The Worm Forgives the Plough

A beautiful lost classic of English countryside literature

He is the poet among modern ecologists, a natural philosopher who , whether he is writing about trees or rainbows, an iceberg or a piece of chalk, never takes a fact without linking it to an idea, or an idea without connecting it to a fact. His book dispenses information in the language of the imagination, and by peeling back the film by which everything appears dully familiar, reveals a vision of the world miraculously transfigured

Collis' divine gift is to explain the extraordinary nature of the ordinary

A philosopher who had a shining view of the natural world, and was able to divine the magic inherent in phenomena so commonplace that we take them for granted

These jottings establish the man as one of the greatest recorders of English agricultural life

Engagingly conversational... his writings are, in every sense, down to earth.  He is compulsively curious about how things work, whether animal or mechanical.  Collis finds contentment in good, decent work and simple pleasures.  His writings are a comfort, now as then, in difficult political and economic times

John Stewart Collis was born in 1900. His father was a Dublin solicitor and Collis was educated at Rugby School and Balliol College, Oxford. In 1925 he published a biography of George Bernard Shaw and he later went on to write other biographical works and also became a pioneer of the ecological movement in Britain. During the Second World War his wife and daughters were evacuated to the United States and he worked for the Land Army as an agricultural labourer - accompanied by his beloved dog, Bindo. His memoirs and meditations on rural life, While Following the Plough (1946) and Down to Earth (1947) were first published together as The Worm Forgives the Plough in 1973, which has become a classic of nature writing.

WITH AN INTRODUCTION BY ROBERT MACFARLANE 
 
During the Second World War, John Stewart Collis volunteered to leave his comfortable life as an academic to work on the land for the war effort. His account of this time perfectly captures the soft-handed, city-dweller's naivety and wonder both at the workings of nature and the toughness of life on a farm. It's set in the south of England and comprises exquisitely written sections on whatever happens to take Collis's fancy and inspire his thoughtful curiosity, ranging from humorous sketches of the characters he works alongside; mini-essays such as 'Contemplation upon Ants', The Mystery of Clouds', 'Colloquy on the Rick', 'Meditation while Singling Mangolds', 'The Garden of Eden'; and celebrations of the earthworm, pea and potato. His mind ranges far and wide through literature science and philosophy as well as amazing descriptive writing, which makes for a book that is as uncategorisable as it is enchanting.

John Stewart Collis

The Wood

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