The Grenadillo Box

The Grenadillo Box

Summary

It is New Year's Day 1755 and Nathaniel Hopson, journeyman to the famous cabinetmaker Thomas Chippendale, finds himself drawn into a chilling affair. While working at the country home of Lord Montfort, Nathaniel discovers his patron shot dead in his magnificent new library. The conclusion seems obvious: burdened with gambling debts and recently possessed of a melancholic nature, Montfort must have taken his own life, but Nathaniel is not convinced. While the gun near Montfort's hand suggests suicide, what of the blood on the windowsill and the confusion of footprints on the library floor? And there is another strange detail: the small, elaborately carved box of rare grenadillo wood clutched in the aristocrat's lifeless hand.
No sooner has Nathaniel been set up as a most unlikely investigator than another body is found, frozen and cruelly mutilated. Nathaniel's detachment is shattered. He knows the victim well - but what was he doing on Montfort's country estate? Nathaniel's investigation will take him from palatial drawing rooms to the slums of Fleet Street and London's Foundling Hospital, where the identity of a child abandoned twenty years ago may hold the key to the mystery. But someone has already killed to keep this secret and each step Nathaniel takes on his journey is a step further into danger.

As intricately crafted as a Chippendale cabinet, THE GRENADILLO BOX is both an utterly irresistible detective story and a vibrant recreation of eighteenth-century England, and marks the fiction debut of this supremely accomplished writer.

Reviews

  • 'Masterful...a cheerful whodunnit'
    The Times

About the author

Janet Gleeson

Janet Gleeson is the author of works of fiction and nonfiction which have been translated into more than a dozen languages. Her books include The Arcanum, which was Radio 4 Book of the Week and a Sunday Times bestseller, The Money Maker, An Aristocratic Affair and The Lifeboat Baronet, as well as three historical crime novels. She has a BA Hons in English and Art History from Nottingham University and an MA from Birkbeck College, University of London. She worked at Sotheby's and Bonhams where she specialised in old master paintings before starting her writing career as a columnist for House & Garden and an editor for Reed Books. She lives in a medieval barn in Dorset.
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