationalist, and the best druggy writer, is still Thomas De Quincey, whose Confessions of an English Opium Eater (1822) first mixed the now-familiar cocktail of despair, self-loathing and romance... De Quincey stands accused, by his own generation and many since, of glamorising addiction and corrupting the impressionable, a charge borne out by his influence on such writers as Poe and Baudelaire, the Symbolists, Decadents and Beats, and so on down to Will Self

Daily Telegraph